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66 | l&l<br />

The insider<br />

A round-up of the latest global label<br />

stories<br />

client has complications with its plates, they can easily be sent<br />

to the school for testing in a tightly controlled environment.<br />

Trinity Design Group<br />

In recent years, the company has developed the Trinity Design<br />

Group. Addressing the need for flexo-focused artwork, it<br />

serves as a boutique-style agency that is able to cater to all a<br />

customer’s needs.<br />

The company’s grounding in print knowledge has given the<br />

design team a strong sense of quality control, as Gary Bibler,<br />

president of Trinity Design Group, explains: ‘We design artwork<br />

that translates seamlessly from prepress, to the plate and<br />

onto the press. Our goal is to achieve a strong design that is<br />

workable in all forms of media. We want to ensure that artwork<br />

functions harmoniously with flexo.’<br />

One successful example of this approach is Equa brand<br />

bottled water, a product sourced from the Amazon rainforest<br />

that will be launched shortly. The Equa management team’s<br />

research had shown that consumers like the idea of water from<br />

the rainforest. ‘They think natural and pure, pristine,’ explains<br />

Jeff Moats, Equa water president.<br />

To create a design which would ‘pop’ off the shelf, Equa<br />

partnered with a graphic design firm in the UK. But as can often<br />

happen, the brand had a difficult time translating the firm’s<br />

creative graphic designs into visually appealing, printable labels.<br />

Eventually Moats was referred to Trinity’s Design Group.<br />

‘Bob and his team are extremely creative. They think outside of<br />

the box and have helped us through this packaging process,<br />

bending over backwards to push us in the direction to best<br />

solve our problems.’ Both graphic teams are now working<br />

together to deliver packaging and labels which convey the Equa<br />

message.<br />

‘It’s all about the presence,’ Moats explains. ‘Our new brand<br />

must be able to rise above the clutter on the shelf.’ Equa will be<br />

going directly after brands such as Evian and Fiji waters. ‘We<br />

have chosen a circular design that gives an affinity towards the<br />

contents and the source of origin, as well as looking graphically<br />

appealing. The packaging must invite a trial, hook to sample,<br />

then move the consumer to switch brands. We have confidence<br />

that Trinity will help us achieve this goal.’<br />

Trinity Digital<br />

Trinity’s most recent step has been into the digital printing<br />

market. The new entity, Trinity Digital, is serving both label<br />

clients and local Florida businesses with just-in-time sheet<br />

fed color printing, shipping print work including short order<br />

brochures, cards and point of sale pieces.<br />

Now many of the company’s clients are asking it to consider<br />

setting up a full service digital label operation. Comments<br />

Elizabeth Buchanan, head of sales for Trinity Digital, ‘There<br />

are very few of Trinity’s flexo accounts that have access to this<br />

technology. It appears that they are reluctant to pursue this<br />

option themselves for various reasons and feel that we would be<br />

the perfect source to supply the work.’ Smithson says that he is<br />

closely evaluating the various technologies.<br />

Labels&Labeling<br />

L-r: Ken Davis, director, Hine Labels; Bill Hine, managing director,<br />

Hine Labels; Greg Neesham, sales director, Punch Graphix UK<br />

UK converter installs<br />

country’s first Xeikon 3000<br />

Hine Labels, of Rotherham, Yorkshire, has announced details of a<br />

decision to upgrade its existing Xeikon label press to a new Xeikon<br />

3000 machine. The installation will be the first Xeikon 3000 digital<br />

label press in the UK, following its launch last September.<br />

Bill Hine, managing director of Hine Labels, said: ‘Our original<br />

Xeikon 330, installed at the end of 2007, allowed us a good insight<br />

into the digital labels market, providing us with the opportunity to<br />

talk digital with our existing customers, and to work our way through<br />

the whole of the digital production cycle – which is, of course,<br />

quite different to our traditional flexographic business. The further<br />

enhancements in both image quality and production speed for the<br />

Xeikon 3000 meant that it was the next logical step for us. Our<br />

business comes from trade customers. They generally don’t have<br />

a preference with regard to the printing process that we use. What<br />

they want is high quality, color consistent labels in the shortest<br />

possible production time. We have to face the fact that run lengths<br />

are decreasing across many of our markets, and this is what tends<br />

to determine which print process we use for a given job.'<br />

The Xeikon 3000 produces images at 1200 dots per inch, with<br />

four bits per spot, and offers an increased imaging width of 322mm<br />

against the 307mm imaging width of the Xeikon 330 machine. All<br />

machines are based on a 330mm substrate width. The web-based<br />

press has a top speed of 31.5 feet of label production per minute,<br />

and a monthly duty cycle of 1,500,000 feet. The 5-color engine<br />

provides for the four standard process colors plus a choice of spot<br />

color, special security toner for anti-counterfeiting applications,<br />

or an opaque white for the ‘no label’ look on transparent material.<br />

The press is capable of handling a range of substrates including<br />

self-adhesive films, co-extruded films, unsupported films, paper,<br />

transparent and opaque foils, and paperboard. The dry toner<br />

electrophotography imaging process enables the use of conventional<br />

substrates without the need for coating or pre-treatment.<br />

‘Xeikon 3000 also offers an immediate upgrade path when digital<br />

volume requirements increase,’ added Bill Hine, referring to the<br />

ability to enhance the machines capabilities up to those of the<br />

Xeikon 3300 label press. ‘It has certainly enabled us to open new<br />

doors with existing customers. The ability to economically produce<br />

shorter runs has a strong appeal in many market sectors, and we<br />

have also become involved in a number of test marketing programs<br />

– an ideal task for digital production, as we can create any number<br />

of label variants within a short space of time.’

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