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<strong>The</strong> <strong>Sleeping</strong> <strong>Wall</strong><br />
Mai makes him tea in her celadon teapot. Gibbous moon. She feeds him almonds. A plate<br />
of oranges. Waning crescent moon. She is obsessed with hummingbirds.<br />
One night a syzygy. Moon, earth, sun clumsily aligned.<br />
2<br />
James’s desire for Mai stuns him. Her clipped, precise English, handwriting careful as a<br />
schoolgirl’s. Caught in window sun, she seems a chrysalis encased in light. When she<br />
walked into his classroom he hadn’t known an instant could transform him so completely.<br />
Again and again, he goes to her as if in a dream where he is without will. Her room holds<br />
such stillness—a boat adrift in the middle of a lake. Air tinged with the closed-up scent of<br />
secondhand books that line her walls. Her soft hands clutch the sheet. Before he leaves,<br />
she tiptoes to press her lips against his eyelids.<br />
3<br />
Mai’s world lost piece by piece. <strong>The</strong>re is a rhythm to the losing. <strong>The</strong> way purple herons lift and<br />
lower their heads, their spindle legs vanishing in tall grass.<br />
Saigon, city of bones, rises in smoke. <strong>The</strong> sky bends down to meet it. <strong>The</strong> stripping away until<br />
things reveal themselves as without weight. Without roots.<br />
<strong>The</strong> Mekong is a molten river, bridges fingers of flame. She watches her mother bury the polished<br />
Buddha under bamboo leaves. She feels a sudden pain, her heart fighting against its own death.<br />
<strong>The</strong> darkness is a ruin. Her mother’s hand, twigs of bone in hers. More refugees, tense links in a<br />
chain of bobbing lights. Footprints dissolve as if in sand.<br />
Boatmen lean against lampposts smoking. Those who would try to break her open. Rough and<br />
careless, not like she imagined her father in his French army uniform. She pieced him together<br />
from a torn image in black and white. He visits her dreams offering oval pebbles piled in a rice<br />
bowl. He left her his name, left her his language ma fille, mon amour.<br />
Boats, ribbed cradles anchored in red morning. She stares at the lapping water, vessels battered<br />
by the sea. Her teenage body. She lifts her chin, straightens her spine and faces the eastern glare.<br />
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