13.07.2015 Views

le travail à l'écran de visualisation work with display units

le travail à l'écran de visualisation work with display units

le travail à l'écran de visualisation work with display units

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

PRÉSENTATION AlUHO-VISI iEI.l i;AUDIO-VISIIAI. PRESENTATIONIn<strong>de</strong>x <strong>de</strong>s auteurs / Authors In<strong>de</strong>xDr M. Dol<strong>le</strong>y, Mé<strong>de</strong>cin du Travail <strong>de</strong> la Fonction Publique, 14000Caen, France, Dr Le Maître, Mé<strong>de</strong>cin du Travail, Grand Accélérateur Nationald'Ions Lourds, 14000 Caen, FranceFollowing an initial <strong>work</strong> on Ergonomics of computerised <strong>work</strong>placesin a number of businesses in the Calvados aerea, it seemed to us that thegreat majority of those who <strong>work</strong>ed <strong>with</strong> <strong>visualisation</strong> screens along <strong>with</strong>their superiors, misuse their eyes very badly when they use them constantlyby exposing them indiscriminately to an ina<strong>de</strong>quate light.The first part is <strong>de</strong>voted to the visual system : anultra-perfected camera but also an exceptional magic lantern <strong>with</strong> itsnatural and/or age linked imperfections.Whether sight is monocular or bimocular, it is <strong>de</strong>termined by itsmuscular environment which permits convergence and accommodation.Sometimes it is necessary in or<strong>de</strong>r to obtain sharp sight eithernear or far to make a simp<strong>le</strong> correction or <strong>with</strong> progressive <strong>le</strong>nses acorrection which is indispensab<strong>le</strong> when <strong>work</strong>ing <strong>with</strong> a screen.In part 2, we will stress the various factors influencingsharpsightedness which are :intensity at light, clarity, contrast betweenobject/background/background/object and colour.We shall distinguish the colour seen physilogically by the retinaand the colour or colours discovered and approciated by the brain.By knowing how to incorporate all this information, but knowinghow to make the necessary corrections and by un<strong>de</strong>rstanding ttie reason whyergonomics is no longer something to be un<strong>de</strong>rgone but rather -becomes theinitiative of the person <strong>work</strong>ing on the screen.Thus, one of the main missions of "Mé<strong>de</strong>cine du Travail" ("WorkMe<strong>de</strong>cine") to ensure the best" adaptation possib<strong>le</strong> for the man at <strong>work</strong> isfully realised.As <strong>with</strong> our previous study this <strong>work</strong> has been done in the form ofa presentation (80 sli<strong>de</strong>s, a 20 mn long tape). It is really <strong>de</strong>stined foruse try the "Work Me<strong>de</strong>cine" in a <strong>work</strong> environment where it can easily affecta maximum of <strong>visualisation</strong> screen users.KEY WORDS : Contrast - Colour -Correction.TEV 2031989 — DEUXIÈME CONFÉRENCE SCIENTIFIQUE INTERNATIONALE • MONTRÉAL • SECOND INTERNATIONAL SCIENTIFIC CONFERENCE — WDU 1989TEV 1989 — DEUXIÈME CONFÉRENCE SCIENTIFIQUE INTERNATIONALE • MONTREAL • SECOND193IN'ITiRNATIONAI. SCIENTIFIC CONFERENCE — WWDU 1989

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!