Life of Mozart

;;;INDEX. 435'" II Ricco d' UN GiORNO," opera by Da Ponteand Salieri, III. 64.Kammermusicus, Mozart succeeds Gluck as,III. 135-"IlServitore DI DUE Padrone," projected Kapelle, the Salzburg, I. 236 et seq.opera by Mozart, III. 44.Kärnthnerthor Theater opened for Germanopera. III. 45, 283, 349.Impromptu compositions, Mozart's, II. 436,437; III. "125.Kaspar der Fagottist," German comicImprovisation, Mozart's, I. no; II. 285, 286, opera. III. 309.289, 438 et seq. ; III. 125 contemporary Kasperl, comic character in German opera,;opinions of, II. 439.III. 307, 308.Inoculation, L. Mozart's idea of, I. 64. Kaunitz, Prince, patron of Mozart, I. 66Instrumental intermezzi in church service,II. 212, 272, 384.I. 285.Kayser, Christoph, composer of Goethe'sInstrumental music, I. 285 et seq.; in operettas, II. 221.Mannheim, I. 378 et seq. ; see Works. Kaysersheim, Bishop of, II. 77.Intermezzi in spoken drama, I. 203 ; to Keess, Baron von, II. 356; his private concerts,"Didone Abbandonata, I. 204; developedibid.into opera buffa, ibid, et seq.Keiserin, prima donna, I. 353." Iphig^nie en Aulide," opera by Du Rollet Kelly, Michael, tenor singer, II. 282 ; inand Gluck, II. 27 opposition in Paris, II. Vienna, III. 51 Mozart's variations on his;;29 performed in German in Vienna, II. air, II. 361; his account of "Figaro," III.;196."Isaaco," oratorio by Marianne Martinez, II.68 et seq.Kirchqassner, Marianne, blind virtuoso,355-Italian influence on music, I. 31 Mozart's;opposition to, II. 57, 342 ;contrast of Italianand French operatic styles, II. 143 ;Italianopera in Vienna, III. 51 et seq.Italians in Germany, powerful in musicalmatters, I. 340.Italy, musical education in, I. 102; influence"'of, throughout Europe, I. 104; on Germanmusicians, I. 105 ; on Haydn, I. 105 (note)Mozart receives offers of place in, 1. 144.Kaiser Rudolf von Hapsburg," opera byKlein, III. 44 (note) ; libretto offered toMozart, III. 45.II. 335, 336 Mozart's quintet for her, ibid.;Kirnberger, pupil of J. S.Bach, II. 378, 379;his quarrel with Quanz and Marpurg, II. 380.Kistler, sings in the "Zauberflöte," III.303-Kittel, and Mozart's Requiem, III. 392.Klein, Prof. Anton, author of" Günther vonSchwarzburg," I. 372 ";Kaiser Rudolf," III.44 (note).Klopfer, Mdlle., sings in the " Zauberflöte,''III. 303.Klopstock, I. 369; his odes, II. 369.Koch, theatrical manager, II. 216." König Thamos," musical drama by Gebierand Mozart, II. 103 et seq.KozELucH, JoH., singer. III. 120.Kozeluch, pianist, unfriendly towards Mozart,II. 347; Mozart's reproof to hira concerningHaydn, ibid.Kranz, concertmeister in Weimar, III. 49.Krause on musical poetry, II. 379.Kreibich (Greybig), orchestral leader, II. 203.KucHARZ, conductor in Prague, II. 415.Jacquin, Baron von, patron and friend ofMozart ; C. Pichler's account of the family,II. ;357 his inscription in Mozart's album,11.358 (note).Jacquin, Franciska von, Mozart's pupil, II.278 ; his compositions for her, ibid.Jacquin, Gottfried von, II. 358, 359 his;inscription in Mozart's album, II. 359Mozart's songs for him, II. 359 his compositions;ascribed to Mozart and vice versa,;II. 361, III. 278 his share in the Bandl-;Terzet, II. 362 Mozart's letter to him from Kyrie, treatment of, in the Mass, I. 245 in;Prague, III. 123, 134 ;earnest tone of their the Litany, I. 268 ;see Works.intercourse, II. 270, 323 (note).Jacquin, Jos. von, II. 358 ; III. "352.La Betulia Liberata," oratorio byJaniewicz, virtuoso, Mozart's violin andante Metastasio and Mozart, I. 195 et seq. ;for, II. 340.chorale in, twice used by Mozart, I. 200Janitsch, violinist, I. 367.in. 371-Janizaries, choruses of, in the " Entführung," Lablache as Leporello, III. 179.II. 245."La Clemenza di Tito," III. 287 et seq.;Jesuits, order of ; L. Mozart's views on their characters. III. 28g ;performance and failure,suppression, I. 146.ibid. ;plot and music, 2go et seq. ;comparison"Job," oratorio by Dittersdorf, III. 127.with " Idomeneo," III. 300; criticismsJohannes, Father, Mozart's offertorium for and performance, III. 301, 302.him, I. 58." La Cyth^re AssiägIe," opera by Gluck,Jokes, Mozart's musical. III. 27.II. 31.JOMELLi, kapellmeister at Wiirtemburg, "I. 31, La Finta Giardiniera," opera by Mozart,158 ; L. Mozart's prejudiced opinion of him, I. 148 et seq. ;German adaptation of, I. 212 ;I. 31 in Naples, I. 124.plot and characters, I. 210 et seq.;Joseph II., the Emperor, a good musician, " La Finta Semplice," opera by Mozart,I. 27 his parsimony, I. 65 he encourages I. 76 et seq.;the national theatre, II.;188 et seq. ; his " La Grotta DI Trofonio," opera by Salieri,private concerts, II. 202 ; his criticism on 111.65,68.the " Entführung," II. 212 ;appoints Mozart La Harpe and Piccinni, II. 32 et seq.his "private musician," II. 276; his decliningLange, Madame (nee Weber), I. 182, 184; herinterest in music, ibid. prohibits church vocal powers, II. 329 her concert;in Vienna,;music in Vienna, it. 395 ; his attachment II. 284; Mozart's compositions for her, II.to Mozart, II. 277 ;his death, ibid.324 ; selects the " Entführung " for herJournals, musical, in Berlin, II. 380.benefit, II. 328; sings in "Don Giovanni,""Jupiter" Symphony, III. 37 et seq.in. 137.Langenmantel, Von, town councillor atAugsburg, I. 359.Languages, Mozart's proficiency in, I. 331.La Popeliniere, patron of Rameau, II. 6.