422 APPENDIX IV.Eichel250 Serenade for 2 violins, viola, bass,2 oboes, 2 horns, 2 bassoons, 2 trumpets.D major, C •- •- I- 153, 301286 Notturno for four sets <strong>of</strong> 2 violins, viola,bass, and 2 horns each. D major, ^.320 Serenade for 2 violins, viola, bass, 2 flutes,2 oboes, 2 bassoons, 2 horns, trumpets,and kettledrums. D major, C11.87,285361 Serenade for 2 oboes, 2 clarinets, 2 bassK"CheI,249 March for 2 violins, viola, bass, 2 oboes,2 bassoons, 2 horns, 2 trumpets. Dmajor, C. I. 153290 March for violin, viola, bass, 2 horns. Dmajor, j.335 Two Marches for 2 violins, 2 violas, bass,2 flutes, 2 oboes, 2 horns, 2 trumpets.C major, C-; D major, j.408 Three Marches for 2 violins, viola, bass,2 oboes, 2 trumpets. C major, D major,clarinets, 2 French horns, 2 bassoons, C major, C-contra-bass. E flat major, C121 Final Allegro <strong>of</strong> a Symphony for 2 violins,viola, bass, 2 oboes, 2 horns.I. 05; II. 166375 Serenade for 2 clarinets, 2 horns, 2 bassoons.E flat major, CJ II. 201; III. 25 409 Symphony-Minuet for 2 violins, viola,D major, S|.388 Serenade for 2 oboes, 2 clarinets, 2 horns,bass, 2 flutes, 2 oboes, 2 bassoons,2 bassoons. C minor, C II. 211; III. 252 horns, trumpets, and kettledrums.113 Divertimento for 2 violins,2 clarinets, and 2 horns.viola, bass,E flat major 477C major, 'I.Masonic Dirge for 2 violins, viola, bass,I. 138,3031 clarinet, i bass clarinet, 2 oboes, 2131 Divertimento for 2 violins, 2 violas, bass,horns. C minor, C •• II. 4101 flute, I oboe, i bassoon, 4 horns. 522 A Musical Joke for 2 violins, viola, bass,D major, C • • • I- i39. 3042 horns. F major, C• • • • HI' 129166 Divertimento for 2 oboes, 2 clarinets, 292 Sonata for bassoon and violoncello. B flat2 English horns, 2 horns, and 2 bassoons.E flat major, .major, C.. ... .. .. I. 322C. I. 308 410 Short Adagio for 2 bass clarinets and186 Divertimento for 2 oboes, 2 clarinets,bassoon. F major, C.2 English horns, 2 horns, and 2 bassoons.B flat major, I411 Adagio for 2 clarinets and 3 bass clarinets.. . .. I. 308 B flat major, 5 .. II. 410; III. 28187 Ten Pieces for 2 flutes, 3 trumpets in C, 356 Adagio for concertina. C major, |.2 trumpets in D, and 4 kettledrums in C, 617 Adagio and Rondo for concertina, flute,G, D, and A. C .. .. I. 308oboe, viola, and violoncello. C minor, §.188 Divertimento for z flutes, 2 and 3 trumpetsin C, 2 trumpets in D, and 4 kettle-<strong>of</strong> a clock. F minor, I594 Adagio and Allegro for the mechanism. . .. 11.394drums in C, G, D, and A. C major, \ Fantasia. A piece for clockwork. F minor,1.308 C 11-394S05 Divertimento for i violin, viola, bassoon, Andante for a small barrel-organ. Fbass, 2 horns. D major, C I- I47, 305major, I 11.395213 Divertimento for 2 oboes, a horns,2 bassoons. F major, C• I. 308Divertimento for 2 oboes, 2 horns,Dance-Tunes for Orchestra.2 bassoons. B flat major, | .. I. 308 Twelve Minuets for 2 violins, bass, 2247 DivERTiMENT<strong>of</strong>or2 violins, viola, 2 horns,flutes, 2 oboes, 2 clarinets, 2 bassoons,bass. F major, C •• I- i53, 3052 horns, trumpets, kettledrums, piccolo251 Divertimento for oboe, 2 violins, viola,111.216bass, 2 horns. D major, (C• • I- 154 Twelve Minuets for 2 violins, 2 flutes,252 Divertimento for 2 oboes, 2 horns,2 oboes, 2 clarinets, 2 bassoons, 2 horns,2 bassoons. E flat major, § .. I. 3082 trumpets, kettledrums, small flute, and353 Divertimento for 2 oboes, 2 horns,bass 111.217,2382 bassoons. F major, |.Six Minuets for 2 violins, bass, 2 bassoons,2 clarinets, 2 oboes, trumpets,270 Divertimento for 2 oboes, 2 horns,2 bassoons. B flat major, C • • I. 308 and kettledrums .. .. .. III. 217287 Divertimento for 2 violins, viola, bass, Four Minuets for 2 violins, bass, 2 bassoons,2 clarinets, 2 oboes, trumpets,2 horns. B flat major, | I. 153, 305289 Divertimento for 2 oboes, 2 bassoons, and kettledrums .. .. .. III. 2172 horns. E flat major, |. . I. 308 Two Minuets for 2 violins, bass, 2 flutes,334 Divertimento for 2 violins, viola, bass,2 oboes, 2 clarinets, 2 bassoons, piccolo,2 horns. D major, C.2 horns, trumpets, kettledrums III. 2182 violins, bass,Six German Dances for2 flutes, piccolo, 2 oboes, 2 clarinets.2 bassoons, 2 horns, 2 trumpets, andMarches, Symphonic Movements,kettledrums .. .. 111.125,218and Minor Pieces for Orchestra,Six German Dances for 2 violins, bass,Concertina, Clockwork,2 flutes, 2 oboes, 2 clarinets, 2 bassoons,2 trumpets, kettledrums, piccolo.and Barrel-Organ.Six German Dances for 2 violins, bass,2 flutes, 2 oboes, 2 clarinets, 2 bassoons,129 March for 2 violins, bass, 2 flutes, 2 horns,2 horns, 2 trumpets, kettledrums, piccolo2 trumpets. D major, %.III. 216214 March for 2 violins, viola, bass, 2 oboes, Six German Dances for 2 violins, bass,2 horns, 2 trumpets. C major, |.2 flutes, 2 oboes, 2 clarinets, 2 bassoons,215 March for 2 violins, viola, bass, 2 oboes,2 trumpets, kettledrums, piccolo, and2 horns, 2 trumpets. D major, C I- 154Turkish music .. .. .. III. 216237 March for 2 violins, bass, 2 oboes, 2 bassoons,2 horns, 2 trumpets. D major, |.Twelve German Dances for 2 violins,248 March for 2 violins (obbligato), viola,Fbass, 2 flutes, 2 bassoons, 2 oboes, 2clarinets, 2 horns, trumpets, and kettledrums111.217,238
Divertimento:APPENDIX IV. 423Köciel.600;jEöchelSix German Dances for 2 violins, bass, ISOmajor, | II. 172 bass. F major, CS .. i39i 310Concertone for 2 solo violins. Accompaniment: 2 violins, 2 violas, bass, 22 clarinets, 2 oboes, 2 flutes, 2 bassoons,2 horns, trumpets, and kettledrumsoboes, 2 horns, 2 trumpets. C major, CIII. 217I. 144, 320Four German Dances for 2 violins, bass, 364 Concert-Symphony for violin and viola.2 bassoons, 2 clarinets, 2 oboes, trumpets,and kettledrums .. ..III. 2172 oboes, 2 horns. E flat major, C !• 319Accompaniment : 2 violins, viola, bass,Three German Dances for 2 violins, 191 Concerto for bassoon. Accompaniment:bass, 2 flutes, 2 oboes, 2 clarinets, 2violins, viola, bass, 2 oboes, 2 horns. Bbassoons, 2 horns, trumpets, and kettle- Iflat major, C ! 322drumsIII.2i8l2S9 Concerto for flute and harp. Accompaniment: 2 violins, viola, bass, 2 oboes,Six Ländler (Rustic dances) for orchestra.2 horns. C major, C-Four Contredanses for 2 violins, bass, Concerto for flute. Accompaniment : 21 flute, I bassoon, 2 oboes, 2 hornsviolins, viola, bass, 2 oboes, 2 horns. GI. 297major, C• !• 322jTwo Quadrilles for 2 violins, bass, 2 314 Concerto for flute. Accompaniment : 2oboes, 2 horns, i bassoon.violins, viola, bass, 2 oboes, 2 horns. DNine Contredanses, with Trio, for 2major, C •• .. -. •• !• 414violins, bass, 2 flutes, 2 oboes, 2 horns, 315 Andante for flute. Accompaniment: 22 trumpets, and kettledrumsviolins, viola, bass, 2 oboes, 3 horns. C11.436; III. 125major, | I. 414Contredanse (The Thunderstorm) for | 412 Concerto for horn. Accompaniment : 22 violins, bass, 2 oboes, 2 horns, iviolins, viola, bass, 2 oboes, 2 bassoons.flautino, I drum .. .. 111.215,217 D major, C H. 338Contredanse (The Battle) for 2 violins, 1 417 Concerto for horn. Accompaniment: 2bass, 2 oboes, i piccolo, trombone, iviolins, viola, bass, 2 oboes, 2 horns. Edrum III. 215,217flat major, CS .. .. .. II. 338Two Contredanses for 2 violins, bass, | 447 Concerto for horn. Accompaniment : 22 oboes, 2 horns, i bassoonviolins, viola, bass, 2 clarinets, 2 bassoons.E flat major, CS . . II. 338III. 215, 217Contredanse (The Victory op the Concerto for horn. Accompaniment : 2hero Coburg) for 2 violins, bass, 2violins, viola, bass, 2 oboes, 3 horns. Eoboes, flute, piccolo, 2 bassoons, 2 horns,flat major, C • II.338;III. 117trumpets, and kettledrums .. III. 217 Concerto for clarinet. AccompanimentTwo Contredanses for 2 violins, bass,2 violins, viola, bass, 2 flutes, 2 bassoons,2 oboes, flute, piccolo, 2 bassoons, 22 horns. A major, CS• • II. 310, 339horns, trumpets, kettledrums . . III. 217Contredanse for 2 violins, bass, i flute,1 oboe, I bassoon, 2 horns . . III. 218Five Contredanses for flute, 2 violins,and bass.Chamber Music.Contredanse for 2 violins, bass, 2 flutes,2 horns III. 218 Quintets for Stringed Instruments.Quintet for 2 violins, 2 violas, and violoncello.B flat major .. ..1.94Concertos for Stringed or Wind 174 Quintet for 2 violins, 2 violas, and violoncello.B flat major . . I. 147, 312Instruments and Orchestra.408 Quintet for 2 violins, 2 violas, and violoncello.C minor.Concerto for violin. Accompaniment : 2violins, viola, bass, 2 oboes, 2 horns. B 407 QtjiNTET for I violin, 2 violas, i horn, ivioloncello (or instead <strong>of</strong> the horn aflat major, C I. 152Concerto for violin. Accompanimentsecond violoncello). E flat major: 2339violins, viola, bass, 2 oboes, 2 horns.515D Quintet for 2 violins, 2 violas, and violoncello.C major.. .. III. 18, 129major, C 1.152,318Concerto for violin. Accompaniment 516 Quintet for 2 violins, 2 violas, and violoncello.: 2violins, viola, bass, 2 oboes, 2 horns. GG minor . . .. III. 18, 129major,581 Quintet for i clarinet, 2 violins, viola,C 1.152,318Concerto for violin. Accompaniment and violoncello. A major: 2violins, viola, bass, 2 oboes, 2 horns. D11.340; III. 238major,593 Quintet for 2 violins, 2 violas, andC •• •• 1.152,318violoncello.Concerto for violin. Accompaniment:D major .. III. 182violins, viola, bass, 2 oboes, 2 horns. A614 Quintet for 2 violins, 2 violas, andvioloncello. E flat major III. 18major, CConcerto for violin.1.152,318Accompaniment: 2violins, viola, bass, i flute, 2 bassoons, 2 Quartets for Stringed Instruments.oboes, 2 horns. E flat major, C.Adagio for violin. Accompaniment : 2violins, viola, bass, 2 flutes, 2 horns. E Quartet for 2 violins, viola, violoncello.major, C I. 318 G major, I 1.112,310Rondo Concertant for violin. Accompaniment: 2 violins, viola, bass, 2 oboes,bass. D major, CS136 for 2 violins, viola, and• . I- I39j 3102 horns. B flat major, §.Divertimento for 2 violins, viola, andRondo for violin. Accompaniment : 2bass. B flat major, CS • • I- I39) 310violins, viola, bass, 2 oboes, 2 horns. C Divertimento for 2 violins, viola, andI.
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l^^SSSiSiSJSSSrS^^^SSJS!:^^^jMJ^mv-
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';ä«i,'1»
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LIFE OF MOZARTBYOTTO JAHN.TRANSLATE
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NEXTCHAPTER XXXIV.MOZART'S INSTRUME
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5 Nissen, Nachtrag, p. 62.B 2—;MO
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———QUARTETS, I785. 5biguous r
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MOZART'S AND HAYDN's QUARTETS. 7fea
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MOZART'S STRING QUARTETS. 9degree,
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—————SIX QUARTETS, I785.
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;SIX QUARTETS, I785. I3They are cas
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;LATER QUARTETS, 1786-1790. I5meet
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——TRIO IN E FLAT, I788. 17Duets
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—THE QUINTET.IQrenders all the mo
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——MOZART'S G MINOR QUINTET. 21i
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24 MOZART S INSTRUMENTAL MUSIC.Anot
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——20 MOZART'S INSTRUMENTAL MUSI
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28 Mozart's instrumental music.This
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—THE D MAJOR SYMPHONY. 31The tole
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—SYMPHONIES, 1788. 33without any
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—G MINOR SYMPHONY, I788. 35mind t
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C MAJOR SYMPHONY. 37keenness of exp
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SYMPHONIES. 39puntal elaboration, a
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THE RIGHT MEANING OF THE SYMPHONIES
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:THE OPERA IN VIENNA. 43composers (
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—DECLINE OF GERMAN OPERA. 45I oug
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—" DER SCHAUSPIELDIRECTOR," I786.
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—" DER SCHAUSPIELDIRECTOR," I786.
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REVIVAL OF ITALIAN OPERA, 1783. 5Iu
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——" l' oca del CAIRO," 1783. 53
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——;by the treatment of the deta
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'* l' oca del CAIRO," 1783. 57also
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—!" LO SPOSO DELUSO, 1784." 59fin
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—" LO SPOSO DELUSO," 1784. 61over
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" LO SPOSO DELUSO," I784. 63restora
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—CASTIDA PONTE. 65from Casti, " L
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—'ADAPTATION OF '' FIGARO," I785.
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—INTRIGUES AGAINST " FIGARO." 69b
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:PERFORMANCE OF " FIGARO. 71II Cont
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" LE MARIAGE DE FIGARO. 73play had
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BEAUMARCHAIS' "FIGARO." 75nounced h
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DA PONTE'S LIBRETTO. >]"]boxing his
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;worsted and disgraced.DA PONTE S L
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—MORAL TENDENCY OF FIGARO. ölThe
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MUSICAL TREATMENT OF THE DRAMA. 83w
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BASILIO. 85telling how he found the
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——FIGARO.^yideas are afterwards
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——:BARTOLO. 89opportunity of ve
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THE COUNT. 91the enchanting duet wi
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RONDO FOR SUSANNA. 93AI desio di ch
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Itbecomes all the more observable.
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CHERUBINO. 97excite her anger, and
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—32 Dohrn, N. Ztschr, Mus., XL, p
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ENSEMBLES.lOIments, but the musical
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FINALES. . 103mated variety, moving
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;FINALES. 105disposition of the cha
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THE SESTET.IO7son being transferred
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—;:TREATMENT OF THE VOICE PARTS.l
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THE ORCHESTRA.Illabstaining from ce
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—THE ORCHESTRA—OVERTURE. 113for
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"FIGARO AS AN OPERA BUFFA. II5porar
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—VIENNA, 1786. 117sity of feeling
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MUSIC IN BOHEMIA. II9the Bohemians,
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——;MADAME DUSCHEK. 121him. She
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—PERFORMANCE OF " FIGARO.I23were
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—CONCERTS AND COMMISSIONS, 125The
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—VIENNA, 1787—DITTERSDORF. I27i
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——COMPOSITIONS IN 1787. 129shar
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PERFORMANCE IN PRAGUE, 17S7. I3Ilov
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—)SUCCESS IN PRAGUE. I33the appoi
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SONG FOR MADAME DUSCHEK, 1787. I35s
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)—PERFORMANCE IN VIENNA, 1788. 13
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CRITIQUES ON " DON GIOVANNI.13gand
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'•":^^—CRITIQUES ON " DON GIOVA
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";STATISTICS OF PERFORMANCES.I43fir
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THE LIBRETTO.I45it not at all for V
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TIRSO DE MOLINA'S " CONVIDADO DE PI
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:TIRSO DE MOLINA'S " CONVIDADO DE P
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!—THE ITALIAN " CONVITATO DI PIET
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—MOLIERE'S "festin de PIERRE.I53r
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EON JUAN IN ENGLAND AND GERMANY. I5
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——GLUCK'S ballet, " DON JUAN."
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—GAZZANIGA's " CONVITATO DI PIETR
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DA PONTE'S LIBRETTO.l6lhis characte
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DA PONTE'S LIBRETTO. 163tance in di
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!'of justice, and begs his friends
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:GERMAN ADAPTATIONS. 167hero is con
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— ——THE OVERTURE. 169breeze,
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:LEPORELLO.I7Istriking as is his in
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THE SESTET LEPORELLO. I73sestet, ho
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DUET—LEPORELLO 175passage, wherei
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•THECOMMENDATORE. I77terror he ha
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—LEPORELLO—AIRS.I79as has his m
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THE RAPID PARLANDO.l8laudience to l
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DON GIOVANNI. 183terzet, again (Act
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DON GIOVANNI—AIRS. 185unbridled p
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;ZERLINA. 157maiden; and the little
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—MASETTOZERLINA. 189airs of Don G
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!—ELVIRA. 191not recognising her,
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'ELVIRA—TERZET.I93unmasks Don Gio
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ELVIRA—INSERTED AIR— FINALE.I95
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DON GIOVANNI S CHARACTER. ig/with n
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DONNA ANNA. 199unconscious exclamat
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—DONNAANNAOTTAVIO. 201chieg-go,wi
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—DONNA ANNAOTTAVIO.•203dispute
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—DONNAANNAOTTAVIO. 205churchyard
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—FIRST FINALE. 207when Zerlina as
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DANCES. 209are in a position to exp
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THE SECOND FINALE, 211which prepare
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THE SECOND FINALE. 213from the gloo
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——WORKS IN VIENNA, I788. 215of
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MASKED BALLS. 217converted into the
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"ARRANGEMENT OF HANDEL'S ORATORIOS.
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;ARRANGEMENT OF HANDEL'S ORATORIOS.
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THE " MESSIAH. 223portionate length
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ADAPTATIONS OF EARLIER WORKS. 225pu
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DRESDEN, 1789. 227phion," and in 17
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LEIPZIG— POTSDAM, 178g. 229risen
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;OFFER OF THE KING OF PRUSSIA.23IDu
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CONCERT IN LEIPZIG, I789. 233grown
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—LUDWIG TIECK AND MOZART. 235thea
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—WORKS IN VIENNA, 1709. 237CHAPTE
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—CHARACTERS AND PLOT. 239FiordiUg
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LIBRETTO. 241love. Don Alfonso, ent
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22A. M. Z., XXXIII., p. 222.R 2—P
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ALTERATIONS IN THE LIBRETTO. 245pos
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CRITICISM OF THE LIBRETTO. 247(whos
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THE MUSIC ENSEMBLES."249opera affor
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adieux from the shore, while Don Al
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——DORABELLA. 253part and the mo
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FERRANDO. 255is induced by her more
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—FERRANDO—GUILLELMO. 257his arm
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I^HII—GUILLELMO S AIR. 259tre^a p
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GUILLELMO. 201assurance of Fiordili
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——DESPINA. 263boastful loquacit
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—DON ALFONSO. 265no grand air is
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II 11,^^^i"^—IJI'II1 1 1THE OVERT
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1——THE FIRST FINALE. 269duet fo
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THE SECOND FINALE.27Ipredominated i
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GENERAL CRITIQUE. 273after the same
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MOZART S POSITION AT COURT, 179O. 2
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EXPEDITION TO FRANKFORT, 179O. 277I
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'"The lateRETURN JOURNEY TO VIENNA,
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—!!!!—BADEN, 1791STOLL. 281the
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—SCHIKANEDER. 283irretrievably in
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—COMPOSITION OF THE " ZAUBERFLOTE
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COMMISSION FOR THE REQUIEM. 287no e
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—FIRST PERFORMANCE OF "TITUS," 17
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PLOT OF TITUS. 29!Vitellia, daughte
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—"TITUS —OVERTURE— ENSEMBLES.
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" TITUS — SEXTUS. 295him one glan
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*' TITUS " VITELLIA. 2g7and even th
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" TITUS —ENSEMBLES. 299farewell o
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CRITICISMS ON "TITUS." 3OIIn brilli
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:^—DRAMATIS PERSONS. 303young man
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—"OBERON — "lulu. 305Schikanede
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THE LIBRETTO—RIVAL THEATRES. 307N
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" KASPAR DER FAGOTTIST. 3O9supper b
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———THE LIBRETTO.3IIher mother
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———THE LIBRETTO. 313silence u
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sfpII——ITHE OVERTURE. 315we thi
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—THE OVERTURE. 317intended to be
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—ACH GOTT VOM HIMMEL,3^9require i
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—TAMINO. 321groundwork for the lo
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CHORUSES. 323into closer contact wi
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intense sympathy of the firstSARAST
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—TAMINO. 327Sarastro's good tempe
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PAMINA. 329initiation into the myst
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——PAMINA—TERZET.33IPamina, in
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——rTHE QUEEN OF NIGHT. 335deepl
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THE THREE LADIES, 335only do we fin
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f——THE MOOR— PAPAGENO. 337sam
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—Ztg., 1793, p. 151)-Z 2PAPAGENO.
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——LOVE OF MAN AND WIFE.34Isugge
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ENSEMBLES. 343fail to appear in the
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FANTASTIC AND MYSTIC ELEMENTS. 345a
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;THE ORCHESTRA. 347form the basis o
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'*Zauberflöte." ''^PERFORMANCES AN
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PERFORMANCES AND IMITATIONS. 351oth
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SAD FOREBODINGS. 353afterwards how
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—;SERIOUS ILLNESS. 355winter supp
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THE END. 357tongue— I taste death
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INTERMENT AND GRAVE. 359as he was,
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—COMPLETION OF THE REQUIEM. 361re
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;süssmayr's work. 363He had not se
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süssmayr's work. 36:no longer be a
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PUBLICATION.3Ö7score note for note
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süssmayr's share in the work. 369A
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- Page 387 and 388: —HANDEL'S INFLUENCE. 375been quit
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- Page 399 and 400: parts of the firstsüssmayr's share
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- Page 403 and 404: GENERAL REVIEW OF THE WORK.39Iwe ha
- Page 405 and 406: SYMPATHY FOR THE FAMILY. 393express
- Page 407 and 408: COMMEMORATIONS. 3951842, a few hour
- Page 409 and 410: MEMORIALS OF MOZART, 397a lyre. The
- Page 411 and 412: CONCLUSION. 399musicians, with Hayd
- Page 413 and 414: MARIANNE MOZART.40IAPPENDIX I.MARIA
- Page 415 and 416: MARIANNE MOZART. 403gang's correspo
- Page 417 and 418: —;!MARIANNE MOZART. 405I forget,
- Page 419 and 420: :ARRANGEMENTS OF MOZART's CHURCH MU
- Page 421 and 422: —ARRANGEMENTS OF MOZART'S CHURCH
- Page 423 and 424: —PORTRAITS OF MOZART. 411The last
- Page 425 and 426: ——PORTRAITS OF MOZART. 413effec
- Page 427: PORTRAITS OF MOZART. 415ably from t
- Page 430 and 431: "Ave4i8APPENDIX IV.KBchel,142 Tantu
- Page 432 and 433: —;.:420 APPENDIX IV.Köchel.582 A
- Page 436 and 437: .2.Köchel,Ki;chel,155 Quartet for
- Page 438 and 439: ._426 APPENDIX IV.24851791802641245
- Page 440 and 441: Ij'I.i428 APPENDIX IV.Küchel,62 Ca
- Page 442 and 443: ;;430 INDEX.Auf der W:eden, theatre
- Page 444 and 445: ;432 INDEX.Dalberg, Heribert von, e
- Page 446 and 447: ;•434 INDEX.wine as a stimulant t
- Page 448 and 449: ;436 INDEX." L' Arbore di Diana," o
- Page 450 and 451: he;;438 INDEX.Paris, II. 45 concern
- Page 452 and 453: ;440 INDEX.Operetta, German, an aft
- Page 454 and 455: .442 INDEX.Seeau, Count, I. 351, 35
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