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<strong>THE</strong> ARTPRICE HEADQUARTERS<br />

The Abode of Chaos houses Artprice.com’s archives of hundreds of thousands of manuscripts,<br />

art books and catalogues from 1700 to the present day, covering 118 million artworks.<br />

knowledge grid disseminating outwards through its<br />

network.<br />

The Abode of Chaos is a “state within a state”, a veritable<br />

kernel of the Republican system.<br />

The duality of my existence as a founder of The<br />

server Group and Artprice (listed on the Paris Euronext<br />

Premier Marché) and my life over the last<br />

25 years as an artist is reflected and complemented<br />

by the duality of the place. The “Organe” Museum,<br />

for its part, is a place where the public are welcome<br />

- an open-air free museum visited each year by<br />

120,000 people who come to see the Demeure’s collection<br />

of thousands of art works, but also to discover<br />

how art lives with proteiform 21st century industry.<br />

The Abode of Chaos is a place where scholars work;<br />

but it is also my personal residence and that of my<br />

clan. Without any concession, I mark each stone,<br />

each roof, each floor, each tree of my works in accordance<br />

with the axium of 09/12/1999.<br />

This duality that confronts my commitment as a<br />

sculptor and author over the last 25 years with my<br />

role as founder of Artprice, The server Group and<br />

its 12 subsidiaries, is often criticised, sometimes violently,<br />

by a conservative and conformist business<br />

community. However this duality does allow me -<br />

assisted by the dream-like atmosphere of the place<br />

- to host the most learned academics and experts<br />

capable of wining in any economic system, and on<br />

any continent. The impressive number and diversity<br />

of the nationalities on the site bears witness to this<br />

new digital Babylon that the Demeure du chaos has<br />

evolved into.<br />

The incisive and pertinent remarks of the French<br />

Financial Markets Authority (AMF) in our now famous<br />

reference documents for the regulated market<br />

translate the evolution of my artistic thought and its<br />

mutation into action in the economic sphere. Certain<br />

regulated agreements between the Abode of<br />

Chaos and the group have become self-fulfilling<br />

prophecies where the power of art invites itself into<br />

the world of finance. My dual approach provides<br />

both spiritual enrichment for the Abode of Chaos -<br />

and material: our 18,000 shareholders…<br />

How can one build, from nothing, Artprice, a mythic<br />

company providing copy for 90% of the global art<br />

market press - without being oneself, both in mind<br />

and in body, an artist with a passion for art history?<br />

The Abode of Chaos is a redoubtable war machine,<br />

a Trojan horse at the heart of the financial markets.<br />

It produces and diffuses unimaginable quantities of<br />

knowledge about the art market, law, the economy<br />

and science, while day and night, our other artists<br />

occupy 9,000 m2 to (re)write - with our artistic viewpoint<br />

- the “history of the world without subtext”.<br />

Our radical deconstruction of the traditional barrier<br />

between living space and work space and of<br />

furniture in these spaces has had an impact on the<br />

2,500 sq.m of offices where The server Group, its<br />

subsidiaries and Artprice are resident. This humanist<br />

approach is shared by the artists and em-<br />

<strong>THE</strong> <strong>contemporary</strong> art market REPORT 2015<br />

67

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