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Life of Mozart

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PUBLICATION.3Ö7score note for note with his own hand, and wrote on thetitle-page "Opus summum viri summi," expressing no doubtwhatever as to the whole work being that <strong>of</strong> <strong>Mozart</strong>.^^ Notcontent with the pr<strong>of</strong>its thus accruing from the Requiem,the widow turned her attention towards its publication.The idea occurred to her that a public appeal to the Unknownmight induce him to forego his claim on the composition.^*^The appeal, however, was not made, for the publishers,Breitkopf and Härtel, not conceiving themselves to be boundby the agreement made with <strong>Mozart</strong>, resolved on bringingout the work from the several transcripts <strong>of</strong> it which hadfallen into their hands. Desirous, however, that the workshould be produced with all possible correctness, they appliedto the widow for her copy, with which, having no power tostop the publication, she saw no objection to furnishingthem. To their question (prompted by the reports currentas to the authorship <strong>of</strong> the work) whether the Requiem waswholly and solely composed by <strong>Mozart</strong>, she answered explicitlyas follows (March 27, 1799) :—As to the Requiem, it is true that I possess the celebrated one, writtenshortly before his death. I know <strong>of</strong> no Requiem but this, and declare allothers to be spurious.^^ How far it is his own composition—it is so tonear the end— I will inform you when you receive it from me. Thecircumstances were as follows : Seeing his end approaching, he spokewith Herr Süssmayr, the present Imperial Kapellmeister, and requestedhim, if he should die without completing it, to repeat the first fugue in19 Rochlitz, Für Freunde der Tonk., I., p. 25.20 In a letter to Härtel (October 10, 1799) she sends him a draft <strong>of</strong> such anappeal ": The noble Unknown, who, a few months before <strong>Mozart</strong>'s death,commissioned him to compose a Requiem, not having declared himself duringthe seven years which have elapsed since that time, the widow <strong>of</strong> the composergratefully accepts this silence as a permission to her to publish the work to herown advantage. At the same time she considers it as safer for herself, andmore in accordance with the sentiments inspired in her by the noble patron <strong>of</strong>her late husband, to call upon him to express his wishes on the subject to herwithin three months through the Wiener, Hamburger, or Frankfurter Zeitung,at the expiration <strong>of</strong> which time she will consider herself justified in publishingthe Requiem among the collected works <strong>of</strong> her late husband."21The " Requiem Brevis" in D minor (237, Anh., K.), published by Simrock,<strong>of</strong> Bonn, under <strong>Mozart</strong>'s name, may be at once pronounced spurious, havingneither external nor internal credibility.

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