Life of Mozart

;Mozart's•INDEX. 441RaU22in1, v., primo uomo, I. 141 ; Mozart'smotett for, I. 143.Recitative in opeta seria, I. 155 ;Gluck'streatment of, II. 21, 38 ; Mozart's treatmentof, II. 82.Redoute, masked balls at the. III. 216; Mozart'sdance music for, III. 217 et seq.Reichardt, kapellmeister at Berlin, II. 383III. 229, 231.Requiem, Mozart's, commissioned, III. 286,287 ; his nervous eagerness over the compositionof. III. 252 et seq. ;Vifork at it on hisdeathbed, III. 356 ; left unfinished, III. 361account of its completion. III. 362 et seq. ;analysis of Mozart's movements, III. 36get seq.; of Süssmayr's continuation. III.384 et seq.; performance in Vienna, III. 366 ;and elsewhere, III. 392 ;Handel's influenceon. III. 374, 375.RichTer's concerts in Vienna, II. 286.RiEDESEL, Baron voN, Prussian ambassadorin Vienna, begs for score of " Entführung,"II. 213.RiGHiNi, Vincent, composer, II. 251 III.;65"; Don Giovanni," III. 157.RiNALDO DA Capua, I. 158."Robert und Kalliste," German translation375.Rossi, librettist, II. 187.Rossini's veneration for Mozart, II. 421III. 144, 168 (note).Rousseau, Jean Jacques, on recitative, I. 88(note); " Le Devin du Village," I. 87 et seq. ;dislike to French music, II. 29 praise of;Gluck, II. 30; first musical melodrama, II.122.Rudolph, J. J., French horn-player, II. 44;holds out prospects in Paris to Mozart, II. 45.RuMBECK, Countess, II. 175.Ruprecht, tenor singer, II. 190.Saal, baritone singer, II. 192 ; III. 51.Sacchetti, III. 349.Sacchini, I. 158.Salaries of Musicians, II. 289 (note).Salern, Count, a true connoisseur, I. 334, 354.Salieri, character and influence, II. 205 ; theEmperor's preference for him, II. 19S, 204;brings out Katharina Cavalieri, II. igo" Der Rauchfangkehrer," II. 192 ; III. 64 ; inParis and Munich, III. 64 dislikes Mozart,;II. 205 ; III. 52; recommended by Gluck tothe Grand-Opera, III. 273 (note); kapellmeister,II. 277; ill-nature to Mozart, II.326; III. 358 (note); " Tarar " and " Axur,"III. 126, 135, 276; "La Grotta di Trofonio,"III. 116; III. 126, 135, 276; "Prima laMusica," &c., III. 47; "La Scuola dei Gelosi,"III. 31 " Les Danaides," III. 64; falls;into disfavour under Leopold II., III. 275 ;at Mozart's funeral. III. 359.Salomon, J. P., concertmeister to PrinceHenry of Prussia, II. 382.Salomon's proposal to Mozart to visit England,III. 27g.Salzburg, life in, I. 332; inhabitants, I. 18(note) ;Mozart's dislike to, II. 63, 66, 79, 85 ;want of musical taste in, 11. 85.Sammartini, first composer of orchestralsymphony, I. 291.Sanctus, in Mass, I. 250.Sans culotte, Mozart called a musical. III.227.Saporiti, Signora, in "Don Giovanni," III,133, 201 (note).Sarri, Dom., I. 158.Sarti, composer, 1. 15g; Mozart's intercoursewith him, II. 345 ;malicious criticism onMozart's quartets, II. 345" Fra Due Litiganti,"&c.. III. 51, 116.;Sartory, hospitable to Mozart in Berlin, III.232.Savioli, Count, patron of Mozart in Mannheim,I. 391, 397.Scarlatti, Alessandro, his operas and theirof Guglielmi's " Sposa Fedele," II. igo.influence, I. ;157 founder of a school ofRocHLiTZ, Fr., on Mozart's pianoforte-playing,443 his pianoforte quartets, II. 466 ; ;operatic composers, I. 158.Schachtner, J. A., friend of the Mozart family," Titus," III. 302 ; Mozart at Leipzig, III. I. 21; letter on Mozart's childhood, ibid.;228; the Requiem, III. 366; Mozart's and " Idomeneo," II. 127; operetta, "Zaide,"Süssmayr's shares in the work. III. 386.for Mozart, II. 115 et seq." Roland," opera by Quinault, composed by ScHACK, Herr, sings in the " 2auberflöte,"Gluck, 11.31; by Piccinni, I. 430 ;II. 32, 57.Rollet, Du, commissions Gluck to compose" Iphigenie," II. 27.III. 303, 328, 356; flute-playing, III. 321.ScHACK, Madame, sings in the " Zauberflöte,"III. 303.Rome, its influence on music, I. 159.ScHAUL, Stuttgart Hofmusicus, compares" RosAMUNDE," opera by Wieland and Mozart with Boccherini, III. 6 on " Titus,";Schweitzer, I. 401 et seq.III. 295, 301."RÖSCHEN UND Colas," Monsigny's, as a " Schauspieldirector, Der," opera by Mozart,German opera, II. 190.II. 274 III. 46 et seq.;Rosenberg, Count, theatrical director in Scheibe, Joh. Ad., on the musical drama, ILVienna, II. ig4; III. 275.104.Roser, kapellmeister, at Mozart's deathbed ScHENCK on the " Zauberflöte," III. 304.and funeral. III. 356, 359." Scherz, List, und Rache," operetta (unfinished)by Goethe and Kayser, II. 221, 222."R0SIÄRE DE Salency," opera by Favart, II.Schiedenhofen, Joach. VON, early friend ofMozart, I. ;334 remarks on hismercenary marriage, I. 423.Schikaneder, Emanuel, III. 282 et seq.;his intercourse with Mozart, 284 et seq. ;a notorious profligate, II. 271, 283 share in;the composition of the " Zauberflöte," HI.284, 285 ; Papageno, HI. 303 ;list of operasproduced by, III. 305 (note).Schikaneder, senior, plays in the "Zauberfiote,"III. 303.Schindler, Mariane, singer, II. igi.Schmidt, bass singer, II. 192.Schneider's adaptation of Mozart's " Schauspieldirector,''III. 50.Schobert, I. 36.Schröder-Devrient, III. 198 (note).Schubart on L. Mozart, I. 8, 9; the "ViolinMethod," I. 16 ; Mozart and Beecke, I. 151.Schulz, J. A. P., concertmeister to PrinceHenry of Prussia, II. 383.Schwarzenberg, Prince, III. 21S.Schweitzer, composer of Wieland's " Alceste,"I. 370; "Rosamunde," I. 402; Mozart'sopinion of, I. 403 ; his services declinedin Vienna, I. 146: II. 193.Scores, operatlc,the property of the composer,II. 141,297; 11.213,215.Secchi, oboist, I. 224.Secular tone of church music, I. 197.Sedaine, French operatic poet, II. 11.