SHHS Interiors:Layout 1 12/06/2011 22:04 Page 40Sicily 2009classicsSicily TripArriving in the entrance hall to Heathrow airport at5am may not sound like the best start to a trip, buteven at this time of the morning, spirits were high.The trip arrived in Palermo by early afternoon,just in time to visit Palermo Cathedral in thecentral square. The cathedral facade was magnificent,demonstrating a mixture of architecturalstyles influenced by the many civilisations who conqueredthe island. Inside the cathedral, there weremany beautiful paintings, and a lot of work had beendone on the cathedral recently, as the ceiling hadbecome dilapidated.That evening we sampled typical Sicilian cuisine:pasta with tomato sauce, veal in breadcrumbsand followed it up by ice cream in the seasideresort where we then went for a wonderful walkalong the seashore.The next day began with a slightly later startof 8am and we planned to go on a tour of the magnificenttheatre and temple at Segesta followed by avisit to the temples at Selinunte in the warm,autumn Sicilian sun. Instead, it poured. A few of usventured down to the stage at Segesta, wading40through the streams of water running down thesteps. Comfortingly, at the bottom there was someshelter from the gale. The view was amazing and theexperience made more memorable because we hadto shout to be heard by anyone more than a fewpaces away despite the fact that the theatre hadbeen designed so that a whisper could be heard byall three-thousand-two-hundred spectators.Thankfully, by the time we reachedSelinunte, the weather had improved. We dried offwhile scrambling over ruins of temples left overfrom millennia ago, posing on the tops of podiumsand columns. Once we were feeling dry, we set offto the coach, but ten metres from the door, theheavens opened once more, reducing us to todrowned water rats. We drove back to the hotel inrather low spirits, for our second night of pastawith tomato sauce and veal in breadcrumbs.On the third day, we were in Agrigento,home of twelve temples, lined along the hillside.Our first glimpse of them had been the previousevening when they were lit up like bonfires. Nowwe were to see them in daylight. It was another dayof scrambling over ancient ruins and marvelling atthe scale of the architecture. The views across thevalley were amazing, but nothing could comparewith the Temple of Concord, built in 5th CenturyBC. It stands tall and proud, at a distance from allthe other temples and it is still the best preservedDoric temple after the Pantheon. After spending thewhole day amongst the ruins and in a museum withall the artefacts, we headed back to the hotel forpasta and tomato sauce followed by veal in breadcrumbs.The fourth day was also spent in Agrigento,but seeing the fabulous mosaics in the Villa Romanadel Casale, built in the 3rd and 4th century AD. The
SHHS Interiors:Layout 1 19/06/2011 11:32 Page 41mosaics are varied and beautiful, ranging from birdsand other animals to people competing in Romansports. Guided round the villa by an audio tour featuringa different soundtrack for each mosaic, thetours culminated in The Chamber of the TenMaidens, with the fantastic mosaic informallydubbed, The Bikini Girls. This was followed by a visitto the baroque city of Noto, en route to Syracuse.Noto is a beautiful city, known as The Garden ofStone. The amazing churches (over twenty) and theelaborate balconies were particularly noticeable.The hotel in Syracuse served... pasta with tomatosauce and veal in breadcrumbs.Day five in Syracuse passed beautifully. Wespent the day wandering around another theatre,and were treated to several singing performances inthe glorious sunshine. We then moved on toOrecchio di Dioniso or The Ear of Dionysi, an oldmine used for holding prisoners. Originally, the topwas open, and they had to sit in the glare of the sunwith no food or water until they died, surroundedby the bodies of those who had died before them.This did not help us to develop an appetite forpasta with tomato sauce and veal in breadcrumbsback at the hotel.The final day of our trip was spent inTaormina. In the morning, we visited the Greek theatre,which has amazing views over the bay, and, ofcourse, Mount Etna. However, disappointingly, wecouldn’t see any smoke. After spending a few hoursin the theatre we were let loose to wander aroundTaormina, looking at all the churches and completingany shopping for souvenirs we hadn’t yet managedto find. Then it was time for a last gelato andback on the coach to get the plane to a much wetter,but tomato sauce-free home.Ellie H and Marianna C, Year 12The Persians“The thing about The Persians is essentially nothingactually happens. The characters come on. Expectbad news. Get bad news. Cry. Lament. Go off again.I suppose it’s kind of a parody of what a GreekTragedy is.” said Professor Simon Goldhill, Directorof Classics at King’s College, Cambridge, midwaythrough his stunningly informative pre-performancetalk, which rather outshone the King’s CollegeLondon production of Aeschylus’ Persae.To give the actors their credit, they seemed,for the most part, to have learnt their lines verywell - no mean feat when confronted with theprospect of a couple of thousand lines ofAeschylean Greek, parts of which probably didn’tmake all that much sense even to the original audience.I also feel that the director’s decision to providea faithful, rather than summarised, translationof the subtitles was commendable. After all, surelythe Chorus’ line, upon learning of the Persiandefeat; “Alas! Despair! You are saying/ that the deadbodies of our loved ones/ are floating, soaked andconstantly buffeted by salt water,/ shrouded in mantlesthat drift in the waves” is far more interestingand gives more of a sense of Aeschylus as a poet(especially since these lines reference Homer’sOdyssey 19.241-2) than the translation which mighthave read, “Oh no! Apparently our families havedrowned!”The lead actors, too, turned in some fine,sensitive performances. Ben Donaldson gave a convincingportrayal of an arrogant Xerxes, destroyedby the guilt of the terrible slaughter he has allowedto fall upon his people, and Petros Bouras-Vallianatos, as Darius, presented a majestic formerruler, filled with wrath at the folly of his heir.Ella G, Year 13 Leaver2009-2011 <strong>School</strong> Magazine 41