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The <strong>contemporary</strong> art market<br />

300<br />

200<br />

100<br />

2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015<br />

Saatchi Gallery – London<br />

Auction > $2 million<br />

Auction > $15 million<br />

Lehman Brothers Bankruptcy<br />

Sale<br />

Beautiful Inside My Head Forever<br />

Gagosian Gallery – 11 sites<br />

Retrospective – Tate Modern<br />

Price Index for Damien Hirst Base 100 in January 2000<br />

© ARTPRICE.COM<br />

one that he has constantly reinterpreted since the<br />

end of the 1980s and a favourite with the collectors.<br />

Already in 2002, Swamped fetched Peter Doig’s<br />

auction record of $455,000 at Sotheby’s in London.<br />

Since then its price has multiplied by 57 times. In<br />

just 13 years, Peter Doig has become a veritable<br />

icon of Contemporary painting.<br />

Damien Hirst – the enfant<br />

terrible in disgrace<br />

Damien Hirst is one of the artists who most benefited<br />

from the market euphoria of the 2000s and<br />

who has logically suffered the most from its return<br />

to sanity in the 2010s. In fact the auction prices of<br />

the British enfant terrible have never recovered: his<br />

price index is down -83% since its peak in 2008<br />

and the volume of transactions on his work is down<br />

91%. Here is a brief overview of his tumultuous career,<br />

which is still generating controversy.<br />

In 1988, the unknown but clearly inspired Damien<br />

Hirst conceived and curated the Freeze show<br />

in a London warehouse, bringing together his<br />

own works plus those of his friends at Goldsmiths<br />

College. At the time, his works and those of Gary<br />

Hume, Sarah Lucas and Fiona Rae had no particular<br />

pecuniary value, but the audacious move attracted<br />

the attention of the notorious gallery owner<br />

and advertising mogul Charles Saatchi. The latter’s<br />

mentorial and proselytising expertise, in conjunction<br />

with Jay Jopling’s similar skills (White Cube<br />

Gallery), projected Damien Hirst to the forefront of<br />

the British art scene in record time.<br />

In 1992, year of the Young British Artists exhibition<br />

at the Saatchi Gallery, Hirst already epitomised the<br />

revolutionary spirit of a new and flamboyant movement<br />

that became known as YBA. The following<br />

year, he created Mother & Child, Divided (a cow and<br />

its calf sectioned and immersed in formalin) for the<br />

Venice Biennial, a ‘shock’ installation that earned<br />

him the 1995 Turner Prize. In 1997, his notoriety<br />

became international with the controversy surrounding<br />

the Sensation exhibition at the Royal Academy<br />

of Art in London, which attracted 300,000<br />

visitors. His auction results at the time already<br />

suggested the emergence of a speculative dynamic:<br />

a first medicine cabinet, God (1989), tripled its high<br />

estimate when it fetched $315,000 1 . At that point,<br />

Damien Hirst was at the bottom of a bidding tornado<br />

that he deftly accelerated with characteristic<br />

irreverence.<br />

His dominance of the Contemporary art market<br />

reached a high mark in 2007 when he briefly became<br />

the most expensive living artist with Lullaby<br />

Spring, a large-scale pharmacy cabinet containing<br />

1) Christie’s London, 22 April 1998.<br />

31

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