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Types of Obscurity in Thomas Hardy's Jude the Obscure and ...

Types of Obscurity in Thomas Hardy's Jude the Obscure and ...

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Damascus University Journal, Vol.28 No.1, 2012Sabbar S. SultanThe obscurity <strong>the</strong>n lies <strong>in</strong> this particular side <strong>of</strong> <strong>Thomas</strong>'s character<strong>and</strong> his vague relationship with Anne <strong>and</strong> its ramifications. It is not only<strong>the</strong> split ego that emerges to <strong>the</strong> forefront <strong>in</strong> <strong>Thomas</strong>'s th<strong>in</strong>k<strong>in</strong>g, but <strong>the</strong>physical <strong>and</strong> psychological presence <strong>and</strong> absence as well .Indeed most <strong>of</strong><strong>the</strong> arguments Blanchot presents <strong>in</strong> his critical analyses have <strong>the</strong>irconvenient space <strong>in</strong> this novel. A character <strong>of</strong> <strong>Thomas</strong>'s hypersensitivenature is fit to articulate <strong>the</strong> deep philosophical ideas <strong>the</strong> novel aboundswith. Here Blanchot could explore <strong>the</strong> <strong>in</strong>trigu<strong>in</strong>g questions <strong>of</strong> life <strong>and</strong>death, <strong>the</strong> overlapp<strong>in</strong>g between <strong>the</strong> two <strong>in</strong> addition to <strong>the</strong> <strong>in</strong>tricatequestion <strong>of</strong> <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> existence,' Death was a crudemetamorphosis beside <strong>the</strong> <strong>in</strong>describable nullitywhich Inever<strong>the</strong>less coupled with <strong>the</strong> name <strong>Thomas</strong>' (p.97).Inano<strong>the</strong>r situation follow<strong>in</strong>g Anne's death, <strong>Thomas</strong> talks about this <strong>the</strong>strik<strong>in</strong>g state <strong>of</strong> ambivalence where death can be a new life or life-<strong>in</strong>death,Her face, more beautiful from one <strong>in</strong>stant to <strong>the</strong> next was construct<strong>in</strong>gher absence. There was not a s<strong>in</strong>gle part <strong>of</strong> her which was still <strong>the</strong> prop<strong>of</strong> any sort <strong>of</strong> reality. It was, <strong>the</strong>n, when her story <strong>and</strong> <strong>the</strong> story <strong>of</strong> herdeath had faded away toge<strong>the</strong>r <strong>and</strong> <strong>the</strong>re was no one left <strong>in</strong> <strong>the</strong> worldto name Anne, that she atta<strong>in</strong>ed <strong>the</strong> moment <strong>of</strong> immortality <strong>in</strong>noth<strong>in</strong>gness, <strong>in</strong> which what has ceased to be enters <strong>in</strong>to a thoughtlessdream.(p.91)The pursuit <strong>of</strong> <strong>the</strong> ephemeral <strong>and</strong> evanescent <strong>in</strong> <strong>the</strong> conception <strong>and</strong>awareness <strong>of</strong> <strong>the</strong> human experience bestows upon <strong>the</strong> novel a dist<strong>in</strong>cttouch. The psychological manifestations <strong>of</strong> <strong>the</strong> ' obscurity '<strong>of</strong> <strong>the</strong> title canbe shown <strong>in</strong> <strong>the</strong> follow<strong>in</strong>g excerpt when <strong>Thomas</strong> is given <strong>the</strong> vantagepo<strong>in</strong>t<strong>of</strong> psychoanalyz<strong>in</strong>g his <strong>in</strong>nermost drives,' My existence becameentirely that <strong>of</strong> an absent person, who, <strong>in</strong> every act I performed, produced<strong>the</strong> same act <strong>and</strong> did not perform it'(p.100). Interest<strong>in</strong>gly, <strong>Thomas</strong>perceives keenly his own ' strangeness' or obscurity as <strong>the</strong> hallmark <strong>of</strong> hisown personality,' I was like her. My strangeness had as its cause all thatwhich made me not seem strange to her'(p.100).Rarely does <strong>the</strong> author present plausible or logical reason<strong>in</strong>g for<strong>Thomas</strong>'s alienation. The reason beh<strong>in</strong>d this, as far as one can guess, isthat this fiction is not primarily concerned with <strong>the</strong> outside reality <strong>and</strong> its137

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