talk about what happened on the stage. Youwere trying to play and you were unable totune your guitar. Someone had to tune it foryou. You can’t tell the story. You don’teven remember it.Russ: I don’t remember anything about thatnight.Shawn: Our friend took Russ’s guitar offhis shoulders and tuned it for him. Then, westarted to play one song. We got maybe aquarter of the way into it and it just took ashit. There was some sort of disarray aboutwhat song to play next. We started trying toplay that. Next thing you know, Russ justfell. He fell right over his amp, knockeddown his speakers. I just threw my sticksup and said, “This ain’t gonna go anywhere.”Russ: We tried to play some Cheap Trick,“He’s a Whore.” Or I did, I guess. I’ve seenthe video. It’s pretty intense. I don’t know.All I know is that the video ends with mebeing carried outside and laid in the grass.Scott’s wife is in the video going, “Rollhim over on his side.”Shawn: [kidding] If you want him to live.Roll him over on the side if you want himto live.Scott: Everyone else seems to know moreabout that night than we do.Sean: Scott, do you really make a living offof eBay?Scott: I did. For thirteen months. I workedfor the evil Home Shopping Network. Ifucked with them for a long time, then Iquit. But I had all these CDs saved up and Iwas thinking, “Somebody would like thisone and somebody would want this one.”So I started off selling them, thinking, I’lldo this until I run out of CDs that I want tosell. But my wife pushed me. She said, “Gofind other things to sell. This is kinda cool.”And I was like, well yeah, this is kindacool. I get to hang out with the dog. I get togo drink whenever I want. I can sleep in.Mike: Tell him about Tori Amos.Scott: I got a Tori Amos record for, like,twenty-five dollars and sold it for threehundred fifty.Mike: Isn’t that ridiculous? Can youbelieve that someone would pay that muchfor a Tori Amos record?Scott: There was another record. Not a ToriAmos one. I bought it for a dollar and soldit for a hundred and fifty. [Scott pulls out alaminated sheet of paper and unfolds it] Idon’t leave home without this. This is mycheat sheet. [He points at a name of acheesy seventies teen star on his list andtells me that, if I ever see his album, Ishould buy it. But he also asks me not toinclude any real names in Razorcake, lest itdrive up the price of the records.] As youcan see, this is all horrible, horrible stuff.The good stuff is in my head, but this list isall the horrible stuff that’s worth something.I work at Kinkos now, but I still sellstuff on eBay. I did it right before I left sothat I could have some money to make mycar payment. It’s much better than working.Sean: How big of an influence is theReplacements on you guys?Russ: They’re just one of the best rockbands ever.Sean: Your name comes from them, right?Russ: It totally made sense that we pickthat name. The Tim version of “Can’tHardly Wait” is way more rocking than theother one. (The Replacements recorded twoversions of “Can’t Hardly Wait.” A faster,more punk rock version was recorded duringa session for their album named Tim,and slower, more produced and radiofriendlyversion was recorded during a sessionfor their Pleased to Meet Me album.Hence, the name “TimVersion.”) But theReplacements were great songwriters.That’s the most important thing for a band.Scott: We’re very focused on our songwriting.There aren’t a whole lot of things thatget blasted out real quickly with us. It’s realimportant to us that we don’t sound likeanyone else.Sean: Okay, then I have a songwritingquestion for you. How come you have asong on one album that says, “If nothing’sgoing on, it’s ‘cause nothing’s going oninside your head,” (“The Only Band ThatPuts Iced Tea in Whiskey Bottles” onCreating Forces That Don’t Exist) and youhave another song on the split with SuperChinchilla that screams over and over,“There’s absolutely nothing going on”(“Lloyd” on Go Halves on a Bastard)?Russ: The first one has to do with Tampa’sscenesters. There so much total scenestershit. It’s very shallow. It’s focused on that,I guess.Shawn: People are always saying, “There’snothing going on.” But there’s plenty goingon. They just don’t give a shit. They don’tput forth the effort to see what’s actuallyhappening. Everybody bitches about howcrappy Tampa is, but Tampa is great.There’s a ton of great bands and nobodygets a fair shake unless they’re in this tight,little, ass-kissing circle.Russ: The other one, “Lloyd,” is about onespecific night. We were hanging out inWest Virginia with this truck- 51
er dude named Lloyd. He’s actually on thecover of the record. He was trying to start afight.Shawn: He tried to fight all of us, individually.Russ: Yeah. He was a laid off old trucker.He was asking for change and being a dick.He wanted to play Johnny Cash. He was literallygrabbing my hand and trying to getmoney. But, by the end of the night, wewere all hanging out around the jukebox,listening to “The Ballad of Ira Hayes” withthis dude, and he was saying, “Johnny Cashis the greatest singer of all time.” It waskind of a cool experience.Shawn: We went from almost fighting thisold dude to hanging out with him. It was agood time.Sean: What are the “keep Russ happypills”?Russ: Russ has been on some medicationfor some time. They’re Scoobie snacks,basically. I’m a dog fucker. [laughs] No, Iget anxious. I get bummed out. And I guessit’s just me being a pussy, but the pills evenme out. They take the edge right off.Sean: What kind of pills are they?Russ: It’s Paxil, which is not a big deal.Everybody I know is on Paxil now.Everybody I know is on medication orshould be. I got off it for a while, but I waslike, fuck, I hate life. I’m back on it now.It’s not a big deal. You can still drink onthem. You’re not supposed to, but you can.You’re not supposed to tear the tags offmattresses, either, but we do that everyplace we stay.Sean: What about the rest of you? Havehardcore drugs made you better people?Scott: Basically.Shawn: Not me. I’m straight edge [laughsand takes a sip of his beer].Mike: We’re predominantly a beer band.Scott: That was just a funny song title(“Hardcore Drugs Made Me a BetterPerson”). I saw it on a t-shirt on someunderground, web site, t-shirt business.Some old lady – a Leave It to Beaver-typeold lady – was shooting heroin on the shirt.I thought it was funny.Shawn: Sometimes the song titles changeas we go along. We didn’t name that songfor a while. Then, we were doing a showand a Christian thrash band played beforeus, so I said to Scott, “We’ve got to playthis song first.” So Scott goes up to the micand says, “Hi. We’re the TimVersion andour song’s called, ‘Hardcore Drugs MadeMe a Better Person.’” The name stuck.Sean: Shawn, were you really in a SteveVai video?Mike: Yes. He had a permed mullet.Shawn: Yeah. A long time ago. I went toGibbs High School. It had a bunch of oldbuildings. And basically Steve Vai’s conceptbehind the video was him being ayoung kid. So they were at Gibbs to scoutthe location and shoot the video. And theydidn’t have a drummer. They needed adrummer for the video. Gibbs was an artshigh school. I was there for the drums.They came and asked me to do the video.I’m twenty-eight now, but I look like I’mtwenty-one. So, when I was fourteen, Ilooked like I was ten or eleven. But I couldplay the part, so, next thing I know, I was inSteve Vai’s “The Audience Is Listening”video. If you ever see it, I look like someoneout of the Stray Cats with eyeliner tattoosdrawn all over my arms.Sean: What happened when a Japanese guytried to set up a show for you in SantaMonica?Mike: I don’t think he fully understoodwhat was going on. There’s this outdoormall where they have street musicians (theThird Street Promenade). But they don’thave full on rock bands.Shawn: He went down to City Hall and gotthe contract, but he couldn’t read it. I couldn’tread it, the way it was written. And he’donly been in this country for three months.So we meet up with him and we’re like,“Okay, where are we playing?” He says,“Here.” And Scott explained to him that wecouldn’t play. He showed him in the contracthow the stores could shut us down andfine him a bunch of money. So we gotdrunk with him instead.Russ: The crazy thing about Santa Monicais that I don’t know anything aboutCalifornia. Whenever we told people wehad a show in Santa Monica, they werelike, “Oh, that’s weird.” Apparently, it’s areally ritzy part of LA. No one there wouldeven talk to us when we asked them fordirections. It was wild.Sean: Scott, when was the last time abunch of drunks destroyed your guitar?Scott: It was all kinda sketchy. I don’tremember exactly what was going on.There were a bunch of people all over thestage. All I remember is that I wanted totackle people while we were playing. Idon’t know. I think I tackled somebody andthey hit Mike. I’m not sure what happened,but when I got up, my guitar was snappedin half. I wasn’t very happy about that, so Imade sure it was fully destroyed. I soberedup the next day and realized, shit, they gotpeople to fix these things.Shawn: One of our friends droveoff with the guitar duct taped to thefront of his van. It looked like aunicorn. It was very majestic.Mike: It was a big van boner. 53
- Page 5 and 6: I bid the Hen farewell as she joine
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- Page 22 and 23: THE AMAZING SNOX BOXBy Brian Gage,
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- Page 32 and 33: eunion. And puked on myself. During
- Page 34 and 35: Ray Chavezportrait of the domestic
- Page 36 and 37: Seth SwaaleySwinging Door Conversat
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- Page 46 and 47: 54Annie: guitar • Susy: bass •S
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- Page 50 and 51: Sturgeon: One article, they had the
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- Page 60 and 61: TheZack Olson: BassJason Patrone: V
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- Page 66 and 67: looked cute on stage.Carrie: We wer
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- Page 74 and 75: ing and I’m still bummed that the
- Page 76 and 77: FROM ASHES RISE/VICTIMS: Split CDFr
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