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152 PASSPORT TO MAGONIA<br />
cover the wheel. Inside the cockpit, a kind of radio set, complete<br />
with wires and operated by a man with earphones, was visible.<br />
All six pilots were busy on their instrument panels.<br />
The incident lasted about twenty minutes. Then the object<br />
silently took off and reached an altitude of fifty yards. Then it<br />
went away at a dizzying speed, toward the east.<br />
The imprints left by the undercarriage's wheels on the soft<br />
ground have been photographed. They resembled those of normal<br />
rubber wheels. Their length was only about two feet.<br />
If it were possible to make three-dimensional holograms with<br />
mass, and to project them through time, I would say this is what<br />
the farmer saw. And with that theory we could explain many of<br />
the apparitions: in numerous UFO cases and in some religious<br />
miracles, the beings appeared as three-dimensional images whose<br />
feet did not actually touch the ground. But what about the other<br />
physical actions, such as the electric shocks?<br />
As we read the account of the Libyan landing case, it is tempting<br />
to assume that the farmer, far from witnessing by chance the<br />
maneuvers of interplanetary visitors, was deliberately exposed to<br />
a scene designed to be recorded by him and transmitted to us.<br />
Hence, the gas masks, the instrument panels, and the radio set—<br />
"complete with wires."<br />
The same is true with the following Italian case, which took<br />
place in Abbiate Guazzone, near Varese, on April 24, 1950:<br />
At 10:00 P.M., Bruno Facchini heard and saw sparks which he<br />
attributed to a storm, but he soon discovered a dark mass hovering<br />
between a pole and a tree two hundred yards from his house. A man<br />
dressed in tight-fitting clothes and wearing a helmet appeared to be<br />
making repairs. There were three other figures working around the<br />
huge craft. This work being over, a trap through which light had<br />
been shining was closed, and the thing took off. Other details were<br />
as follows: the object made a sound similar to that of a giant beehive<br />
and the air seemed strangely warm around it. Two of the men were<br />
standing on the ground near a ladder; the third one was on a<br />
telescopic elevator, the base of which touched the ground, and was<br />
holding something near a group of pipes: this produced the sparks<br />
seen by Facchini. They were about five feet nine inches tall, dressed<br />
in gray diving suits with an oval transparent glass in front of their<br />
faces, which were concealed behind gray masks. From the fore portion<br />
of the masks a flexible pipe emerged at the level of the mouth.<br />
-"»<br />
NURSLINGS OF IMMORTALITY 153<br />
They wore earphones. Inside the craft could be seen a series of<br />
oxygen-type containers and many dials. When Facchini offered his<br />
help, the men talked among themselves in guttural sounds, and one<br />
of them took a cameralike device from around his neck and projected<br />
a beam of light on Facchini, who tumbled away for several yards.<br />
He was then caught by a rush of air and thrown again to the ground.<br />
They subsequently ignored him as they recovered the elevator and<br />
brought it inside the craft, which took off.<br />
After a sleepless night, Facchini returned to the site and found<br />
some metal fragments left by the soldering operation, also four<br />
circular imprints and patches of scorched grass. He revealed the<br />
observation only ten days later, when his doctor treated him for the<br />
pains and bruises resulting from his fall and advised him to call<br />
police. Ministry of Defense technicians who examined the metal<br />
samples found them to consist of an "anti-friction material very<br />
resistant to heat." The incident had other witnesses, who testified<br />
privately.<br />
1 ^ Had Mr. Facchini been exposed deliberately to a faked appari-<br />
4; r \hoax? Who can afford to contrive such a complex scheme, for so<br />
v^^^little apparent result? Is human imagination alone capable of<br />
2 ;f ^playing such tricks on itself? Or should we hypothesize that<br />
-j j_ i^an advanced race somewhere in the universe and sometime in the<br />
•i'^f^future has been showing us three-dimensional space operas for<br />
- ^ '^the last two thousand years, in an attempt to guide our civilizaj<br />
- \ tion? If so, they certainly do not deserve our congratulations!<br />
.. i s Are we dealing instead with a parallel universe, where there are<br />
^h races living, and where we may go at our expense, never<br />
/ return to the present? Are these races only semi-human, so that<br />
^<br />
order to maintain contact with us, they need crossbreeding<br />
• ? J "Iwith men and women of our planet? Is this the origin of the many<br />
•% "-f.talcs and legends where genetics plays a great role: the symbolism<br />
** of the Virgin in occultism and religion, the fairy tales involving<br />
human midwives and changelings, the sexual overtones of the flying<br />
saucer reports, the biblical stories of intermarriage between<br />
the Lord's angels and terrestrial women, whose offspring were<br />
giants? From that mysterious universe, have objects that can<br />
materialize and "dematcrializc" at will been projected? Are the<br />
UFO's "windows" rather than "objects"? There is nothing to