Contributing AuthorsShahidul Alam is a photographer, writer and activist. Starting photography in 1980, he won theHarvey Harris Trophy for best photographer of the year (London Arts Council, 1983). He waspresident of the Bangladesh Photographic Society, founded Drik Picture Library and establishedthe Pathshala: South Asian Institute of Photography. He is a director of the Chobi Mela festivalof photography in Asia, and founder chairman of Majority World. His work is shown internationallyand he has been chairman and four-time jury member of World Press Photo. Honorary Fellow ofthe Bangladesh Photographic Society, he won the Andrea Frank Foundation Award and the HowardChapnick Award in 1998, and was awarded the Honorary Fellowship of the Royal PhotographicSociety for his contribution to photography (2001). He is visiting professor of Sunderland University(UK) and Regent's Lecturer at UCLA (USA) and on the advisory board for the W. Eugene SmithMemorial <strong>Fund</strong> and the National Geographic Society.John Berger is a writer, artist, filmmaker and cultural critic. His art studies include Ways of Seeing,The Success and Failure of Picasso and (with photographer Jean Mohr) Another Way of Telling;among other non-fiction writings are A Fortunate Man and A Seventh Man: Migrant Workers inEurope, and numerous essay collections such as The Shape of a Pocket. Poetry fills Pages of theWound while <strong>book</strong>s like And Our Faces, My Heart, Brief as Photos contain poetry and prose. Hisnovels include G. (1972 Booker Prize and James Tait Black Memorial Prize), Into Their Labours,To the Wedding and From A to X. Berger has collaborated with theatre-directors and composers,the late artist Juan Munoz and filmmaker Alain Tanner (La Salamandre, The Middle of the Worldand Jonah who will be 25 in the year 2000). He won the Lannan Literary Award for Fiction (1989)and Lannan Lifetime Achievement Award (2002).Supriya Chaudhuri is Professor of English, Co-ordinator of the Centre of Advanced Study at theDepartment of English, and Director of the School of Languages, Jadavpur University, Calcutta.Educated in Calcutta and at Oxford, where she took her graduate and doctoral degrees, shecommenced her teaching career at Presidency College, Calcutta, and has advised on researchand higher education policies at the university level in India. She has been a Visiting Fellow atthe University of Cambridge. Her areas of specialisation are Renaissance studies, philosophy,modern critical theory, cinema, sport, translation, cultural history and contemporary fiction,and she has published widely in these fields. She writes in both English and her mother tongueBengali, and translates between the two, especially for the series Oxford Tagore Translations.She also reviews contemporary fiction, especially new Indian writing in English, and has actedas a judge for the Commonwealth Writers’ Prize.José Benjamín Cuéllar Martínez, born in El Salvador, studied Jurisprudence and Social Sciences atthe University of El Salvador, and Political Sciences and Public Administration at Mexico’s AutónomaUniversity. He worked in social and human rights in El Salvador (1972-83) and was founding ExecutiveSecretary of Mexico’s “Fray Francisco de Vitoria” Centre for Human Rights (1984-91). In 1992,he returned to El Salvador to run the Human Rights Institute at the Central American University(IDHUCA), a post he continues to hold. Under his leadership, the IDHUCA won France’s 2004 HumanRights Award and Lawyers of the World Association’s 2002 Human Rights Award. Member of theBoard and Vice-President (1998-2002) of the Centre for Justice and International Law (CEJIL) inWashington DC, Cuéllar Martínez heads the El Salvador Independent Monitoring Group (GMIES), hasworked with institutions in America, Europe and Asia, held university posts and published widely.1342008 <strong>Prince</strong> <strong>Claus</strong> Awards
Zara Fleming is an art consultant, researcher and curator. She studied at the British Institute inFlorence, Tours University and at the Victoria & Albert (V&A) Museum and SOAS (UK). She wasresponsible for the V&A’s Tibetan collection (1975-81) and catalogued Tibetan and Mongolianart in European museums for the Central Asian Seminar of Bonn University (1981-90). She wasconsultant in the UK for the Royal Academy’s ‘Wisdom and Compassion’ (1992), curator of ‘Inthe Steppes of Genghis Khan’ (1993) and ‘Radiant Transmission – Contemporary Masterpiecesof Vajrayana Buddhist Art’ (2003), and co-curator of ‘Asia: Mind Body Spirit’ (2004). A contributorto Macmillans Dictionary of Art (1993), she edited Masterpieces of Mongolian Buddhist Art(vol. 1, 2008). She has been Chair of the UK’s Tibet Society and a Trustee of the Tibet Relief <strong>Fund</strong>.Since 2001, she is art advisor to Mongolia’s Centre for Cultural Heritage in Ulaan Baatar.Lilian Gonçalves-Ho Kang You was born in Suriname, graduated in law at the University of Leiden,and worked in Suriname first as assistant to the Prime Minister and later as an attorney at law.In 1984 she moved as a political refugee to the Netherlands where she practised commercial law.She was Chairperson of the National Bureau against racial discrimination, Vice-President of theEqual Treatment Commission and Vice-President of the Board of OPTA. She is a member of theInternational Executive Committee of Amnesty International and Chairperson of the Foundationfor Legal Cooperation between the Netherlands and Suriname. In 2004, she became Chair personof the Board of the <strong>Prince</strong> <strong>Claus</strong> <strong>Fund</strong>.Jan Hoet studied history of art and archaeology at Brussels Academy of Art, was founder andprofessor at Westhoek Academy of Art, and director of Ghent’s SMAK (Stedelijk Museum voorActuele Kunst) (1975-2001). Since ‘Chambres d’Amis’ (Ghent 1986), awarded best Europeanexhibition of the year, he has curated exhibitions across Europe, in Canada, Mexico and Japan,including the Belgian pavilion at the Venice Biennale (1988), documenta IX (1992), Sonsbeek 9(Arnhem 1995) and ‘Ripple Across the Water’ (1995) marking the 50th anniversary of Hiroshimaand Nagasaki. Hoet has been a member of the Executive Board of the International Committeefor Museums and Collections of Modern Art, President of the International Association of ArtCritics, acquisitions commissioner for FRAC (Nord/Pas de Calais) and commissioner on theArts Council of the Ministry of Culture (Amsterdam). He was visiting professor at GroningenUniversity (2000-01) and since 2001 he is director of Germany’s MARTa Herford.Jiang Jiehong is a curator, senior lecturer, and founding Director of the Centre for Chinese VisualArts at Birmingham Institute of Art and Design, Birmingham City University (UK). He lectures atcultural institutions both in the UK and in China, including the Central Academy of Fine Arts andthe China Academy of Art. In 2004 he organised the international symposium on ‘The VisualLegacy of the Chinese Cultural Revolution in Contemporary Art’ (UK). Jiang curates contemporaryChinese art exhibitions in China, Hong Kong and the UK. Among his more recent exhibitions are‘Sightseeing’ (Beijing 2007), ‘Collective Identity’ (Manchester and Hong Kong 2007) and ‘ViewBeyond the Window’ (Birmingham 2007). His work has been published in Third Text, BLOK and ArtChina, and he is editor of Burden or Legacy: from the Chinese Cultural Revolution to ContemporaryArt (Hong Kong 2007) and author of The Revolution Continues (London 2008).Culture and the Human Body 135
- Page 1 and 2:
Prince Claus Fund forCulture and De
- Page 3:
2008 PrinceClaus AwardsPrix PrinceC
- Page 6:
Forewordby HRHPrince FrisoandHRH Pr
- Page 9 and 10:
The 2008 Prince Claus Laureates rem
- Page 11:
92 Elia SuleimanLike Nazareth or Ra
- Page 14 and 15:
IntroductionThrough its diverse pro
- Page 17 and 18:
From the series ‘Road to National
- Page 21:
and innovation, to appreciate audac
- Page 24 and 25:
2008 Theme: Culture and the Human B
- Page 27 and 28:
‘Dadawa concert’, costume desig
- Page 30 and 31:
IndiraGoswamiPortrait of Indira Gos
- Page 32 and 33:
Writer, Woman, Activistby Supriya C
- Page 34 and 35:
Religion, especially the practices
- Page 36 and 37:
Extract 1 from The Moth-Eaten Howda
- Page 38 and 39:
Extract 2 from The Moth-Eaten Howda
- Page 40 and 41:
LoveWhen my beloved diedI felt as i
- Page 42:
Ten 2008Prince ClausAwards
- Page 45 and 46:
Tania BrugueraCubaUsing the human b
- Page 47 and 48:
‘Poetic Justice’ by Tania Brugu
- Page 49 and 50:
Images from a performance of ‘The
- Page 51 and 52:
Carlos Henríquez ConsalviEl Salvad
- Page 53 and 54:
Indigenous People Rights activity i
- Page 55 and 56:
Carlos Henríquez Consalvi, alias
- Page 57 and 58:
Li XiantingChinaCurator and critic,
- Page 59 and 60:
Li Xianting at an exhibitionPhoto:
- Page 61 and 62:
Portrait of Li XiantingPhoto: court
- Page 63 and 64:
Ma KeChinaA bold voice in contempor
- Page 65:
From the collection ‘WUYONG, the
- Page 68 and 69:
VenerablePurevbatLama Purevbat plac
- Page 70 and 71:
Master Artist of Mongolia’s Moder
- Page 72 and 73:
of the sacred image is never determ
- Page 74 and 75:
JeanguySaintusPortrait of Jeanguy S
- Page 76 and 77:
Passion, Courage and Perseveranceby
- Page 78 and 79:
the Artcho Danse school. This is ve
- Page 80 and 81:
DayanitaSinghPortrait of Dayanita S
- Page 82 and 83:
Through the Cracks of a Mirrorby Sh
- Page 84 and 85: ‘Untitled’ from the series 'Go
- Page 86 and 87: OusmaneSowOusmane Sow with one of h
- Page 88 and 89: Exposing the Limitations of Categor
- Page 91 and 92: Ousmane Sow in his workshopin Dakar
- Page 93 and 94: Elia SuleimanPalestineBorn into a P
- Page 95 and 96: Elia Suleiman at workPhoto © Marce
- Page 97 and 98: Elia Suleiman at workPhoto © Marce
- Page 99 and 100: James Iroha UchechukwuNigeriaJames
- Page 101 and 102: Photographs at a slaughterhouse in
- Page 103 and 104: ‘Vaseline Beads’Photo © James
- Page 106 and 107: An OverviewThe Prince Claus Fund is
- Page 108 and 109: Artistic ProductionsInnovative cult
- Page 110 and 111: One of the fashion shows at Alokpa
- Page 112 and 113: Capoeira action in the roda in Sout
- Page 114 and 115: Provoking the audience on the stree
- Page 116 and 117: Stage on Redondo Beach, PeruPhoto
- Page 118 and 119: 118 2008 Prince Claus AwardsFilm st
- Page 120 and 121: Essam Marouf, ‘Untitled’, 2007,
- Page 122 and 123: ‘Buddhist Religious Representatio
- Page 124 and 125: Metis participants at the XVII Inte
- Page 126 and 127: Poster for a performance in Burkina
- Page 128 and 129: Rajanikara Leng Kaewdee in ‘Spiri
- Page 130 and 131: Damage to cultural heritage at the
- Page 132 and 133: ‘Hidden Afghanistan: The Collecti
- Page 136 and 137: Els van der Plas, art historian and
- Page 138 and 139: The 2008 Prince ClausAwards Committ
- Page 140 and 141: Rahul Mehrotra studied at Ahmedabad
- Page 142 and 143: Laureates of the Prince Claus Fund
- Page 144 and 145: The 1998 Prince Claus AwardsThe Pri
- Page 146 and 147: Faustin Linyekula, the 2007 Princip
- Page 148 and 149: AcknowledgementsThe Prince Claus Fu
- Page 150 and 151: The Prince Claus FundThe Board of t
- Page 152: Published and produced by the Princ