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Jane M. Downs<br />
rings and rings. Her mother steps out of her shoes. Stockings, skirt, blouse, under clothes fall to<br />
floor. She sits on the bed, pours scotch into a glass, gulps it down, pours another.<br />
Mesmerized by her mother’s nakedness, skin almost white as the sheet.<br />
In the bathroom, water pours into the tub. La-la-la. Something taken from the medicine cabinet.<br />
Quiet, except for running water. As if the room swallowed something hollow.<br />
Water floods the carpet in long dark tongues that creep toward her. She moves through a liquid<br />
haze, her hands and knees sinking into the wet wool.<br />
Ladder of daylight through the blinds. She sees the shape of a snake on the wet carpet, a lamb.<br />
With each movement forward something peels away.<br />
A blade. Her mother’s head low in the water, arm outside the tub. On her hand, a red glove<br />
shines. Downstairs, the clock chimes five.<br />
7<br />
He knocks, sits on the empty bench. Cut iris in a crystal vase, sheets of music stacked on a table.<br />
He imagines his teacher in her blue dress, the row of buttons marching down her back. Without<br />
her, he plays scales.<br />
He is studying Beethoven’s Moonlight Sonata. He wants to make music match what he feels.<br />
Every Tuesday, lessons beside his teacher on the bench, intoxicated by the beauty of her hands,<br />
the wash of her music in which he can hear each separate note.<br />
Upstairs a child screams. He lifts his hands. She screams again.<br />
He finds her crouched on the bathroom floor. A skinny child, thin black braids trailing over a red<br />
sweater dotted with stars. Her face a replica of her mother’s.<br />
She clings to her mother’s arm. He pries her loose. She grabs at his face. He pins her arms, releases<br />
her. She shakes her head with such violence, he holds her face between his hands to still her.<br />
He carries her downstairs, her arms wrapped around his neck, legs around his waist like his<br />
eight-year-old sister does. “My name is James. Don’t be afraid.”<br />
He is shaking now. His voice breaks. And now he sees the hallway with the brass clock, the glass<br />
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