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Life of Mozart

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—COMPOSITION OF THE " ZAUBERFLOTE." 285pageno " were repeatedly rearranged in deference to Schikaneder'swish. His want <strong>of</strong> any hesitation in the matter isproved by the following note from him, preserved by Al.Fuchs in his collection :Dear Wolfgang,—Herewith I return your " Pa- Pa- Pa-," which I Hkefairly well. It will do, at any rate. We shall meet this evening at theusual place.—Yours, E. Schikaneder.But Schikaneder took care to keep his composer in goodhumour by frequent invitations to his table, where botheating and drinking were <strong>of</strong> the best, and by introductionsto the jovial and free-living society in which he himselfmoved, and which also included A. Stadler, the man whoso shamefully abused <strong>Mozart</strong>'s good nature (Vol. II., p. 30g).The pressure <strong>of</strong> external circumstances, <strong>of</strong> growing domestictroubles, and the bitter feeling <strong>of</strong> failure and disappointedhope, combined with his own excitable nature to cause<strong>Mozart</strong> to seek for distraction and forgetfulness in the whirl<strong>of</strong> a pleasure-loving life. His wife was at Baden, wherehis youngest son Wolfgang was born on July 26 ; herabsence deprived his home life <strong>of</strong> any comfort, and drovehim to take refuge among his theatrical friends. Follyand dissipation were the inevitable accompaniments <strong>of</strong> suchan existence, and these soon reached the public ear, combiningwith the exaggerated accounts current <strong>of</strong> the looselife led by Schikaneder and his associates to cover <strong>Mozart</strong>'sname for several months with an amount <strong>of</strong> obloquy beyondwhat he deserved (Vol. II., p. 270). While the "Zauberflöte"was in course <strong>of</strong> composition, Da Ponte, who was obliged toleave Vienna, tried to persuade <strong>Mozart</strong> to accompany himto London, and there take an active part in the production<strong>of</strong> Italian opera. <strong>Mozart</strong> turned a favourable ear to theproject, but demanded a delay <strong>of</strong> six months for the completionand performance <strong>of</strong> his opera, to which Da Pontecould not agree.^^ In July, 1791, the work was so faradvanced that he was able to insert the opera in his catalogueas virtually complete ; the rehearsals had begun asDa Ponte, Mem., I., 2, p. 124.

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