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Bound for Success Scope and Sequence Statements

Bound for Success Scope and Sequence Statements

Bound for Success Scope and Sequence Statements

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ENGLISHWriting Imaginative TextsIn Years 1, 2 <strong>and</strong> 3 students write simple stories in print <strong>and</strong> electronic mediums, using those they have read <strong>and</strong> heard asmodels.In Years 4, 5 & 6 students write imaginative texts in, print <strong>and</strong> electronic mediums, that largely draw on the students’ owndirect experience of the world. These texts may include stories, simple poems <strong>and</strong> scripts.In Years 7 & 8 students write imaginative texts that contain ideas <strong>and</strong> in<strong>for</strong>mation dealing with their personal views of theworld. These texts may include simple adventure fantasy, horror <strong>and</strong> ghost stories, myths, legends, ballads <strong>and</strong> play scripts.In Years 9 & 10 students write in print <strong>and</strong> electronic mediums, that contain personal, social <strong>and</strong> cultural ideas <strong>and</strong> issuesrelated to their own lives <strong>and</strong> communities, <strong>and</strong> their views of their exp<strong>and</strong>ing world. These texts may include short stories,anecdotes, plays, poetry, <strong>and</strong> personal letters.In Year 1the student:In Year 2the student:In Year 3the student:In Year 4the student:In Year 5the student:In Year 6the student:In Year 7the student:In Year 8the student:In Year 9the student:In Year 10the student:underst<strong>and</strong>s that:o texts can entertain <strong>and</strong>in<strong>for</strong>mo stories have characters<strong>and</strong> eventso simple stories have astructureunderst<strong>and</strong>s that:o texts can entertain <strong>and</strong>in<strong>for</strong>mo stories have characters<strong>and</strong> key eventso stories have a structureunderst<strong>and</strong>s that:o texts have purposes toentertain or in<strong>for</strong>m anaudienceo stories have characters,setting, ploto imaginative texts have astructureunderst<strong>and</strong>s that writers:o consider their purpose <strong>for</strong>writingo consider thecharacteristics of theaudience when selectingsubject matter (e.g. <strong>for</strong> apicture book <strong>for</strong> prepstudents <strong>and</strong> <strong>for</strong> a book<strong>for</strong> Year 7 students)o develop narrativesthrough the plot <strong>and</strong>descriptions of settings,characters, event <strong>and</strong>thingsunderst<strong>and</strong>s that writers:o consider their purpose <strong>for</strong>writing, including topersuade, entertain, orin<strong>for</strong>mo consider the interests ofthe audience whenselecting subject matterwithin a chosen topico can explore their ownideas <strong>and</strong> feelings throughthe characters <strong>and</strong>situations they createo can represent characters<strong>and</strong> events in particularways by including oromitting in<strong>for</strong>mation <strong>and</strong>making particularlanguage choicesunderst<strong>and</strong>s that writers:o select subject matteraccording to the purposeof their writing <strong>and</strong>audienceo can draw on their ownideas <strong>and</strong> on the subjectmatter <strong>and</strong> <strong>for</strong>ms of textsthey have read <strong>and</strong>viewed when developingcharacters, settings <strong>and</strong>plotunderst<strong>and</strong>s that writers:o select subject matterwithin a chosen topicaccording to purpose <strong>and</strong>audienceo can draw on their ownknowledge, experiences,thoughts <strong>and</strong> feelingso can draw on the subjectmatter <strong>and</strong> <strong>for</strong>ms of textsthey have heard, read <strong>and</strong>viewedunderst<strong>and</strong>s that:o selection of subject matteris dependent on contexts,purpose <strong>and</strong> audienceo ideas <strong>and</strong> issues canextend beyond theimmediate ploto writers can be influencedby the knowledge, values<strong>and</strong> practices of differentcultures (e.g. youthculture, traditionalcultures)underst<strong>and</strong>s that:o imaginative texts canmove <strong>and</strong> persuadeo ideas <strong>and</strong> issues canextend beyond theimmediate plot with mainideas developed throughthe interconnections ofplot, settings <strong>and</strong>characterso writers can express views<strong>and</strong> values other than theirownunderst<strong>and</strong>s that:o writers use theconventional plots,settings, characters <strong>and</strong>resolutions associatedwith different text types(e.g. horror, adventure,romance) to positionaudienceso writers choose how toposition their readers bydrawing on theknowledge, values <strong>and</strong>practices of groups toshow differentperspectives or to servecertain interests (e.g.Parvana by DeborahEllis)writes stories that:o include events insequenceo include people, places,objects <strong>and</strong> events relatedto their personalexperienceswrites stories that:o include brief descriptionsof setting <strong>and</strong> characterso include a series of looselyconnected events oractionso conclude with a simpleendingwrites stories that:o introduce characters <strong>and</strong>provide a brief descriptionof settingo <strong>for</strong>mulate a storyline of afew sequenced events <strong>and</strong>create a complicationo include brief descriptionsof familiar characters,places <strong>and</strong> thingso attempt an ending, oftenas a resolutionwrites stories that:o provide a brief descriptionof setting, includingplaces <strong>and</strong> objectso develop characters usingdescriptionso use dialogueo <strong>for</strong>mulate a storyline ofsequenced events <strong>and</strong>create a complicationo create an ending, often asa resolutionwrites stories that:o provide a description of asetting <strong>and</strong> characterso use dialogue to enhancecharacter development<strong>and</strong> meaningo develop a storyline ofsequenced eventsinvolving complications<strong>and</strong> resolutions withrelevant detailso create an ending whichdraws together elementsof the storyline,sometimes in a resolutionwrites stories that:o develop characters <strong>and</strong>setting using descriptions<strong>and</strong> dialogueo create characters withpersonalities, throughdialogue <strong>and</strong> descriptionsof feelings <strong>and</strong> behaviouro develop a storyline ofsequenced eventssupported by relevantdetails involvingcomplications, resolutions<strong>and</strong> conclusiono use evaluative words (e.g.nervously, lucky,challenging)o use some humour toentertain their audienceo use subject matter chosento appeal to certaingroupso reflect consideration ofsome social justiceimplications of the waysthat people, places, events<strong>and</strong> things are representedwrites stories that:o use ideas, details <strong>and</strong>events that are relevant tothe storylineo develop characterisationthrough descriptions,actions <strong>and</strong> dialogueo create characters withfeelings <strong>and</strong> personalitiesbeyond traditionalcharacterso include some evaluativecomments on thesignificance of an event(e.g. it was like a baddream)o can use humour toentertain their audienceo choose aspects of subjectmatter to representpeople, places, events <strong>and</strong>things in ways that appealto certain groupso reflect consideration ofthe social justiceimplications of the waysthat people, places, events<strong>and</strong> things are representedwrites stories that:o draw on conventions ofnarrative including timeorder; characterisation,description <strong>and</strong> imagery,creating atmosphere,reflections/evaluations ofactionso develop a series ofcomplications with aclimax <strong>and</strong> resolutiono use dialogue to constructrelationships betweencharacterso explore challenging ideas<strong>and</strong> ethical dilemmasthrough the constructionof actions, speech,thoughts <strong>and</strong> feelings ofthe characterso experiment with usingparody to create humouro reflect selective choices toposition readers/viewers incertain ways whenconstructingrepresentations ofcharacters, settings <strong>and</strong>plotwrites stories that:o develop sustained textswith attention to timeorder, characterisation,consistent narrative pointof view <strong>and</strong> developmentof a resolutiono use dialogue to constructrelationships betweencharacters <strong>and</strong> to furtherthe narrativeo create characters <strong>and</strong>situations which exploreethical dilemmas, <strong>and</strong>which move beyondstereotypes orexpectationso use references to othertexts <strong>and</strong> parody to extendmeaning <strong>and</strong> createhumourwrites stories that:o develop sustained textswith attention to timeorder, characterisation,consistent narrative pointof view <strong>and</strong> developmentof a resolutiono use dialogue to constructrelationships betweencharacters <strong>and</strong> to furtherthe narrativeo create characters <strong>and</strong>situations which exploreethical dilemmas, <strong>and</strong>which move beyondstereotypes orexpectationso use references to othertexts <strong>and</strong> parody to extendmeaning <strong>and</strong> createhumourknows <strong>and</strong> uses:• basic punctuationincluding capitals, fullstops <strong>and</strong> question marksto signal the beginning<strong>and</strong> end of sentences.• the aspects of spellingknows <strong>and</strong> uses:• basic punctuationincluding capitals, fullstops <strong>and</strong> question marksto signal the beginning<strong>and</strong> end of sentences• the aspects of spellingknows <strong>and</strong> uses:• basic punctuationincluding capitals to signalnames <strong>and</strong> the beginningof a sentence; full stops,question marks <strong>and</strong>exclamation marks tosignal the end of aknows <strong>and</strong> uses:• punctuation including- commas to mark clauses(as in Eats, Shoots <strong>and</strong>Leaves by Lynne Truss),- apostrophes incontractions <strong>and</strong> toknows <strong>and</strong> uses:• punctuation including- commas to mark clauses- apostrophes incontractions <strong>and</strong> toshow ownership- speech marks <strong>for</strong> directspeechknows <strong>and</strong> uses:• punctuation <strong>for</strong> directspeech (quotation marks,comma, full stop/questionmark/exclamation mark)• the aspects of spellingspecified in the Spellingknows <strong>and</strong> uses:• punctuation includingquotation marks to signaldirect speech <strong>and</strong> directquotes• the aspects of spellingspecified in the Spellingknows <strong>and</strong> uses:• punctuation indicatingdifferentiation of direct<strong>and</strong> reported speech, <strong>and</strong>direct quotes• the aspects of spellingspecified in the Spellingknows <strong>and</strong> uses:• punctuation includingconventions of quoting<strong>and</strong> referencing• the aspects of spellingspecified in the Spellingknows <strong>and</strong> uses:• punctuation including- conventions of quoting<strong>and</strong> referencing- colon <strong>and</strong> semicolons inextended lists.• the aspects of spelling<strong>Bound</strong> <strong>for</strong> <strong>Success</strong> <strong>Scope</strong> <strong>and</strong> <strong>Sequence</strong> <strong>Statements</strong> Page8 Working Document Semester One V2 - 2007

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