of the sacred image is never determined by the individual choice of the artist, but is governedby these philosophical and ritual prescriptions.Purevbat sets a high standard of both discipline and achievement amongst his students,and is truly dedicated in his commitment to pass on this sacred artistic tradition to the nextgeneration. He is currently working on an encyclopaedia par excellence, a series of 23 volumesdevoted to different aspects of Mongolian Buddhist art, which will be a major contribution for theeducation of future artists and craftsmen. Other activities of the Institute inspired by Purevbatinclude collecting Buddhist art and literature to disseminate knowledge; documenting andresearching the destroyed monasteries and other sacred sites around Mongolia; undertaking largerestoration projects, such as the rebuilding of the important Migjed Janraisag Temple in GandanMonastery and providing ceremonial and ritual artefacts for temples throughout the country.His own talent as an artist is remarkable; although as a true Buddhist scholar he faithfullyadheres to the guidelines in the ancient texts, he manages to imbue each sacred image with amodern dynamic vitality. He excels in painting these manifested forms of Buddhahood as perfecthuman bodies, charged with a spiritual essence to deepen their role as a focus of faith. In thebackground of the painting, there is scope for freedom of expression; and this is where Purevbat’stalents as an innovator come into play. Despite being strongly influenced by the work of thegreat artist and sculptor, Zanabazar (1635-1723), Purvebat has succeeded in creating his owncharacteristic style and is without doubt, the most exciting and impressive contemporaryMongolian artist of today.The immense significance of Purevbat’s work is seen in the remarkable renaissance of Buddhistart at a crucial time in Mongolia’s history. Through reviving this ancient tradition of Buddhist art,he has of his own volition, inspired the increased practice of Buddhism and Buddhist culture inhis country. And for this unswerving commitment, he is highly regarded not only in Mongolia, butalso in the wider world of Buddhism. In order to ensure his work maintains a high standard, hespends time receiving teachings and advice from Buddhist masters in India and the Himalayas.His work is highly respected in the Vajrayana Buddhist areas of India and in other Buddhistcountries, like Japan, Korea and Taiwan. Frequently appearing on television or speaking on theradio, he has made people realise the importance of maintaining and revitalising MongolianBuddhism and its rich artistic tradition.I am delighted that Purevbat has been honoured with the <strong>Prince</strong> <strong>Claus</strong> Award 2008, a justlydeserved accolade for his vast contribution to Mongolia’s cultural identity. It is a triumph, forPurevbat, for his partner and fellow artist, Kim Sun Jeong, and for the people of Mongolia.72 2008 <strong>Prince</strong> <strong>Claus</strong> Awards
Thangka of Buddha Amitabha in his Dewachen paradise, created by LamaPurevbat and his students at the Mongolian Institute of Buddhist ArtsPhoto © Konchog NorbuView of a new stupa, under construction by Lama Purevbat and hisstudents from the Mongolian Institute of Buddhist Arts, DemchigMonastery, Omnogov Province, showing the completed central stupaand foundations for eight smaller stupas to be built around itPhoto © Konchog Norbu
- Page 1 and 2:
Prince Claus Fund forCulture and De
- Page 3:
2008 PrinceClaus AwardsPrix PrinceC
- Page 6:
Forewordby HRHPrince FrisoandHRH Pr
- Page 9 and 10:
The 2008 Prince Claus Laureates rem
- Page 11:
92 Elia SuleimanLike Nazareth or Ra
- Page 14 and 15:
IntroductionThrough its diverse pro
- Page 17 and 18:
From the series ‘Road to National
- Page 21: and innovation, to appreciate audac
- Page 24 and 25: 2008 Theme: Culture and the Human B
- Page 27 and 28: ‘Dadawa concert’, costume desig
- Page 30 and 31: IndiraGoswamiPortrait of Indira Gos
- Page 32 and 33: Writer, Woman, Activistby Supriya C
- Page 34 and 35: Religion, especially the practices
- Page 36 and 37: Extract 1 from The Moth-Eaten Howda
- Page 38 and 39: Extract 2 from The Moth-Eaten Howda
- Page 40 and 41: LoveWhen my beloved diedI felt as i
- Page 42: Ten 2008Prince ClausAwards
- Page 45 and 46: Tania BrugueraCubaUsing the human b
- Page 47 and 48: ‘Poetic Justice’ by Tania Brugu
- Page 49 and 50: Images from a performance of ‘The
- Page 51 and 52: Carlos Henríquez ConsalviEl Salvad
- Page 53 and 54: Indigenous People Rights activity i
- Page 55 and 56: Carlos Henríquez Consalvi, alias
- Page 57 and 58: Li XiantingChinaCurator and critic,
- Page 59 and 60: Li Xianting at an exhibitionPhoto:
- Page 61 and 62: Portrait of Li XiantingPhoto: court
- Page 63 and 64: Ma KeChinaA bold voice in contempor
- Page 65: From the collection ‘WUYONG, the
- Page 68 and 69: VenerablePurevbatLama Purevbat plac
- Page 70 and 71: Master Artist of Mongolia’s Moder
- Page 74 and 75: JeanguySaintusPortrait of Jeanguy S
- Page 76 and 77: Passion, Courage and Perseveranceby
- Page 78 and 79: the Artcho Danse school. This is ve
- Page 80 and 81: DayanitaSinghPortrait of Dayanita S
- Page 82 and 83: Through the Cracks of a Mirrorby Sh
- Page 84 and 85: ‘Untitled’ from the series 'Go
- Page 86 and 87: OusmaneSowOusmane Sow with one of h
- Page 88 and 89: Exposing the Limitations of Categor
- Page 91 and 92: Ousmane Sow in his workshopin Dakar
- Page 93 and 94: Elia SuleimanPalestineBorn into a P
- Page 95 and 96: Elia Suleiman at workPhoto © Marce
- Page 97 and 98: Elia Suleiman at workPhoto © Marce
- Page 99 and 100: James Iroha UchechukwuNigeriaJames
- Page 101 and 102: Photographs at a slaughterhouse in
- Page 103 and 104: ‘Vaseline Beads’Photo © James
- Page 106 and 107: An OverviewThe Prince Claus Fund is
- Page 108 and 109: Artistic ProductionsInnovative cult
- Page 110 and 111: One of the fashion shows at Alokpa
- Page 112 and 113: Capoeira action in the roda in Sout
- Page 114 and 115: Provoking the audience on the stree
- Page 116 and 117: Stage on Redondo Beach, PeruPhoto
- Page 118 and 119: 118 2008 Prince Claus AwardsFilm st
- Page 120 and 121: Essam Marouf, ‘Untitled’, 2007,
- Page 122 and 123:
‘Buddhist Religious Representatio
- Page 124 and 125:
Metis participants at the XVII Inte
- Page 126 and 127:
Poster for a performance in Burkina
- Page 128 and 129:
Rajanikara Leng Kaewdee in ‘Spiri
- Page 130 and 131:
Damage to cultural heritage at the
- Page 132 and 133:
‘Hidden Afghanistan: The Collecti
- Page 134 and 135:
Contributing AuthorsShahidul Alam i
- Page 136 and 137:
Els van der Plas, art historian and
- Page 138 and 139:
The 2008 Prince ClausAwards Committ
- Page 140 and 141:
Rahul Mehrotra studied at Ahmedabad
- Page 142 and 143:
Laureates of the Prince Claus Fund
- Page 144 and 145:
The 1998 Prince Claus AwardsThe Pri
- Page 146 and 147:
Faustin Linyekula, the 2007 Princip
- Page 148 and 149:
AcknowledgementsThe Prince Claus Fu
- Page 150 and 151:
The Prince Claus FundThe Board of t
- Page 152:
Published and produced by the Princ