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Bound for Success Scope and Sequence Statements

Bound for Success Scope and Sequence Statements

Bound for Success Scope and Sequence Statements

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ENGLISHSpeaking <strong>and</strong> ListeningIn Year 1the student:In Year 2the student:In Year 3the student:In Year 4the student:In Year 5the student:In Year 6the student:In Year 7the student:In Year 8the student:In Year 9the student:In Year 10the student:suit audience, purpose<strong>and</strong> topico conjunctions to joinsimple sentences, <strong>and</strong> toadd or comparein<strong>for</strong>mation (e.g. <strong>and</strong>,then)o volume to suit the socialsituation <strong>and</strong> audiencesizeo descriptive words, facialexpressions <strong>and</strong> gesturesto communicate aresponseadditional in<strong>for</strong>mationo comm<strong>and</strong>s wheninstructing, (e.g. Throwthe ball.)o relevant vocabulary tosuit audience, purpose<strong>and</strong> topico conjunctions to joinsimple sentences, <strong>and</strong> addor compare in<strong>for</strong>mation,(e.g. as, well <strong>and</strong> but)o volume, pace, tone ofvoice to add meaningo descriptive words, facialexpressions <strong>and</strong> gesturesto communicaterespectfully with othersadditional in<strong>for</strong>mationo comm<strong>and</strong>s wheninstructing, (e.g. Runaround the oval)o relevant vocabulary tosuit audience, purpose<strong>and</strong> topico adjectives to representpeople, places, events <strong>and</strong>things in particular wayso conjunctions to joinsimple sentences <strong>and</strong> addor compare in<strong>for</strong>mation(e.g. also, because)o body language includingfacing the speaker,gestures (e.g. shrugging)<strong>and</strong> facial expressions toemphasise <strong>and</strong> clarifymeaningo variation in voice tone,volume, <strong>and</strong> pace to addinterestclarificationo comm<strong>and</strong>s to givedirections in discussions<strong>and</strong> conversationso specialist vocabularyrelated to the topic −following immersion inthe topico adjectives <strong>and</strong> verbs torepresent people, places,events <strong>and</strong> things inparticular wayso conjunctions to <strong>for</strong>mcompound sentences (e.g.then, but, so)o body language (e.g. openor closed, posture),gestures (e.g. pointing)<strong>and</strong> facial expressions toemphasise <strong>and</strong> clarifymeaningo variation in voice tone,volume, <strong>and</strong> pace to addmeaning <strong>and</strong> interestrelated to the topic fromresearcho thinking <strong>and</strong> feeling verbsto give opinions (e.g. Jackremembered his dream.Everyone loved the icecream.o adjectives <strong>and</strong> verbs torepresent people, places,events <strong>and</strong> things in achosen way (e.g. inpositive or negative ways)o facial expressions,movements, gestures <strong>and</strong>modulation of volume toenhance their expressionof ideasrepresent people, places,events <strong>and</strong> things in waysthat appeal to the targetaudience (e.g. fear,frighten, afraid)o non-verbal resources (e.g.facial expressions,movements, gestures) <strong>and</strong>spoken resources (e.g.volume, pace) to enhancemeaning <strong>and</strong> audienceappealto certain groupso words to indicate degreesof certainty (e.g. must,should, may)o non-verbal resources,(including facialexpressions, gestures <strong>and</strong>movement, <strong>and</strong> spokenresources including pace,volume <strong>and</strong>pronunciation) toemphasise meaning <strong>and</strong> toappeal to differentaudiencesconcepts by selectivelymaking choices toposition listenerso language appropriate tothe audience <strong>and</strong> theirrelationship with thelistenero evaluative words toinfluence listeners’viewpointso text connectives tosequence (e.g. firstly, tosum up), contrast (e.g. onthe other h<strong>and</strong>, however)<strong>and</strong> clarify (e.g. in otherwords, <strong>for</strong> example)o varying resources,including pace, phrasing,intonation, pronunciation,facial expression, gesture,sound <strong>and</strong> silence to makemeaning <strong>and</strong> influencelistenersoooooconclusions<strong>for</strong>mal <strong>and</strong> in<strong>for</strong>mallanguage adjusted to thesize <strong>and</strong> nature of thegroup <strong>and</strong> theirrelationship with thelistenerevaluative words <strong>and</strong>phrases to influencelisteners viewpointstext connectives tosequence, contrast,clarify, show cause (e.g.there<strong>for</strong>e, as a result),<strong>and</strong> add in<strong>for</strong>mation(e.g. in addition,moreover)words <strong>and</strong> phrases toconvey probability <strong>and</strong>authority (e.g. It’sobvious that, It’sprobable that) <strong>and</strong> toposition listenersvarying pace, pitch,phrasing, intonation,pronunciation, facialexpression, gesture,sound <strong>and</strong> silence toinfluence an audienceoooooconclusions<strong>for</strong>mal <strong>and</strong> in<strong>for</strong>mallanguage adjusted to thesize <strong>and</strong> nature of thegroup <strong>and</strong> theirrelationship with thelistenera range of differentintonation patterns inboth prepared <strong>and</strong>spontaneous textsadverbials to signalviewpoint, attitudetowards a topic orcommitment to certainstatementsa range of evaluativevocabulary to appraisetexts <strong>and</strong> to builddescription <strong>and</strong> suspensein literary textsa range of textconnectives within textsto clarify, compare,contrast, sequence,indicate time or cause<strong>and</strong> effect (includingvisual, gestural <strong>and</strong>audio resources)<strong>Bound</strong> <strong>for</strong> <strong>Success</strong> <strong>Scope</strong> <strong>and</strong> <strong>Sequence</strong> <strong>Statements</strong> V2 Page 13 Working Document Semester One 2007

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