THE contemporary
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<strong>THE</strong> ARTPRICE HEADQUARTERS<br />
The Abode of Chaos houses Artprice.com’s archives of hundreds of thousands of manuscripts,<br />
art books and catalogues from 1700 to the present day, covering 118 million artworks.<br />
knowledge grid disseminating outwards through its<br />
network.<br />
The Abode of Chaos is a “state within a state”, a veritable<br />
kernel of the Republican system.<br />
The duality of my existence as a founder of The<br />
server Group and Artprice (listed on the Paris Euronext<br />
Premier Marché) and my life over the last<br />
25 years as an artist is reflected and complemented<br />
by the duality of the place. The “Organe” Museum,<br />
for its part, is a place where the public are welcome<br />
- an open-air free museum visited each year by<br />
120,000 people who come to see the Demeure’s collection<br />
of thousands of art works, but also to discover<br />
how art lives with proteiform 21st century industry.<br />
The Abode of Chaos is a place where scholars work;<br />
but it is also my personal residence and that of my<br />
clan. Without any concession, I mark each stone,<br />
each roof, each floor, each tree of my works in accordance<br />
with the axium of 09/12/1999.<br />
This duality that confronts my commitment as a<br />
sculptor and author over the last 25 years with my<br />
role as founder of Artprice, The server Group and<br />
its 12 subsidiaries, is often criticised, sometimes violently,<br />
by a conservative and conformist business<br />
community. However this duality does allow me -<br />
assisted by the dream-like atmosphere of the place<br />
- to host the most learned academics and experts<br />
capable of wining in any economic system, and on<br />
any continent. The impressive number and diversity<br />
of the nationalities on the site bears witness to this<br />
new digital Babylon that the Demeure du chaos has<br />
evolved into.<br />
The incisive and pertinent remarks of the French<br />
Financial Markets Authority (AMF) in our now famous<br />
reference documents for the regulated market<br />
translate the evolution of my artistic thought and its<br />
mutation into action in the economic sphere. Certain<br />
regulated agreements between the Abode of<br />
Chaos and the group have become self-fulfilling<br />
prophecies where the power of art invites itself into<br />
the world of finance. My dual approach provides<br />
both spiritual enrichment for the Abode of Chaos -<br />
and material: our 18,000 shareholders…<br />
How can one build, from nothing, Artprice, a mythic<br />
company providing copy for 90% of the global art<br />
market press - without being oneself, both in mind<br />
and in body, an artist with a passion for art history?<br />
The Abode of Chaos is a redoubtable war machine,<br />
a Trojan horse at the heart of the financial markets.<br />
It produces and diffuses unimaginable quantities of<br />
knowledge about the art market, law, the economy<br />
and science, while day and night, our other artists<br />
occupy 9,000 m2 to (re)write - with our artistic viewpoint<br />
- the “history of the world without subtext”.<br />
Our radical deconstruction of the traditional barrier<br />
between living space and work space and of<br />
furniture in these spaces has had an impact on the<br />
2,500 sq.m of offices where The server Group, its<br />
subsidiaries and Artprice are resident. This humanist<br />
approach is shared by the artists and em-<br />
<strong>THE</strong> <strong>contemporary</strong> art market REPORT 2015<br />
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