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152 PASSPORT TO MAGONIA<br />

cover the wheel. Inside the cockpit, a kind of radio set, complete<br />

with wires and operated by a man with earphones, was visible.<br />

All six pilots were busy on their instrument panels.<br />

The incident lasted about twenty minutes. Then the object<br />

silently took off and reached an altitude of fifty yards. Then it<br />

went away at a dizzying speed, toward the east.<br />

The imprints left by the undercarriage's wheels on the soft<br />

ground have been photographed. They resembled those of normal<br />

rubber wheels. Their length was only about two feet.<br />

If it were possible to make three-dimensional holograms with<br />

mass, and to project them through time, I would say this is what<br />

the farmer saw. And with that theory we could explain many of<br />

the apparitions: in numerous UFO cases and in some religious<br />

miracles, the beings appeared as three-dimensional images whose<br />

feet did not actually touch the ground. But what about the other<br />

physical actions, such as the electric shocks?<br />

As we read the account of the Libyan landing case, it is tempting<br />

to assume that the farmer, far from witnessing by chance the<br />

maneuvers of interplanetary visitors, was deliberately exposed to<br />

a scene designed to be recorded by him and transmitted to us.<br />

Hence, the gas masks, the instrument panels, and the radio set—<br />

"complete with wires."<br />

The same is true with the following Italian case, which took<br />

place in Abbiate Guazzone, near Varese, on April 24, 1950:<br />

At 10:00 P.M., Bruno Facchini heard and saw sparks which he<br />

attributed to a storm, but he soon discovered a dark mass hovering<br />

between a pole and a tree two hundred yards from his house. A man<br />

dressed in tight-fitting clothes and wearing a helmet appeared to be<br />

making repairs. There were three other figures working around the<br />

huge craft. This work being over, a trap through which light had<br />

been shining was closed, and the thing took off. Other details were<br />

as follows: the object made a sound similar to that of a giant beehive<br />

and the air seemed strangely warm around it. Two of the men were<br />

standing on the ground near a ladder; the third one was on a<br />

telescopic elevator, the base of which touched the ground, and was<br />

holding something near a group of pipes: this produced the sparks<br />

seen by Facchini. They were about five feet nine inches tall, dressed<br />

in gray diving suits with an oval transparent glass in front of their<br />

faces, which were concealed behind gray masks. From the fore portion<br />

of the masks a flexible pipe emerged at the level of the mouth.<br />

-"»<br />

NURSLINGS OF IMMORTALITY 153<br />

They wore earphones. Inside the craft could be seen a series of<br />

oxygen-type containers and many dials. When Facchini offered his<br />

help, the men talked among themselves in guttural sounds, and one<br />

of them took a cameralike device from around his neck and projected<br />

a beam of light on Facchini, who tumbled away for several yards.<br />

He was then caught by a rush of air and thrown again to the ground.<br />

They subsequently ignored him as they recovered the elevator and<br />

brought it inside the craft, which took off.<br />

After a sleepless night, Facchini returned to the site and found<br />

some metal fragments left by the soldering operation, also four<br />

circular imprints and patches of scorched grass. He revealed the<br />

observation only ten days later, when his doctor treated him for the<br />

pains and bruises resulting from his fall and advised him to call<br />

police. Ministry of Defense technicians who examined the metal<br />

samples found them to consist of an "anti-friction material very<br />

resistant to heat." The incident had other witnesses, who testified<br />

privately.<br />

1 ^ Had Mr. Facchini been exposed deliberately to a faked appari-<br />

4; r \hoax? Who can afford to contrive such a complex scheme, for so<br />

v^^^little apparent result? Is human imagination alone capable of<br />

2 ;f ^playing such tricks on itself? Or should we hypothesize that<br />

-j j_ i^an advanced race somewhere in the universe and sometime in the<br />

•i'^f^future has been showing us three-dimensional space operas for<br />

- ^ '^the last two thousand years, in an attempt to guide our civilizaj<br />

- \ tion? If so, they certainly do not deserve our congratulations!<br />

.. i s Are we dealing instead with a parallel universe, where there are<br />

^h races living, and where we may go at our expense, never<br />

/ return to the present? Are these races only semi-human, so that<br />

^<br />

order to maintain contact with us, they need crossbreeding<br />

• ? J "Iwith men and women of our planet? Is this the origin of the many<br />

•% "-f.talcs and legends where genetics plays a great role: the symbolism<br />

** of the Virgin in occultism and religion, the fairy tales involving<br />

human midwives and changelings, the sexual overtones of the flying<br />

saucer reports, the biblical stories of intermarriage between<br />

the Lord's angels and terrestrial women, whose offspring were<br />

giants? From that mysterious universe, have objects that can<br />

materialize and "dematcrializc" at will been projected? Are the<br />

UFO's "windows" rather than "objects"? There is nothing to

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