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EP Entrepreneurs & Innovation April 2016

• Companies in the hospitality industry are looking for innovation and new concepts which can improve their offering. For all the exciting ideas coming through, it is difficult to reach an audience. This publication talks about both innovation and the entrepreneurs behind these ideas. We want to engage the market and showcase the great ideas which could work for many companies. Its aim is to support entrepreneurs along their journeys at whatever stage they are at and help companies find value from the new ideas and innovation coming through.

• Companies in the hospitality industry are looking for innovation and new concepts which can improve their offering. For all the exciting ideas coming through, it is difficult to reach an audience. This publication talks about both innovation and the entrepreneurs behind these ideas. We want to engage the market and showcase the great ideas which could work for many companies. Its aim is to support entrepreneurs along their journeys at whatever stage they are at and help companies find value from the new ideas and innovation coming through.

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<strong>April</strong> <strong>2016</strong> • Issue 01 • £5.00 • epmagazine.co.uk<br />

DRIVING FORCES Is it fortitude<br />

or experience that steers<br />

a business on to success?<br />

SHAKEN NOT STIRRED <strong>EP</strong> pays<br />

a visit to Dry Martini, a venue<br />

bringing back a taste of the past<br />

THE ‘WOW’ FACTOR Meet<br />

the young designers who are<br />

changing the face of interiors<br />

<strong>EP</strong> | ENTR<strong>EP</strong>RENEURS & INNOVATION<br />

<strong>April</strong> <strong>2016</strong> • Issue 01<br />

THE ONE GROUP<br />

UPS THE TEMPO<br />

Jonathan Segal and Adam Elliott reveal the<br />

challenges of dealing with customer expectation


Luxury starts with linen<br />

Tradelinens now offer a specific<br />

servicetailored to small hotels<br />

and private homes.


Welcome Chris Sheppardson<br />

THE IMPORTANCE<br />

OF ENTR<strong>EP</strong>RENEURS<br />

AND INNOVATION<br />

ENTR<strong>EP</strong>RENEURS<br />

& INNOVATION<br />

Front cover<br />

Nick Dawe<br />

Editor<br />

info@epmagazine.co.uk<br />

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Newhall Publishing Ltd<br />

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Debbie Attewell<br />

Managing Editor<br />

Anita Comerford<br />

Art Editor<br />

Gareth Evans<br />

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nickdawe.co.uk<br />

© <strong>2016</strong> <strong>EP</strong> magazine is owned by Chess Executive<br />

Ltd. Every effort is made to ensure the accuracy<br />

of the information contained in the publication.<br />

Reproduction or use of this material without<br />

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The opinions expressed herein are not necessarily<br />

those of the editor/publisher.<br />

The hospitality industry has long been one of the leading sectors for entrepreneurs.<br />

The industry possesses a proud history of great innovation, creative flair and<br />

entrepreneurial spirit. Arguably it is one of the industry’s greatest legacies with,<br />

in recent times, the likes of Lord Forte, Sir Rocco Forte, William Baxter, Robin<br />

Rowland and Simon Woodroffe OBE, Luke Johnson, the Barclay Brothers, Ian Neill,<br />

Ken McCulloch, Sir Terence Conran, Peter Taylor, Michael Gottlieb, Robyn Jones OBE<br />

and Tim Jones, Chris Corbin and Jeremy King, Robin Sheppard, Bob Payton, Richard<br />

Shepherd, David Page… the list is endless and full of exceptional talent and examples.<br />

Moving on to <strong>2016</strong> and we are living in a period of time when so much is changing in<br />

the market. The dynamics of the B2C and even B2B is changing and the power of the<br />

brand alone is no longer enough. All businesses have to work harder with their customers<br />

and clients, and these audiences are seeking more in terms of innovation, new ideas and<br />

service levels. The result is that every business needs to invest more in how they engage,<br />

their product and service development, commerciality, innovation and in reaching the<br />

audience. The market is posing more questions of established companies all the time.<br />

At the same time, digital technology is increasing in ability and power while there is<br />

also a return to almost old-fashioned values and desires, which include a return to a desire<br />

for greater personal interaction, less formality, greater focus on crafts and skills and<br />

a commitment to the larger community/social enterprises.<br />

There has grown a natural marriage between established companies and the<br />

entrepreneur and the latter has learnt how to find new routes to investment and to<br />

market. <strong>Innovation</strong> has never been higher on the agenda than today and also the desire<br />

to learn and think of new ideas with which to engage the market. We are delighted to launch<br />

<strong>Entrepreneurs</strong> and <strong>Innovation</strong> to highlight great examples of both, from the proven, the<br />

growing and the new.<br />

<strong>2016</strong> is a new age of innovation and the entrepreneur.<br />

Chris Sheppardson<br />

Editor<br />

online<br />

Why not get involved<br />

online?<br />

Check out a wealth<br />

of articles from <strong>EP</strong><br />

magazine on our<br />

website<br />

www.epmagazine.co.uk/<br />

archive/magazine<br />

Follow our editor’s blog<br />

www.epmagazine.co.uk/<br />

category/editors-blog<br />

Catch up on upcoming<br />

events and forums<br />

www.epmagazine.co.uk/<br />

ep-events<br />

Follow us…<br />

@<strong>EP</strong>magazineuk<br />

MEET THE TEAM<br />

Jaz Notay Sara Stewart Nick Sheppardson Arlene McCaffrey<br />

Ben Butler<br />

Amy Lainchbury<br />

Natalia Latorre<br />

epmagazine.co.uk | 3


Contents In this issue<br />

CONTENTS<br />

Issue 1 | APRIL <strong>2016</strong> | epmagazine.co.uk<br />

12 16<br />

COMMENT<br />

10 A MARRIAGE BETWEEN CORPORATE<br />

AND ENTR<strong>EP</strong>RENEURS<br />

Do corporate cultures and entrepreneurs<br />

need to work closer together to raise their<br />

game and continue on the path to success?<br />

12 IS EXPERIENCE VITAL TO<br />

THE ENTR<strong>EP</strong>RENEUR?<br />

What makes a successful entrepreneur?<br />

<strong>EP</strong><br />

discusses the merits of experience over<br />

enthusiasm and drive when launching<br />

a new idea or business opportunity<br />

14 FUNDING INNOVATION<br />

AND GROWTH<br />

Discerning what funding would be most<br />

suitable for concept growth is a daunting<br />

task and all should be carefully considered<br />

21 ALL YOU NEED IS LOVE<br />

Business advisors, Ecovis Wingrave Yeats,<br />

believe that often passion rather than profit<br />

can, in many ways, be the most important<br />

aspect of a successful business plan<br />

33 THE PITFALLS OF ACQUIRING<br />

PREMISES<br />

Niall McCann of Joelson Wilson lawyers<br />

highlights the main points of which to be<br />

aware when starting a new venture<br />

34 DIFFERENT STROKES FOR<br />

DIFFERENT FOLKS?<br />

How fair is a tax system that seems to<br />

favour corporations over small businesses?<br />

50 BUILDING A BOARD<br />

Mike Day explains how his software<br />

business has been restructured to facilitate<br />

change and engender long-term growth<br />

OPERATING CONC<strong>EP</strong>TS<br />

16 THE RETURN OF THE DRY MARTINI<br />

<strong>EP</strong><br />

discovers how the Dry Martini bar is<br />

using its classic cocktail to set itself apart<br />

18 UPPING THE TEMPO<br />

The One Group is focused on the ideas<br />

and exciting innovations that help<br />

businesses rethink how they deliver their<br />

product and ultimately lead to success<br />

22 RE-ENERGISING PUB HOSPITALITY<br />

IN A LOCAL COMMUNITY<br />

Two leading lights from the worlds of<br />

entertainment and food have joined forces<br />

to develop hotels and gastropubs to benefit<br />

both local businesses and the community<br />

24 AN OLD-SCHOOL APPROACH<br />

TO SUCCESS<br />

Sophie Wright reveals how hard work<br />

combined with an entrepreneurial spirit<br />

has led to success in the world of food<br />

26 THE DUSTY KNUCKLE: SOURDOUGH<br />

AND PHILANTHROPY<br />

A thriving bakery in a London suburb<br />

offers so much more to its local community<br />

than its trademark sourdough loaf<br />

4 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Contents In this issue<br />

22<br />

28<br />

30 42 48<br />

28 DO WE REALLY KNOW WHAT<br />

REGIONAL ITALIAN COOKING<br />

IS ALL ABOUT?<br />

Marina D’Ischia goes in search of the<br />

real taste of Italy around the capital<br />

SPECIAL FEATURE<br />

30 LAYING THE GROUND FOR<br />

FUTURE GENERATIONS<br />

Newcomers of all ages are benefiting from<br />

the support of The Brand Foundation<br />

INTERNATIONAL<br />

6 WHO SAID FAST FOOD COULDN’T<br />

BE HEALTHY?<br />

Hotelier Marco Truffelli explains how his<br />

collaboration with Michelin-starred chef<br />

Andrea Ribaldone has led to a fast-food pasta<br />

8 INDIA – A COUNTRY IN<br />

SOCIAL TRANSITION<br />

<strong>EP</strong><br />

examines the shift in Indian society<br />

that is driving a change in attitude and<br />

producing huge global growth potential<br />

INNOVATION<br />

35 COMING FULL CIRCLE<br />

myCircle is at the heart of the cutting-edge<br />

cloud and retail technology that is changing<br />

customer interaction with service providers<br />

37 HOW IMPORTANT IS A WELCOME<br />

TO A GUEST?<br />

A warm and sincere welcome pays dividends<br />

when building business relationships<br />

38 THE NOVEL<br />

Many dream of publishing a novel but<br />

few fulfil this ambition. David Coubrough<br />

reveals the plot of his new crime story<br />

40 THIS IDEA WORKS<br />

Compass Group’s The Idea Works! pitching<br />

scheme offers fledgling companies an<br />

opportunity to benefit from their expertise<br />

42 CHARMING OUR SENSES<br />

Interior designer Sophie Phillpotts-<br />

Dowding reveals how the past is shaping<br />

the future of her designs for her clients<br />

in hotels and restaurants<br />

45 SIMPLY SUSTAINABLE<br />

Spectank’s credentials speak for themselves<br />

– a sustainable product that can improve<br />

operations and also save money<br />

DRINKS<br />

46 A LITTLE HEAT. A LOT OF HAPPINESS<br />

Nix&Kix’s sugar-free range of enticingly<br />

original drinks promises to add an extra<br />

dimension to the adult soft drink market<br />

48 MAKING THE MOST OF SCOTLAND’S<br />

NATURAL PRODUCE<br />

The resurgence in the popularity of gin has<br />

seen a stream of new independent producers<br />

like Crossbill Gin. Its founder explains the<br />

ethos behind his particular product<br />

epmagazine.co.uk | 5


International Pasta Shake<br />

Who said fast food<br />

couldn’t be healthy?<br />

Marco Truffelli, co-founder of Pasta Shake reveals his inspiration<br />

What inspired a leading hotelier to work with a Michelin-starred chef to develop a new retail<br />

pasta concept? Marco Truffelli writes about the journey he has travelled with his friend and<br />

colleague, chef Andrea Ribaldone, to launch a new fast-food pasta concept<br />

Winter in Puglia, Italy, is a<br />

foodie’s olfactory heaven: the<br />

higgledy-piggledy alleyways<br />

of small towns and villages,<br />

reminiscent of yesteryears, are a cornucopia<br />

of aromatic passion where squiggles of<br />

wafting wood-fired oven smoke open the<br />

door to earthy meals. I cannot resist a<br />

tavern-looking pizzeria, cocooned within the<br />

seasonal sleepiness that creates a cheerful<br />

yet strangely melancholic environment.<br />

With only three euros, I can explore breadth<br />

and variety of flavours. Anchovies surfing<br />

on an ocean of mozzarella and rich tomatoes<br />

take me to foodie heaven. Artisan products<br />

and natural ingredients are enriched by the<br />

eminently social aspects of sharing<br />

a table with family and friends.<br />

Conversations about Italian street food<br />

with Michelin-starred chef Andrea<br />

Ribaldone, led to debates about sensory<br />

specific satiety and a focus on food texture<br />

where viscosity became our obsession.<br />

Sleepless nights are spent studying nutrients<br />

and debating the cultural integration of<br />

food as conviviality, activity and social<br />

interaction. Gradually, then suddenly,<br />

through a mixture of science, alchemy and<br />

passion-lead tenacity, Pasta Shake was born.<br />

In the UK, retail sales of dry and fresh<br />

pasta amounted to £53m in 1987. In 2009,<br />

the figure rose to £282m. “If you include<br />

pasta-based ready meals, the value rises<br />

to £800m,” according to Mintel consumer<br />

research experts. A recent global survey by<br />

Oxfam named pasta as the world’s most<br />

popular dish, ahead of meat, rice and pizza.<br />

Pasta preparation has evolved from simply<br />

pouring sauces on top of pasta – from the<br />

coating of ingredients with a sauce to the<br />

tossing of pasta in the pan. The binding is<br />

simply possible through the shaking of the<br />

ingredients together, as the pasta absorbs<br />

the juices from the sauce. Pasta Shake is<br />

made with a lower content of flour alongside<br />

the egg in the kneading. The viscosity is<br />

increased, yet with a low ‘glueyness’ factor,<br />

this makes it remarkably fresh.<br />

The all-natural ingredients in the sauce<br />

make the interaction between the pasta and<br />

sauce truly unique. The result is a freshly<br />

cooked, flavourful and tasty experience of<br />

pasta coated by a velvety, yet cream-free,<br />

celebration of togetherness.<br />

The shackles of Italian mothers represent<br />

culinary tradition at its best. This has been<br />

possible thanks to chef Andrea’s quest for a<br />

marriage between tradition, taste and<br />

affordability. Together we then realised that<br />

pasta is more than a traditional dish. It is a<br />

commitment to give an experience as well as<br />

a journey into our habits by exploring the<br />

meaning of eating. While developing an<br />

awareness of what and how people eat, we<br />

started to transcend cultural divides.<br />

Italians are brought up with pasta as one the<br />

healthiest foods and an essential component<br />

of the Mediterranean diet.<br />

Back to the question of fast food: is it<br />

necessarily junk food? When we observed<br />

the market, we noticed that the well-heeled<br />

enjoyed pasta as much as students on<br />

a budget. We concluded that it is not about<br />

how much you spend for your meal, but it<br />

is the attitude towards what you eat.<br />

By creating something that is natural,<br />

easy, affordable and tasty, Pasta Shake<br />

brings the traditional concept of pasta to<br />

6 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


International Pasta Shake<br />

Passion: Andrea and Marco (below) were<br />

brought together through their love of food<br />

a bigger audience that has no time for fussy<br />

breaks, but appreciates quality food. The<br />

innovation behind it is, therefore, the ability<br />

to bring years of experience into a<br />

celebration of no longer ordinary meals.<br />

One of Pasta Shake’s ‘secret’ ingredients<br />

is the simple act of smiling – people want<br />

to laugh and food helps. Whenever we have<br />

our pasta sessions, as soon as we start<br />

shaking everyone is smiling.<br />

Several months of closed-door tastings<br />

and, thanks to Bartlett Mitchell, weeks of<br />

market testing at venues in Canary Wharf<br />

provided us with a specific direction for the<br />

final development stage of our aroma. While<br />

taking a calculated risk in letting some<br />

aspects of our product out in the open before<br />

reaching the final stages of our intellectual<br />

property journey, we so passionately believe<br />

both in market co-creation and in the<br />

strength of our core uniqueness that I know<br />

we will look back to the early consumers’<br />

input as a precious and invaluable ingredient<br />

of the ultimate taste of Pasta Shake.<br />

Born on the Portofino coast to parents<br />

from Parma, food alchemy has been<br />

a forming element of my childhood. Andrea<br />

Ribaldone was born in Milan and relocated<br />

to Piedmont back to his family’s roots.<br />

He is also the grandson of one of northern<br />

Italy’s most prominent pasta makers. We<br />

met in Puglia, serving owner and guests at<br />

one of Europe’s ultimate destinations, Borgo<br />

Egnazia – recipient of Leading Hotels of the<br />

World ‘Remarkably Uncommon’ Award. In<br />

Puglia, we realised that happiness can be<br />

sparked by what has become one of the most<br />

mundane acts: eating on the go. Yet pasta<br />

eating is still a family ritual and customers<br />

feel homely when they eat our product.<br />

In Canary Wharf, we were often asked to<br />

prepare a second or third portion for later<br />

consumption. Customers would say, “You<br />

know, I really wish my wife could try this<br />

for dinner tonight.” As a result, we realised<br />

that Pasta Shake had passed the first<br />

quality test – from lunch shaker to dinner<br />

plate. Now the real test awaits us.<br />

epmagazine.co.uk | 7


International India<br />

India – a country in<br />

social transition<br />

<strong>EP</strong> looks at how women entrepreneurs are leading the way in the country’s economy<br />

The traditional perceptions of India are changing. The whole<br />

landscape is in transition and women are breaking through<br />

Many have argued for the potential<br />

of India and to have greater<br />

investment in the country, but<br />

there have been many social<br />

and business barriers to achieving the aim.<br />

However, India is in change, and maybe one<br />

of the best signs of this is the rise of female<br />

entrepreneurs within a traditional society.<br />

This rise is happening at speed.<br />

In a survey of women’s entrepreneurship<br />

released in July 2013 by the Global<br />

<strong>Entrepreneurs</strong>hip<br />

and Development<br />

Institute (GEDI),<br />

India came 16th of 17<br />

countries surveyed.<br />

India sits just above<br />

Uganda, with Turkey,<br />

Morocco and Egypt<br />

all outperforming<br />

them. By 2014, only<br />

39% of Indian women were formally<br />

employed compared to 81% of Indian men<br />

and 71% of Chinese women.<br />

But change is in the air and there is an<br />

understanding that increasing women’s<br />

participation in the Indian labour force will<br />

enhance productivity and growth. It will also<br />

help to reduce the gender-based inequalities<br />

and social pressures that restrain female<br />

employment and entrepreneurship.<br />

Across the continent, there are Indian<br />

women in the pursuit of the entrepreneurial<br />

dream for the first time in their long history.<br />

Women have always been involved in small,<br />

usually home-based businesses, but this is<br />

different. They are now more visible, more<br />

ambitious and there are more columns<br />

written about women building businesses<br />

and not just earning an income. By 2020,<br />

the landscape will be very different.<br />

So, what is driving women to start their<br />

businesses? A recent survey revealed the<br />

reasons were little different to those that<br />

“Change is in the air and there is an<br />

understanding that increasing Indian<br />

women’s participation in the labour force<br />

will enhance productivity and growth”<br />

existed in the UK – the opportunity to work<br />

more creatively and the perceived benefit of<br />

being one’s own boss were the top reasons.<br />

While work-life balance was also chosen (by<br />

36%), it was not the main reason for women<br />

turning entrepreneurs, as is usually thought.<br />

The city leading the change is Bangalore<br />

in the Karnataka region. The government is<br />

encouraging, even leading, the change<br />

agenda. Karnataka lies to the south of India<br />

and its government has made a statement<br />

that it wishes to advance women through the<br />

entrepreneurial ecosystem. The system set<br />

up by the government allows global investors<br />

to tap into the pipeline of talented women<br />

entrepreneurs. These entrepreneurs usually<br />

face hurdles like limited access to finance,<br />

unfavourable policies, regulatory barriers,<br />

lack of access to markets as well as lack of<br />

access to trusted networks. By removing<br />

many of these hurdles, Karnataka offers<br />

enormous opportunities and a level playing<br />

field for women who want to set up and run<br />

any type of business.<br />

Karnataka’s<br />

population is 64m,<br />

close in number to<br />

the UK. It has<br />

become the hub of<br />

the IT industry with<br />

a growing presence<br />

in the city of<br />

Bangalore. With one<br />

of the highest economic growth rates of all<br />

states, the region has been a huge contributor<br />

to the progress of the country. The major<br />

contributors to the Karnataka economy are<br />

agriculture, mining, IT and tourism. It also<br />

has a number of small scale and cottage<br />

industries and recorded the highest growth<br />

rate in terms of GDP and per capita GDP in<br />

the last decade compared to other Indian<br />

states. So this change is important.<br />

The state was formed in 1956, with<br />

the passage of the States Reorganisation<br />

8 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


International India<br />

Act. Originally known as the State of<br />

Mysore, it was renamed Karnataka in 1973.<br />

The capital and largest city is Bangalore. It<br />

is bordered by the Arabian Sea and the<br />

Laccadive Sea to the west, Goa to the north<br />

west, Maharashtra to the north, Telangana<br />

to the north east, Andhra Pradesh to the<br />

east, Tamil Nadu to the south east and<br />

Kerala to the south west. All of these allow<br />

routes for trade and business. The state<br />

covers an area of 191,976 sq km (74,122 sq<br />

mi), or 5.83% of the total geographical area<br />

of India. It also possesses a grand old history.<br />

Karnataka ranks third in the country for<br />

women entrepreneurial activity and is home<br />

to 103,169 female-owned enterprises. The<br />

total investment on women’s enterprises<br />

totalled $404 million in 2012-13 and created<br />

460,000 (0.46 million) jobs. The fourth<br />

Medium, Small and Micro Enterprises<br />

(MSME) census shows that four states<br />

— Karnataka, Kerala, Tamil Nadu and West<br />

Bengal — together have 51.9 per cent of the<br />

country’s women-owned businesses. The<br />

Karnataka Government has taken further<br />

policy decisions that support women<br />

enterprises. The New Industrial Policy<br />

2014-19 merits a special mention.<br />

Women entrepreneurship is one of the<br />

thrust areas in the Karnataka government’s<br />

New Industrial Policy 2014-19, which says<br />

the aim of the government is to encourage<br />

female entrepreneurs and “…give a special<br />

thrust to women entrepreneurship and to<br />

improve the contribution of women<br />

entrepreneurs and facilitate creation of<br />

more women enterprises in the state in the<br />

next five years”. In this policy, enterprises –<br />

promoted either as a proprietary concern or<br />

a partnership firm/private limited company<br />

where all the partners or directors are<br />

women – will be given special concessions.<br />

This is just one example. Wherever one<br />

looks, women are beginning to take the lead,<br />

creating new cultures, new opportunities<br />

and generating change.<br />

India is no longer the country of the<br />

traditional stereotype. It is becoming<br />

a country advancing at the same speed as<br />

its more developed partners and why?<br />

Because it creates a strong economy.<br />

Look out for India as it is becoming a<br />

real centre for investment.<br />

Female entrepreneurs of India: Pictured clockwise from top left are Anu Sridharan, Leila Janah, Aditi Gupta,<br />

Suchi Mukherjee, Ajaita Shah, Saloni Malhotra and Gloria Benny<br />

epmagazine.co.uk | 9


Comment Collaboration<br />

A MARRIAGE BETWEEN<br />

CORPORATE AND<br />

ENTR<strong>EP</strong>RENEURS<br />

Working together for mutual benefit<br />

One can argue that the gap between corporate cultures and<br />

entrepreneurs has never been larger, but the counter is that<br />

they have never needed each other more. <strong>EP</strong><br />

explains<br />

We have often made reference<br />

to the world changing more in<br />

the last five years than in the<br />

previous 15. <strong>Innovation</strong> is<br />

creating new service expectations and<br />

solutions, so that the corporate and their<br />

customers are seeking and needing to<br />

find cutting-edge ideas and concepts that<br />

can create a competitive edge.<br />

One of the major differences of recent<br />

times is that the brand is no longer king and<br />

has to chase and court the consumer. The<br />

brand alone no longer guarantees success.<br />

Therefore companies have needed to<br />

embrace innovation in order to raise their<br />

game and ensure the customer stays loyal.<br />

Starbucks is often cited as one great<br />

example, but all corporations today need to<br />

have an eye out for innovation that can help<br />

them engage more effectively with their<br />

customers. It is interesting to note that it is<br />

reported that the Wagamama app, which<br />

allows customers to pre-order and pay<br />

with almost no interaction with the staff,<br />

has led to an increase of 20% of customers<br />

in the restaurants where it operates.<br />

However, some will counter that<br />

customers are looking for higher service<br />

standards and that the real differential today<br />

for hospitality lies in better welcomes and<br />

service levels. The truth lies with both.<br />

<strong>Innovation</strong> allows for better organisation,<br />

communication to key audiences and service<br />

levels, which all create a point of difference.<br />

The actual product must not be forgotten.<br />

Consumers are travelling more, learning<br />

more and are more curious to try products<br />

from all round the globe. A recent research<br />

report has shown that Middle Eastern<br />

cuisine and Korean cuisine is more popular<br />

than Spanish foods in the UK. This does<br />

mark quite a change, but the consumer<br />

wants to eat more healthily and while<br />

experiencing new tastes.<br />

<strong>Entrepreneurs</strong> today are seen as sexy and<br />

in tune. Consumers relish the rise of the<br />

entrepreneurial culture in hospitality as it<br />

brings new tastes and products for them to<br />

enjoy. One of the entrepreneurs that <strong>EP</strong><br />

works with has created an exotic drink<br />

membership, which each month delivers<br />

a series of unusual spirits from around the<br />

world that one will not have tasted before.<br />

<strong>Entrepreneurs</strong> today are generating<br />

a creative force of new products entering the<br />

market that are raising the bar in both foods<br />

and innovation. These include flavoured<br />

tonics, new artisan breads and cakes,<br />

gluten-free products, new food menus<br />

and concepts, sustainability and eco-friendly<br />

products and digital innovation. It is asking<br />

questions of the corporates that need to<br />

match entrepreneurs in energy, and the best<br />

way is to develop allegiances that create<br />

a win-win for both sides. The entrepreneurs<br />

can provide innovation that the corporates<br />

need and, vice versa; the corporates provide<br />

business that entrepreneurs need.<br />

The banks have yet to return to the centre<br />

of the game, and while they stay on the<br />

sidelines the entrepreneurs have found<br />

new solutions for funding and managing<br />

capital. Arguably, there has never been more<br />

need for the old school-style bank manager<br />

but that will never return, so instead we<br />

witness corporate investing in entrepreneurs<br />

in a way that has not happened before.<br />

“Companies have needed to embrace<br />

innovation in order to raise their game”<br />

10 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


E V E N T S<br />

With training at its forefront,<br />

SilverLine Events has set the<br />

bar for quality and excellence<br />

in the staffing sector. With<br />

partnerships with 82,000<br />

seat stadiums to the highest<br />

skyscraper in Europe,<br />

its collaboration with<br />

hospitality vanguards<br />

allows them to lead<br />

in innovation and<br />

experience.<br />

The directors<br />

(Jorge & Callum)<br />

have based their<br />

business model on their<br />

unique team. They both clearly state<br />

that making sure all team members are<br />

made to feel welcome and supported is crucial<br />

to getting the very best out of each individual.<br />

The SL brand is the new generation of a<br />

staffing agency – a flag of fairness and<br />

transparency for every employee in terms of<br />

fair hours, pay and opportunity but also for<br />

their clients who save on average 20% on staffing<br />

costs. They exhibit a fresh and modern take on<br />

the hospitality world, giving every single client<br />

as much attention as they deserve. There are<br />

no bounds to how hard they are willing to<br />

work to ensure the satisfaction of their clients.<br />

Discover a new passion for staffing,<br />

Discover SilverLine Events.<br />

Waitering | Bartenders | Welcome & Greet | Mixologists | Management<br />

www.silverline-events.com | Tel. 020 8301 8459


Comment Building a business<br />

Is experience<br />

vital to the<br />

entrepreneur?<br />

<strong>EP</strong> examines the key attributes of a successful entrepreneur<br />

“Do you think you are qualified to run your own business?”<br />

is the most common question posed to entrepreneurs<br />

Often asked with some<br />

aggression, or in a patronising<br />

tone, and by those who have<br />

never themselves taken<br />

the risk, it is a question that is rarely<br />

constructive, as it will provoke the arrogant<br />

and embarrass the uncertain. But it does<br />

highlight the question of what makes anyone<br />

think they’re qualified to run their own<br />

business. Is there an age or a level of<br />

experience before which you’ll sink<br />

and after which you’ll swim? If you<br />

were writing a job description for<br />

‘Entrepreneur’, where would you start?<br />

It also leads to the secondary question as<br />

to whether experience is the key commodity<br />

for success. When our Chairman group<br />

was asked at what age they first became<br />

directors, the average was 28. At the same<br />

time, the average age of our Emerging<br />

Leaders’ group – those on the way to board<br />

level – is 33. The age of 28 is seen to be too<br />

young today, but the Chairman generation<br />

was arguably a golden age of leadership<br />

for the industry.<br />

So is experience really the key commodity,<br />

or is it the skills that the entrepreneur<br />

possesses? Dismissing the ambitions<br />

and prospects of a budding entrepreneur,<br />

purely because of their age or corporate<br />

experience, is at best short-sighted and, at<br />

worst, a view rooted in poor judgement.<br />

There are two key points<br />

for consideration:<br />

1. Truly successful entrepreneurship<br />

is about risk taking. It is about being<br />

innovative, and often with a naive belief.<br />

Many struggled with the commercial model<br />

for Facebook even after it was acquired.<br />

Yet Facebook really was innovation at its<br />

best, stood for a strong value set and<br />

represented a new era.<br />

Henry Ford (pictured) once said, “If I had<br />

asked people what they wanted, they would<br />

have said faster horses.” It is about taking<br />

that leap of faith and having the confidence<br />

and conviction that your idea might solve<br />

the problem that countless entrepreneurial<br />

predecessors failed to address.<br />

2. Those who are not particularly innovative<br />

but are successful often possess a high level<br />

of skill in personal traits – whether building<br />

relationships, influencing people,<br />

perseverance, mental strength and energy.<br />

The one thing it is not about is experience.<br />

It really does not matter how intelligent<br />

one is. In fact many intelligent people<br />

struggle to understand how entrepreneurs<br />

12 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Feature Remotely qualified<br />

“Truly successful<br />

entrepreneurship is about<br />

risk taking. It is about<br />

being innovative”<br />

can be successful, as often the ideas are<br />

strikingly simple and yet they work. It does<br />

not matter how many degrees or MBAs one<br />

has, or how much experience of working<br />

within a corporate structure. In fact, these<br />

could be barriers to success. The real<br />

question is, “Can you build a plan from<br />

a blank piece of paper?”<br />

Many of us dream of our employers giving<br />

us the freedom to innovate and build a plan<br />

– until the moment that wish is granted and<br />

then panic sets in. Nothing is more likely to<br />

induce real fear than giving them a blank<br />

piece of paper and saying, “Have a go.”<br />

Of course there are many factors that<br />

come into play when considering<br />

entrepreneurship, and the most important<br />

is attitude. It takes courage to believe one<br />

can take ownership of one’s life and career;<br />

that one can make a difference and build<br />

something that adds value.<br />

It takes belief to create a vision and<br />

attitude to put it into action. Experience is<br />

not key as often experience will have taught<br />

one that one has to do something in a<br />

certain way, and the entrepreneur will look<br />

at it through a different perspective. It is<br />

this perspective that creates evolution and<br />

development and challenges the norm –<br />

“We didn’t know we couldn’t do it, so we did.”<br />

What makes entrepreneurs so engaging<br />

is their genuine belief that they can create<br />

something. They have a positive belief that<br />

they can achieve something. One could<br />

argue more companies could gain from such<br />

belief and energy to facilitate real change.<br />

So maybe the real question to the<br />

entrepreneur is not about their experience<br />

but to ponder why they believe they can<br />

create change. Many businesses set up every<br />

year and many fail. There are many hard<br />

luck and sad stories, but one often finds<br />

that the successful entrepreneur will fail<br />

but learn, adapt and eventually succeed.<br />

Running one’s own business exposes every<br />

weakness in one’s character, and often<br />

openly, but still they accept that, and work<br />

hard and prevail.<br />

It would seem that experience is, arguably,<br />

of little value for this test. Mental fortitude<br />

may be better to consider.<br />

epmagazine.co.uk | 13


Comment AlixPartners<br />

Funding innovation<br />

and growth<br />

Graeme Smith Managing Director, Corporate Finance, AlixPartners, and Tom Cox Director, Debt Advisory, AlixPartners<br />

Although banks are still in the market for funding start-ups, they’re<br />

no longer the only game in town. Graeme Smith and Tom Cox of AlixPartners<br />

look at the alternatives available to businesses at all stages of growth<br />

For today’s entrepreneur, the options<br />

available for funding concept growth<br />

can be rather daunting. Gone are<br />

the days of simply approaching<br />

your bank manager to secure a loan, often<br />

backed by personal assets to fund expansion<br />

or product development. While traditional<br />

banks are still in the market, alternative<br />

financing options have grown dramatically.<br />

High-growth businesses (and investors)<br />

have become more sophisticated, demanding<br />

capital for myriad reasons – to secure the<br />

second or third site through a leasehold<br />

premium; invest in infrastructure, website or<br />

app development, or simply to fund working<br />

capital and mobilise new contracts.<br />

Often the entrepreneur’s challenge is to<br />

persuade investors that a ‘new’ concept is<br />

sufficiently robust to justify capital outlay,<br />

especially where any return is unlikely to<br />

be immediate or indeed provide any cash<br />

return for several years. What is critical is<br />

that innovators must themselves be invested<br />

in the project financially (and emotionally)<br />

but also have a well-developed business plan<br />

that articulates the opportunity in detail and<br />

maps out the next phase of development.<br />

Any investor will challenge this plan but<br />

(hopefully) also provide guidance to help<br />

innovators refine and improve their vision.<br />

Debt finance: growth and venture loans<br />

For some, the idea of debt finance is a<br />

non-starter. We often hear entrepreneurs<br />

explain that they will never burden their<br />

business with debt when there is a risk of<br />

losing the keys if they cannot service the<br />

obligations that it brings. That said,<br />

entrepreneurs are attracted to debt finance<br />

because it facilitates retention of as much<br />

ownership and control of their company<br />

as possible and financial upside inherent<br />

in equity. It also limits the fear that a new<br />

equity financing partner might seek<br />

to change the way an innovator operates,<br />

changing the very essence of the concept<br />

and why it was successful in the first place.<br />

In reality, debt finance can be an attractive<br />

option for high-growth businesses once<br />

funding requirements reach a certain scale<br />

(often £500,000 and above) and<br />

entrepreneurs want to secure cheaper,<br />

long-term capital more than equity.<br />

The most traditional and common form<br />

of debt is provided by banks. More recently,<br />

private credit funds have entered the market<br />

to provide companies with an alternative<br />

source of finance. Typically, funding is<br />

provided in the form of revolving credit<br />

facilities (similar to bank overdrafts) or<br />

a fixed-term loan by a bank or credit fund.<br />

These debts are the most senior in the<br />

capital structure, taking precedence over<br />

other debts if the company is sold or<br />

becomes insolvent. This security is<br />

supported by maintenance covenants that<br />

require interest to be paid and the facility<br />

repaid in full over time and by a certain date.<br />

These protect the banks or fund, enabling<br />

them to provide what is typically the lowest<br />

cost of finance (say 3% to 8% per annum).<br />

On the negative side, debt carries the main<br />

risk of redress in the event the company<br />

cannot meet its debt obligations and a lender<br />

may seek to take control.<br />

A number of high-growth businesses have<br />

secured debt finance recently to fund growth<br />

plans. One example is Pho (advised by<br />

AlixPartners), the Vietnamese casual dining<br />

chain, which raised roll-out financing last<br />

year from NatWest (RBS) to open new sites<br />

across the UK. Similarly, Santander has<br />

supported a number of high-growth<br />

businesses through its Growth Capital<br />

programme, funding SMEs that have<br />

advanced beyond start-up. The programme<br />

provides mezzanine loans over two to five<br />

years (ranking behind any senior debt in the<br />

company) at a higher interest rate of 10%,<br />

of which 5% is paid quarterly and 5%<br />

capitalised or ‘rolled up’ on a compound<br />

basis over the life of the loan. This is subject<br />

to a higher risk analysis but provides<br />

additional cash flow to reinvest. Several<br />

high-growth businesses such as Red’s True<br />

Barbecue, Tortilla and Vital Ingredient are<br />

reported to have raised capital from<br />

Santander’s Growth Capital programme.<br />

Equity finance<br />

While debt may be an option considered<br />

once an entrepreneur has started to generate<br />

a sustainable income stream, equity is likely<br />

to be a more flexible option in the start-up<br />

and early phases of development.<br />

Equity provides no fixed term or<br />

repayment requirements and there is no risk<br />

of insolvency if the company or individual<br />

14 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Comment AlixPartners<br />

does not meet the expectations of its funders.<br />

The return offered is primarily through<br />

dividend payments from annual cash flows<br />

or through the sale of shares to a third party<br />

at a value calculated after deducting the<br />

outstanding debt of the company, hopefully<br />

at a premium to the value originally paid.<br />

This flexibility comes at a price. In return<br />

for taking extra risk (compared with debt<br />

finance), equity providers typically want a<br />

say in how the company is run, often with<br />

a seat on the board. Another potential issue<br />

is that equity providers require much higher<br />

returns than debt providers – whereas debt<br />

providers may be happy with 5% to 10%,<br />

equity providers may expect 20% to 30%.<br />

The good news is that equity is flexible<br />

and can be obtained from multiple sources<br />

that will suit an entrepreneur or business<br />

at different stages of their development.<br />

Crowdfunding and business angels<br />

It is perhaps the success of concepts such<br />

as TV’s Dragons’ Den that have driven the<br />

growth of crowdfunding and business angel<br />

investments. Here, entrepreneurs seek<br />

project finance by raising microfinance<br />

(£5,000 to £100,000) or more substantial<br />

funds (typically up to £500,000 but<br />

potentially into the millions) from a large<br />

number of people, often through internetbased<br />

subscription sites such as Crowdcube<br />

or Seedrs. It is ultimately concept driven and<br />

relies on mass buy-in, but can be an effective<br />

means of raising capital without divesting<br />

substantial equity in the start-up, where<br />

investors are passive and have few rights.<br />

From an investor’s perspective the<br />

challenge is business scrutiny, and while<br />

this has improved, it lacks the rigour and<br />

accountability of other funding options. One<br />

of the most successful UK crowdfunding<br />

projects is BrewDog, the Scottish brewer<br />

and bar operator, which raised more than<br />

£4 million in 2013 (Source: Peach Report).<br />

Wackier investment rounds include funding<br />

concepts such as Lady Dinah’s Cat<br />

Emporium, which raised over £100,000 in<br />

2013 to finance the UK’s first cat cafe based<br />

in Shoreditch (Source: Company).<br />

Crowdfunding may be a viable option at the<br />

early stages of development, but is unlikely<br />

to be the answer for long-term growth. As<br />

a business expands it may require a larger<br />

pool of capital and can often benefit from<br />

the input of experienced investors.<br />

Private equity and venture capital<br />

As businesses reach relative maturity (in the<br />

start-up sense), more sophisticated Private<br />

Equity (PE), or Venture Capital (VC)<br />

finance may be an option to fund the next<br />

stage. PE and VC investment refers to capital<br />

provided by a fund where the shares are held<br />

“High-growth<br />

companies are in<br />

demand and the<br />

potential sources<br />

of investment have<br />

become more<br />

diverse as funding<br />

sources seek to tap<br />

into this demand”<br />

privately by the fund rather than quoted on<br />

a public market. Funds are often set up to<br />

invest in companies of a specific size and<br />

several have made successful investments<br />

in high-growth concepts (eg Smedvig,<br />

Livingbridge and Palatine Private Equity).<br />

These funds may not require a majority<br />

stake in the business, but they will want<br />

protection through legal documentation<br />

to be able to take steps, such as to remove<br />

managers, in the event of material<br />

underperformance. In addition to providing<br />

capital, these funds often help businesses by<br />

providing advice. They have often been<br />

involved in similar high-growth businesses<br />

and can bring the benefit of this experience<br />

to their current investee companies.<br />

The Business Growth Fund<br />

The Business Growth Fund (BGF) was<br />

specifically set up in 2011 to help Britain’s<br />

SMEs and backed by five banks – Barclays,<br />

HSBC, Lloyds, RBS and Standard Chartered.<br />

Its purpose is to unlock the potential of<br />

fast-growing UK businesses that need<br />

long-term capital. The fund will make<br />

investments of between £2 and £10 million<br />

for a minority equity stake and a seat on the<br />

board. Several businesses, such as Boost<br />

Juice Bars, Camino and Peyton and Byrne,<br />

have benefited from BGF investment<br />

(Source: Business Growth Fund).<br />

More recently, BGF Ventures was set up<br />

as a venture fund (investing between £1 and<br />

£6 million) for earlier stage UK technology<br />

companies developing software, consumerbased<br />

innovation and new business models<br />

that are capable of disrupting consumer or<br />

B2B markets and which may provide an<br />

attractive funding route for tech-focused<br />

entrepreneurs in the hospitality sector.<br />

Conclusions<br />

You should always seek independent advice<br />

when taking important investment decisions.<br />

Each of these sources of growth capital come<br />

with their own considerations and will fit<br />

a business or individual at different stages<br />

of their development. Choose your option<br />

carefully, but enjoy the ride on the way.<br />

Disclaimer: The opinions expressed are those of the authors and do not necessarily reflect the views of AlixPartners, LLP, its affiliates or any of their respective other professionals<br />

or clients. This article is the property of AlixPartners, LLP, and may not be copied, used or distributed to any third party without the prior written consent of AlixPartners.<br />

epmagazine.co.uk | 15


Operating concepts Dry Martini<br />

The return of<br />

the Dry Martini<br />

<strong>EP</strong> talks to Gioele Camarlinghi, General Manager of the Meliá White House hotel<br />

Tradition is important – in a fast-moving society, we are attaching<br />

more value to roots and history. Brands are revisiting their heritage.<br />

This is particularly apparent in the world of cocktails and bars, such<br />

as the Dry Martini bar housed in the Meliá White House hotel<br />

Launched last October, Dry Martini is<br />

the London outpost of the Barcelona<br />

original, which opened in 1978, is<br />

run by Javier de las Muelas – widely<br />

regarded as one of the world’s very best<br />

mixologists and came fifth in The World’s<br />

50 Best Bars 2015. “We thought it was the<br />

perfect concept for London, a destination<br />

venue that offers something a bit different to<br />

other options in the area,” says Gioele. “In a<br />

market as competitive as London, it’s<br />

important to bring something different to<br />

the norm, but also something that’s proven,<br />

which Dry Martini is.”<br />

The London Dry Martini bar is in the<br />

very capable hands of Martin Siska, who<br />

was previously Head Bartender at Brown’s<br />

Hotel in Mayfair. Javier de las Muelas<br />

always mixes his Martinis with gin, not<br />

vodka, something mirrored in the London<br />

branch. “We wanted to remain true to the<br />

original concept in Barcelona, to remain<br />

close to what makes it successful and to stick<br />

to Javier’s recipes,” says Gioele. “So while<br />

customers can of course order vodka<br />

Martinis, our standard is to serve them<br />

with gin. There are 80 to choose from so<br />

there should be something for everyone!”<br />

The vintage aspect of the bar is something<br />

that we’ve seen more and more of in the last<br />

few years – old-fashioned venues popping<br />

up with a prohibition theme, or an air of the<br />

60s; bars that specialise in cocktails such as<br />

gimlet, mint julep and old fashioned, or<br />

Cocktails: The Drive Me Crazy is popular<br />

16 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Operating concepts Dry Martini<br />

a sherry list – while still being aimed at a<br />

wide range of age groups. We have visited<br />

new restaurant concepts that boast a<br />

Martini trolley, so guests can have their pick.<br />

Speakeasies account for a large percentage<br />

of new bar openings in London, Manchester<br />

and other cities around the country, and the<br />

heritage trend is showing no sign of slowing.<br />

“We are in central London, there is clearly<br />

not a shortage of bars to choose from, but<br />

what makes customers come to us is the<br />

fact that they are experiencing something<br />

a little bit special. The bar came 42nd in<br />

the world’s best 50 bars and the focus on<br />

authentic cocktails with ingredients of<br />

excellent quality, plus the luxurious and<br />

spacious feel of the bar itself means it’s very<br />

different to venues you might find in Soho<br />

or Shoreditch, for example.”<br />

Dry Martini feels luxurious with its dark<br />

wood and chequerboard floor design, set off<br />

with bursts of colour from mismatched sofas<br />

and large, comfy chairs, making it elegant<br />

but comfortable. It manages to celebrate<br />

both heritage and innovation while<br />

remaining relaxed and stylish. The copper<br />

bar stretches along one side with a threemetre<br />

section dedicated to creating one of<br />

the 100 Martinis on the menu. Every time a<br />

guest orders one, it is added to the digital<br />

tally on the wall and they are issued with a<br />

stamped certificate, another nod to the<br />

tradition of the original venue. At one end<br />

of the bar you’ll find sparkling glass shelves<br />

that hold home-made cordials and syrups,<br />

housed in eclectic glassware.<br />

Speaking of eclectic, the theme continues<br />

through the menu. There are classics, of<br />

course, including the cocktail of the hour –<br />

the perfectly made Dry Martini. But you’ll<br />

also notice Javier’s take on traditional<br />

offerings in the ‘Eccentric’ section –<br />

creations involving innovative techniques<br />

and ingredients, and unusual glassware and<br />

presentation. The Carnyvore, for example,<br />

is served on a frozen flower nestled on<br />

a bed of moss and dry ice, with flavours<br />

of Szechuan pepper, pisco, strawberry<br />

and passion fruit.<br />

Dry Martini was formerly Longford’s,<br />

a traditional hotel bar with little character,<br />

and while there was custom from hotel<br />

guests it was certainly not a destination. The<br />

The Jigger: a fabulous mix of rum<br />

and fruit that’s made for sharing<br />

“Our staff’s creativity and attention to<br />

detail means customers are happy and<br />

they give us some great feedback”<br />

new concept has reinvigorated the options<br />

in the hotel, and exposed it to a new London<br />

market. The White House opened in 1936<br />

and was originally luxury apartments. The<br />

1930s architecture remains, and it has more<br />

than a whisper of art deco about it, which<br />

suits the vintage feel of the bar nicely.<br />

In terms of what’s popular with customers,<br />

people will of course order their favourites,<br />

but part of Dry Martini’s ethos is to try to<br />

educate and encourage people to broaden<br />

their horizons. “We try to make guests aware<br />

of our heritage, that we have a long history<br />

and know what we’re doing!” says Gioele,<br />

laughing. “As with any good bartender, if<br />

customers are unsure what to choose, we ask<br />

what they like and we create something to<br />

reflect that, something they may not have<br />

considered. It makes the job interesting, and<br />

our staff’s creativity and attention to detail<br />

means customers are happy and they give us<br />

some great feedback.”<br />

One of the challenges facing Dry Martini<br />

is making customers aware that it’s there –<br />

Gioele Camarlinghi General Manager, Meliá White House<br />

nestled inside the Meliá White House hotel,<br />

it isn’t visible to passers-by on the street<br />

and doesn’t have the natural footfall of<br />

other venues. “We knew this would have<br />

to be a focus for us, creating awareness<br />

of Dry Martini’s location and ethos,”<br />

explains Gioele.<br />

“It has to be a destination, so our target<br />

market includes those living and working<br />

in London as a whole, as well as the hotel<br />

guests of course,” he adds.<br />

“We are seeing more and more guests<br />

who come into the hotel specifically to<br />

go to Dry Martini, which we haven’t really<br />

had in the past and isn’t common in a<br />

four-star hotel. It’s a great start for us,<br />

and we hope to see our success continue.”<br />

With that in mind, perhaps there is<br />

scope to roll out the concept to other<br />

locations – with its offer, the combined<br />

experience of Gioele and Martin, the<br />

current popularity of atmosphere, heritage<br />

and tradition, and bearing in mind its<br />

success so far, it may not be a bad idea.<br />

epmagazine.co.uk | 17


Operating concepts The ONE Group<br />

Upping the tempo<br />

<strong>EP</strong> talks to The ONE Group founder Jonathan Segal and Europe COO Adam Elliott<br />

The brand alone is no longer as effective as it once was. Today’s<br />

battleground is the customer experience, and The ONE Group<br />

are experts in delivering above expectations. An award-winning<br />

restaurant group in the US, they have brought their knowledge<br />

to the UK and Europe – and the market is responding<br />

Change is taking place across<br />

both society and hospitality.<br />

The last few years may have<br />

been regarded as an age of<br />

austerity but interestingly it seems this<br />

is an era of extremes. Some are very<br />

cost-conscious and trade conservatively<br />

while others are seeking experiences that<br />

offer a sense of excitement and indulgence.<br />

What is certainly true is, whether trading<br />

conservatively or indulgently, the customer<br />

experience has become paramount.<br />

This will differ between markets. In<br />

hotels, the service ethos is more proactive<br />

and personalised. In events, more is often<br />

invested in surprising the guest via visual<br />

engagement. In restaurants and bars, the<br />

vibe and energy is central. Coupled with<br />

all this, customers today are international<br />

in taste and style and they seek hospitality<br />

partners that are international in approach.<br />

The increase in customer expectations<br />

has led many operations to outsource core<br />

expertise and skill rather than retain them<br />

in-house. Being a good generalist is no<br />

longer enough. Each service offer needs to<br />

be competitive and engage the consumer<br />

effectively. It used to be that hotel F&B was<br />

not as strong as the counterparts on the high<br />

street. Now, hotels aim to attract customers<br />

to the venue for their restaurant offerings.<br />

It is not just hotels either. No longer can<br />

stadia and venues just be major attractions<br />

for short periods and remain commercially<br />

viable. The economics of the management of<br />

either a sports team or a high-profile venue<br />

have become more complex and expensive.<br />

Again, the customer experience is on the<br />

agenda in operations that traditionally only<br />

focused on the core event. Today, they need<br />

to be centres of the community, able to<br />

draw the audience to them even when they<br />

are not hosting a major event or occasion.<br />

To add to the social changes that are<br />

taking place, there is a return to a real desire<br />

for community spirit. However, there are few<br />

natural community centres. Both hotels and<br />

sports stadia can fill that void, but they need<br />

to change their approach. They need to be<br />

proactive and create more interaction.<br />

As a result, companies such as The ONE<br />

Group become important partners, as they<br />

understand the psychology of engaging with<br />

customers 24/7. They bring with them a<br />

different mindset to the traditional and work<br />

hard to maximise revenues in partnership.<br />

The company was founded by Jonathan<br />

Segal in 2004 in New York. Today The ONE<br />

Group operates across the US and Europe<br />

and are in discussions with operators in the<br />

Middle East, Asia and Africa.<br />

Jonathan explains, “Most restaurateurs<br />

will understandably be very focused on the<br />

experience at the table. They want each<br />

guest individually to have a great experience.<br />

Our differential comes from the focus we<br />

place on the variables affecting the dining<br />

experience – we are just as interested in<br />

what’s going on in the room as what is going<br />

on at the table. Think about the story often<br />

repeated by typical restaurant customers,<br />

‘The meal was great, but…’ and a list of<br />

disappointing elements of the room follows.<br />

The energy and ambiance of a room are<br />

capable of creating the difference between<br />

a success and a failure. You can have a great<br />

experience while in a lousy room, but the<br />

detrimental factor in that moment still<br />

impacts your final memory. We are all<br />

about the full experience.”<br />

The ONE Group has been winning awards<br />

in the US and Jonathan is determined to see<br />

18 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Operating concepts The ONE Group<br />

All change: Jonathan Segal (left) and Adam<br />

Elliott focus on the customer experience<br />

the group be just as successful in the UK<br />

and Europe. They opened in London in<br />

2012 and some could argue that, at the<br />

time, they were slightly ahead of the curve.<br />

But today, operators are waking up to the<br />

importance of the full customer experience.<br />

The result is that the group is consistently<br />

being approached with partnership<br />

opportunities, as operators understand<br />

the need for change and consistent<br />

customer engagement.<br />

Add in all the opportunities for growth<br />

across the international spectrum and<br />

suddenly one can understand why The<br />

ONE Group recently appointed the highly<br />

experienced Adam Elliott as COO of<br />

“Most restaurateurs will be focused on the<br />

experience at the table. Our differential<br />

comes from the focus we place on the<br />

variables affecting the dining experience”<br />

EMEA for the group. Adam had been CEO<br />

of US caterer Centerplate in the UK and<br />

had led the sale of Lindley Group to<br />

Centerplate in 2013. He left Centerplate<br />

in 2014 and had been seeking a new<br />

challenge but one that could use his skills<br />

Jonathan Segal, founder of The ONE Group<br />

and talents in a different way. “I wanted a<br />

change,” he says. “I had been operating in the<br />

sports and concession sector for a number<br />

of years. I loved it but I felt that the market<br />

wanted and needed a shake-up – some<br />

genuine change to the status quo. I wasn’t<br />

epmagazine.co.uk | 19


Operating concepts One Group<br />

quite sure where that was coming from.<br />

Then I started to do some consultancy work<br />

to keep myself busy, and as I did, the<br />

challenges that clients were experiencing<br />

became clearer, as did the fact they also<br />

wanted change and new options. When<br />

the clients in a market want change then<br />

change will happen one way or another.”<br />

Adam considered a few opportunities, and<br />

was close to returning to another key player<br />

before The ONE Group enticed him to take<br />

the lead in Europe and the Middle East.<br />

He is a passionate, high-energy leader<br />

that complements Jonathan’s style, plus he’s<br />

open and straightforward with no hidden<br />

agendas. He says, “I had the option to join<br />

companies in roles similar to the one that<br />

I’d built, but I just felt that The ONE Group<br />

could be part of the change I see coming.<br />

It appealed to be part of a company and<br />

offering that can generate new opportunities<br />

and be a positive influence on clients<br />

in a number of markets –whether hotels,<br />

sports, events or in venues.<br />

“We are witnessing change across all<br />

areas of the market,” he adds. “In times<br />

past, we could split the industry into hotels,<br />

“The old rules no longer exist and<br />

there are new rules. This makes it<br />

an exciting time. Today, it is all about<br />

what the customer wants”<br />

restaurants, concession, contracting and<br />

events. Each sector talked to itself and<br />

worked within set boundaries with few<br />

rarely crossing over. Today, the boundary<br />

walls have broken down and there is crossing<br />

all over. Stadia today want strong brand<br />

restaurants in their venues, and for good<br />

reason. Hoteliers want strong F&B partners<br />

that can help them increase revenues and<br />

be engaging to the community. The old rules<br />

no longer exist and there are new rules.<br />

This makes it an exciting time, and quite<br />

frankly there are so many opportunities<br />

if the business proposition and basis for<br />

partnership is right.<br />

“Today, it is all about what the customer<br />

wants. Big brands have had to change. The<br />

Adam Elliott, COO, The ONE Group<br />

ONE Group has, over the last 15 years,<br />

created something unique that can challenge<br />

the status quo.”<br />

During the recession, many companies<br />

in the hospitality industry downsized to cut<br />

their losses, but The ONE Group grew from<br />

a company with annual revenues of $6.3<br />

million in 2006 to $126 million at the end<br />

of 2013. Jonathan is confident that in the<br />

next five years the business will more than<br />

double, as it becomes more of a recognised<br />

global brand and hospitality company. The<br />

betting is that The ONE Group will go from<br />

strength to strength as they understand the<br />

battleground is the customer experience<br />

and they are ahead of the curve in their<br />

understanding and work in this crucial area.<br />

20 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Comment Ecovis Wingrave Yeats<br />

ALL YOU<br />

NEED IS LOVE<br />

Martin Jones from the Ecovis Wingrave Yeats’ hospitality team reveals their supporting role<br />

Every entrepreneur has a story about why they went into business.<br />

It is usually not about making money – the reasons for making<br />

sacrifices and testing their business are often far more complex<br />

<strong>Entrepreneurs</strong> – like characters in<br />

fiction – often embark on a journey<br />

where they face challenges and<br />

several may meet defeat. However,<br />

some also go on to victory, building<br />

businesses from scratch, generating jobs<br />

and innovating new products and services.<br />

If you are thinking of setting off on such a<br />

journey, as well as checking the quality of<br />

your product and management team, you<br />

might want to consider the ‘love what you<br />

do’ test as much as those key performance<br />

indicators and Excel spreadsheets.<br />

At Ecovis Wingrave Yeats, we work<br />

with a lot of start-ups and entrepreneurs,<br />

particularly in the hospitality sector. The<br />

key issues that are the most challenging for<br />

these businesses are obtaining funding and<br />

valuation. Most owners when arranging<br />

funding for their business tend to think that<br />

debt is expensive and that issuing equity<br />

(ie shares to an investor) is free money – the<br />

bank doesn’t charge anything for that and<br />

you don’t have to pay dividends at the start.<br />

What they sometimes don’t understand is<br />

that equity can be by far the most expensive<br />

form of financing if the timing is wrong.<br />

The secret in raising funds that will<br />

finance the working capital your business<br />

needs is to plan ahead. The ideal outcome is<br />

to provide that working capital through debt<br />

while your share price climbs through the<br />

curve. Once it starts to rise strongly, that is<br />

the time to go out and raise equity. The<br />

problem here is that at the greater the point<br />

of risk in the developmental stage of your<br />

business, the harder it is to persuade anyone<br />

to lend you the cash you need as a loan or<br />

overdraft. And therein lies the challenge.<br />

Raising equity early on, when your<br />

business is worth, say, only £300k, will mean<br />

that for every £10,000 you raise you will<br />

need to give away 3.3% of the Company, so<br />

raising £100,000 would mean you giving<br />

away a third of your business. But hold on<br />

until later and you may only need to part<br />

with half that amount. If your business<br />

is worth, say, £12m on sale in year six, then<br />

going to your investors too early to raise<br />

equity will have cost you £2m. Now compare<br />

the cost of £100,000 of debt over that period<br />

and tell us if it gets anywhere near £2m! The<br />

dilemma is that equity finance is more freely<br />

available to start-ups due to the SEIS/EIS<br />

tax incentives available to investors than<br />

debt from a bank. Crowdfunding is another<br />

solution, but will tend to lead to a varied and<br />

dispersed stakeholder base.<br />

Trying to ensure the appropriate mix of<br />

equity and debt, and therefore the right<br />

balance of risk, is one of the most difficult<br />

challenges an entrepreneur will face, but get<br />

it right, and you will benefit enormously.<br />

On to valuation. So you want, £120,000<br />

for 5% of your company? Investors ask,<br />

“What on earth makes you think that your<br />

little start-up is worth £2.4m?” To which the<br />

answer is, “My business is not worth £2.4m,<br />

it’s actually worth nothing at the moment.<br />

I need £120k to develop it further, and if you<br />

invest then there is a good chance it might<br />

well be worth a lot more than that. I’m not<br />

prepared to part with more than 5%, so do<br />

you want to deal or not?”<br />

The truth is that it is virtually impossible<br />

to value a start-up, particularly if it is<br />

breaking into new territory. You can’t value<br />

it on an earnings multiple because it is<br />

almost certainly loss making.<br />

Here at Ecovis Wingrave Yeats, we<br />

understand how important it is that clients<br />

trust us and know that we have their<br />

interests at heart. Part of that is making sure<br />

they know who they are dealing with, what<br />

experience we have and what our previous<br />

clients think of us. We can help you through<br />

the start-up journey by offering advice on<br />

strategy, accounting and tax planning.<br />

So, when the next business plan hits our<br />

desk for review and evaluation, we will still<br />

include the usual financial tests (year one<br />

detailed cash flow statement, balance sheet<br />

and profit forecast, year two trend<br />

statements), market tests (adequate<br />

competitor analysis and market intelligence<br />

summary) and management review<br />

(experience and skills capability). However,<br />

we will also add a fourth test – does the<br />

entrepreneur behind the plan have energy,<br />

drive and a genuine love for the business?<br />

“The greater the point of risk, the harder it<br />

is to persuade anyone to lend you cash”<br />

epmagazine.co.uk | 21


Operating concepts The HQ Collection<br />

Re-energising pub hospitality<br />

in a local community<br />

<strong>EP</strong> talks to Nick Thomas of HQ Collection and James Mackenzie of The Plough<br />

Along with his wife Sandra, Nick Thomas – founder and owner of Qdos Entertainment –<br />

has brought considerable investment back to their home town of Scarborough, via their<br />

HQ Collection and in 2015, they joined forces with East Yorkshire chef, James Mackenzie,<br />

to create The Plough in Scalby. <strong>EP</strong><br />

wanted to find out more<br />

Nick Thomas (pictured) has had<br />

a major impact on the world of<br />

entertainment. Through a chance<br />

meeting aged 10 with Ken Dodd<br />

and master puppeteer Roger Stevenson<br />

(creator of Ken’s Diddymen), Nick caught<br />

the showbusiness bug and launched his own<br />

puppet act, Tommer Puppets. In February<br />

1975, aged 15, he exaggerated his age to 16 to<br />

appear on, and win, the hit TV show New<br />

Faces. Nick then turned professional and<br />

appeared across the UK with the likes of<br />

Dick Emery, Mike and Bernie Winters, The<br />

Nolans and Larry Grayson. He also toured<br />

the world on luxury cruise liners with teams<br />

of Tommer Puppets touring holiday camps.<br />

In 1981, having worked out that the<br />

producers who employed him and the stars<br />

who he worked with drove Bentleys and<br />

he didn’t, Nick decided to start producing<br />

summer season shows and managing the<br />

talent in them. His first collaboration was<br />

with ventriloquist Keith Harris (of Orville<br />

the duck fame), which lasted 24 years.<br />

Along the way, Nick and his colleagues either<br />

managed or produced shows for stars<br />

including Bobby Davro, Cannon and Ball,<br />

Brian Conley, Shane Richie, The Chuckle<br />

Brothers, Pauline Quirke and Linda Robson,<br />

Lisa Riley and The Grumbleweeds.<br />

Nick produced summer shows at every<br />

UK seaside resort from 1981 to 2005 and<br />

began producing pantomimes at The<br />

Charter Theatre, Preston, in 1982. In 1999,<br />

with 16 pantomimes throughout the UK,<br />

he bought out his pantomime competitor,<br />

Paul Elliott, which provided Nick with<br />

the platform from which to create Qdos<br />

Entertainment. Qdos bought leading talent<br />

agency International Artistes in 2003 and<br />

formed HQ Theatres in 2005. Qdos has<br />

continued to grow both organically and via<br />

a buy-and-build strategy led by Nick and his<br />

senior management team. Qdos now has<br />

more than 1,500 full-time employees over<br />

18 locations.<br />

Since its inception, The Stage newspaper’s<br />

annual Stage 100 has accredited Nick as<br />

one of the top 100 most influential people in<br />

British theatre. In 2015, he was ranked 15th,<br />

and his highest position was 5th in 2008.<br />

Nick was first listed in Who’s Who in 2013.<br />

He is a Vice President of The Royal Variety<br />

Charity, which organises The Royal<br />

Variety Performance. He is a fundraiser for<br />

Great Ormond Street Hospital and through<br />

his theatre collections he has raised over<br />

£720,000 since December 2010.<br />

Nick and Sandra’s HQ Collection, in<br />

the villages of Seamer and Scalby near<br />

Scarborough, includes The Mayfield hotel<br />

and The Copper Horse Restaurant and<br />

Cottages in Seamer, The Plough hotel and<br />

The Yew Tree Café in Scalby. The Plough<br />

hotel has been transformed with £1m<br />

investment, and the influence of James<br />

Mackenzie’s food at the very core. James<br />

is best known as the owner and Chef at the<br />

Michelin-starred The Pipe and Glass in<br />

South Dalton near Beverley, which was<br />

recently voted second in the UK’s Top 50<br />

Gastropubs. In <strong>April</strong>, The Copper Horse will<br />

re-open as The Copper Horse Bar and Grill<br />

with a new menu overseen by James.<br />

Following this, the refurbishment<br />

of The Yew Tree Café is planned.<br />

James Mackenzie is a man with his roots<br />

planted firmly in Yorkshire, who started his<br />

career path at an early age, working in a<br />

kitchen when he was just 13 years old. He<br />

22 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Operating concepts The HQ Collection<br />

Welcome: HQ Collection’s success lies in its<br />

passion and understanding of the surrounding area<br />

went on to train at Scarborough Technical<br />

College (now Yorkshire Coast College) and<br />

at various top kitchens around the country.<br />

He returned to Yorkshire in 2002 as head<br />

chef for Andrew Pern at The Star Inn in<br />

Harome, North Yorkshire, and took over<br />

at The Pipe and Glass Inn 2006.<br />

It is easy to see that the collaboration of<br />

Nick and James demonstrates a real passion<br />

and understanding for the food culture and<br />

community of Scarborough. Nick’s<br />

headquarters and main home are still in<br />

Scarborough, which is an important part of<br />

the story. It was a town famed for being<br />

one of the great seaside resorts for holidays<br />

in the late 1800s and early 20th century.<br />

It thrived in the days when people did not<br />

travel abroad but rather to England’s great<br />

seaside towns. International travel would go<br />

on to become more open and cost effective,<br />

so trade left the old town and it struggled to<br />

retain its importance in the broader world.<br />

Scarborough has always had a strong<br />

community with a real passion for the<br />

area and who worked hard to reinvent<br />

the town. Understandably so, as the region<br />

possesses some stunning coastal areas, the<br />

“In a community, what matters<br />

is not the brand but the pub itself<br />

and how it engages”<br />

Yorkshire Moors close by plus easy travel to<br />

sites such as Castle Howard and Whitby.<br />

Nick and James have shared this belief<br />

and passion, and hence they invested<br />

money and time into the creation of the<br />

HQ Collection. In simple terms, two leading<br />

local lights have worked together to<br />

re-energise the traditional heart of the<br />

community, and the re-launches have been<br />

well received. Today the pubs boast great<br />

cooking with local ingredients, local beers<br />

and great hospitality. Nick has been<br />

fortunate that his CEO of HQ Theatres,<br />

Julian Russell, is also a genuine hospitality<br />

expert, and this trio have created a base that<br />

can now be developed.<br />

It was not long ago that many predicted<br />

the death of the traditional pub, so it is<br />

fascinating that so many of the institutions<br />

that have had their death predicted have, in<br />

the last few years, reinvented themselves and<br />

are beginning to prosper and thrive – the<br />

cinema, books, butchers, vinyl and, yes, pubs.<br />

HQ Collection may have started as a<br />

desire to reinvest in Scarborough but now<br />

provides a strong platform from which to<br />

develop a gastropub business throughout<br />

Yorkshire and beyond. There is an<br />

understanding that, in a community, what<br />

matters is not the brand but the pub itself<br />

and how it engages. Nick has always believed<br />

that his theatres and pubs need to be a<br />

centre for the community and that his<br />

brand/company should be secondary –<br />

engage the audience with the power of<br />

the product and excite them with a great<br />

experience and then they will return.<br />

It will be fascinating to watch the<br />

collection develop and grow, and one thing<br />

is for sure – it is in tune with the market.<br />

epmagazine.co.uk | 23


Operating concepts Sophie Wright<br />

An old-school<br />

approach to success<br />

<strong>EP</strong> chats to Sophie Wright, one of the youngest stars of British cuisine<br />

Hospitality must be one of the very few industries where someone can<br />

excel and achieve their ultimate aims by the time they are 30. With strong<br />

support, natural confidence, a desire to be the best and a never-say-die<br />

attitude, some truly break the mould and set the pace. Sophie Wright is<br />

one of these high-flyers who has a story of an old-school approach<br />

Sophie Wright was a head chef by<br />

20, has experienced working in the<br />

private sector around the world, is<br />

a published author and has created<br />

a catering company, as well as working in<br />

recruitment and consultancy on numerous<br />

projects. Very impressive for someone of<br />

just 29 and different to the more modern<br />

approach of switching careers several times<br />

before settling on one route. By focusing on<br />

her core interest and, clearly, her talent for<br />

cooking, Sophie has<br />

managed to grow and<br />

develop a huge mass<br />

of experience in a<br />

short space of time.<br />

She is young,<br />

confident, inspiring<br />

and passionate.<br />

She speaks with the<br />

experience of someone many years her<br />

senior and is incredibly grounded. She has<br />

worked her way up on a route not often seen<br />

in her generation and one that many would<br />

say cannot be achieved in such a short time.<br />

She believes it began with her parents<br />

providing her with the confidence to enter<br />

a daunting world. Sophie knew she wanted<br />

to be a chef from the age of 14 and puts the<br />

foundation down to family meals and eating<br />

well. This inspiration to go for the career of<br />

her choice, aided by hard work, perseverance<br />

and strong mental attitude, have pushed<br />

Sophie to the very heights of hospitality.<br />

“I entered college almost already knowing<br />

that I could achieve anything set for me to<br />

do. I loved a challenge from an early age and<br />

knew I had to be in control to really enjoy<br />

something. College was a world away from<br />

my old all-girls school. It was very male<br />

dominated with only three women in a class<br />

of 20. Banter was the conversation of the<br />

kitchen and there was an almost aggressive<br />

“I loved a challenge from an early age<br />

and knew I had to be in control to<br />

really enjoy something”<br />

edge to the work. It was in this arena that<br />

I first realised I could be myself.<br />

“Westminster Kingsway College was one<br />

of the best catering schools in the country<br />

and the teachers would invest so much time<br />

in you if you invested yours too. The friends<br />

I made are still close to me today and it<br />

really did remind me of my family dinners<br />

growing up, social occasions where everyone<br />

would have fun and join in.”<br />

Sophie now returns to her catering school<br />

to give lectures for current students. The<br />

classes have changed since she was a student<br />

– the split between boys and girls is now<br />

more 16/14, and Sophie places a special<br />

emphasis on life as a chef. “I tell the class<br />

that they can have a life outside of work.<br />

The industry can sometimes display<br />

a negative image but actually it is possible<br />

to have a family while being a chef.<br />

“I explain to them that it was important<br />

for me to work the long hours while young,<br />

and I learnt so much from those experiences.<br />

As I grew I could then<br />

move into a sector in<br />

hospitality that suited<br />

my needs. Contract<br />

catering, depending<br />

on where it is in the<br />

country, can have<br />

working hours of 7am<br />

to 3pm, five days a<br />

week and so this works when you’re looking<br />

to start a family. Very different from the<br />

80 to 90 hours in a busy restaurant.”<br />

When Sophie finished college she went<br />

travelling before looking to work in a<br />

restaurant in London. While on her break<br />

she was asked by a classmate’s father to<br />

become Head Chef at the restaurant Beach<br />

Blanket Babylon in Notting Hill. Before she<br />

knew it, Sophie was looking after 200-plus<br />

cover restaurants during Christmas and<br />

solved a crisis for the restaurant after their<br />

24 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Operating concepts Sophie Wright<br />

head chef walked out. She excelled with<br />

flying colours and following the busy period<br />

was given free rein, so she hired many of her<br />

classmates and was able to recreate the<br />

menus with a fresh new feel that matched<br />

the venue’s soul. After two-and-a-half years,<br />

other restaurants had opened and Sophie<br />

was looking after three across London.<br />

In what Sophie would describe as a lucky<br />

break – although many in the industry will<br />

know it takes hard work and lots of slogging<br />

– Sophie was given the chance to appear on<br />

several television cookery shows. Following<br />

this, a publisher came knocking and two<br />

book deals were confirmed.<br />

“I was thrilled when the book deals came<br />

in,” says Sophie. “I had never received so<br />

much money up front before. Compared to<br />

the wages of a chef this was a lot of money<br />

and I was very grateful and started working<br />

on the first book while still heading up the<br />

restaurant. Soon I realised I couldn’t juggle<br />

both successfully, and if I wanted to make<br />

the first book the best I would need to<br />

leave the restaurant. So I decided to take a<br />

six-month break and started cooking in the<br />

private sector to have enough money coming<br />

in. I ended up cooking for celebrities and<br />

wealthy families all over the world – I was<br />

once flown by helicopter to prepare canapés<br />

for a Russian oligarch after they had tasted<br />

my food at another event.”<br />

The books have followed Sophie’s career<br />

path – the first was Easy Peasy, about how<br />

to make meals easier; the second, Home at<br />

7, Dinner at 8, showed how to cook quick<br />

suppers after work; the third was Cook on<br />

a Shoestring, for those on a budget.<br />

In 2007 Sophie created her own catering<br />

company – Sophie Wright Catering – and<br />

now has clients that include football club<br />

Manchester United and clothing firm The<br />

White Company. “I always knew I needed<br />

to be in charge of my own company, and<br />

with my experience it seemed the natural<br />

route to take. At the same time I work as<br />

a consultant and recently completed a<br />

project as Executive Chef with the<br />

woman-only club Grace Belgravia.<br />

“It felt natural to move away from<br />

restaurants into contract catering. The<br />

hours are more suitable for a young family.<br />

Many would work for free when they are<br />

young, and it does teach certain skills, but<br />

I think there are too many restaurants now<br />

opening with not enough chefs at the right<br />

level. It is having a knock-on effect, with<br />

some chefs reaching a level and becoming<br />

stuck or others taking loopholes and ending<br />

up without some key skills.”<br />

Sophie has lots planned for the next few<br />

years and is already working on a home<br />

delivery project for young families. She is<br />

also a panellist on Radio 4’s The Kitchen<br />

Cabinet<br />

with Jay Rayner and her next book,<br />

Blooming Delicious (Vermilion), will be<br />

published in <strong>April</strong> and again follows<br />

Sophie’s pattern of life and is focused on<br />

nutrient-packed and great tasting recipes<br />

to enjoy during pregnancy.<br />

Sophie is clearly an advocate of chefs<br />

and catering in the industry. She has the<br />

entrepreneurial spirit and has worked the<br />

hard route to the top. By using her craft skills<br />

and a smart approach to work, Sophie has<br />

developed numerous business arms and now<br />

puts her time back into helping young people<br />

coming into hospitality. It is a rare scene to<br />

witness, but by working hard and sticking to<br />

a traditional skill, Sophie has become one<br />

of the fast-rising high-flyers of catering.<br />

epmagazine.co.uk | 25


Operating concepts The Dusty Knuckle<br />

The Dusty Knuckle:<br />

sourdough and philanthropy<br />

<strong>EP</strong> talks to Max Tobias, founder and Managing Director of The Dusty Knuckle<br />

The Dusty Knuckle bakery has been built into a thriving business that has<br />

been trading full time since October 2014. What truly sets the business<br />

apart however, is its commitment to the local community and to make a<br />

difference to the lives of disadvantaged young people in London<br />

Max has always been a fan of<br />

bakeries and the idea of baking.<br />

“I’ve loved bread since I was a<br />

kid, eating it, making it – I even<br />

made a batch for my grandad’s funeral when<br />

I was 12, which turned out to be awful. After<br />

that baking became an obsession – I was<br />

determined to get it right.”<br />

Despite a hankering for a career in baking,<br />

Max began his professional life working with<br />

young people who’d been involved with<br />

violence or crime. Jobs included managing<br />

gang prevention projects, mediating conflicts<br />

and working on referrals from the police.<br />

With steadily increasing severity in his cases,<br />

Vision: Max works with his team to provide<br />

employment opportunities for trainees<br />

and more responsibility as he progressed,<br />

Max became disillusioned with charity work<br />

and the lack of funding that crucial projects<br />

received, and wanted to continue an active<br />

role in the community, but in a different way.<br />

“I wanted to create more of an<br />

environmental solution, where people<br />

could use their hands and be creative, and<br />

potentially down the line even make some<br />

money. I wanted to create a brand that<br />

people were proud to work for, that had<br />

some prestige in the community.”<br />

The Dusty Knuckle was born in Max’s<br />

kitchen in Islington with him and his friend<br />

and business partner Becca Oliver. Becca<br />

has substantial experience in foodservice<br />

and has spent a lot of time in commercial<br />

kitchens, including a Senior Chef role at<br />

award-winning Moro on Exmouth Market.<br />

“The local community played a big part in<br />

the development of the business. There’s a<br />

pizza restaurant down the road called Sweet<br />

Thursday and we were able to use the pizza<br />

oven on Saturday mornings – the residual<br />

heat from their Friday night service was<br />

enough to allow us to cook 50 loaves of<br />

sourdough,” says Max. As well as help from<br />

them, the coffee shop The Place let them<br />

use its fridges. From there he managed to<br />

secure his first three wholesale customers<br />

and developed enough capital to move into<br />

a permanent space.<br />

“There was an empty car park in Hackney<br />

with a shipping container in it. We sent a<br />

proposal to a charity called Bootstrap, which<br />

held the lease on the car park, and we were<br />

able to move in. We had a couple of small<br />

business grants that enabled us to buy our<br />

own bread oven, and there we were – a<br />

commercial premises! Becca’s experience<br />

was invaluable; she is now our Food Director.”<br />

The Dusty Knuckle now serves a range of<br />

breads (sourdough being the hero product),<br />

generously filled sandwiches, pastries and<br />

coffee for consumers, with the wholesale<br />

26 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Starting out: From the<br />

humblest of beginnings,<br />

the team has created<br />

a real success story<br />

“I wanted to create more of an<br />

environmental solution, where people<br />

could use their hands and be creative”<br />

offer being mainly breads. Customers<br />

include a number of notable restaurants<br />

such as Smokehouse and The Good Egg.<br />

The business ties in perfectly with the<br />

current trend of customers seeking out<br />

locally made artisan food where they know<br />

about the provenance. A sourdough loaf<br />

takes time and skill to make, as opposed to<br />

factory-made loaves with the nutritional<br />

value removed. It goes back to the concept of<br />

craft and the boutique offering holding more<br />

appeal than the bland, faceless, massproduced<br />

product. Sourdough is also easier<br />

to digest that your average white loaf, and<br />

often those sensitive to gluten will find it less<br />

likely to cause a reaction.<br />

The social enterprise aspect of The Dusty<br />

Knuckle is still paramount to Max. Work<br />

with young people is carried out in two ways<br />

– the team go offsite to teach baking classes<br />

and develop relationships with vulnerable<br />

young people, and they also manage<br />

structured work experience placements<br />

within the bakery. The target audience for<br />

the scheme is young people who have<br />

experienced barriers to work, such as a<br />

criminal record, domestic violence or lack<br />

of education, and the placements teach<br />

communication, reliability and teamwork,<br />

as well as more practical skills like time<br />

management and negotiating public<br />

transport – things others take for granted.<br />

This year, Max has taken on four young<br />

people who had experienced criminality<br />

and violence. One of them is now on<br />

the payroll and one has a full-time<br />

apprenticeship in another business.<br />

“I want The Dusty Knuckle to become a<br />

flagship youth employment programme that<br />

has a life-changing impact on vulnerable<br />

people while maintaining high standards<br />

of unpretentious, comforting food that<br />

educates consumers on what proper<br />

home-made bread really is.”<br />

So what’s next for Max and his team?<br />

“We’re currently seeking investment, as I’m<br />

realistic about the fact that we need a solid<br />

foundation to achieve our goals. The first<br />

thing we’ll do is secure a site with more<br />

space – we need a seating area in order to<br />

become more of a destination and expand<br />

our offer and grow. Then we can take on<br />

more people through work experience and<br />

other endeavours, which is a key part of the<br />

mission.” Max is clearly competent, and has<br />

a great team of advisors, including Bread<br />

Ahead’s Matt Jones – himself a baking<br />

success, having built a thriving business.<br />

The timing for Max’s business is perfect<br />

and his talent will take him far, both in<br />

London and in time the UK. As he expands,<br />

the sky’s the limit, both in terms of The Dusty<br />

Knuckle and the future of artisan baking.<br />

epmagazine.co.uk | 27


Operating concepts Italian food culture<br />

Do we really know<br />

what regional Italian<br />

cooking is all about?<br />

Marina d’Ischia goes in search of authentic Italian cuisine in British restaurants<br />

Vitello tonnato, friarielli, gnocchi ripieni alle patate… how can<br />

the UK access this rich and delightful selection of flavours<br />

from a country where one of the biggest cultural foundations<br />

is their gastronomy heritage? Marina d’Ischia explores some<br />

brave independent operators who are on a mission to help<br />

One of the best things about<br />

Italian food is its variety.<br />

From the German-influenced<br />

northern region of Trentino-<br />

Alto Adige to the exotic flavours found deep<br />

in the Sicilian countryside, there couldn’t<br />

be more contrasting tastes under one flag.<br />

Tourists lucky enough to sample Italian food<br />

by travelling the length of the territory are<br />

often baffled at this. How can there be such<br />

a huge difference between regions? Between<br />

neighbouring towns?<br />

In today’s world of globalisation and<br />

travel, the real question here is how can UK<br />

consumers access this true facet of Italy’s<br />

enormous food culture at home? In Britain<br />

and other countries, Italian dishes have<br />

become a daily staple in most households –<br />

think lasagne, pizza etc. Without a doubt, the<br />

simplicity of Italian cooking – many dishes<br />

are easily prepared with fewer than five<br />

ingredients – has contributed to the easy<br />

adoption of this cuisine in many homes.<br />

So what is happening to the Italian<br />

restaurant scene here in the UK? Any casual<br />

dining ‘ristorante’ back home would serve<br />

you its best specialities with ingredients<br />

made on the premises for a price ranging<br />

from €20-30. In the UK, we have had the<br />

presence of the chains Pizza Express, Bella<br />

Pasta, ASK etc, which in their own right are<br />

responding to a specific consumer demand<br />

for quick, easy staple Italian dishes. We have<br />

had the celebrity chefs, ie Giorgio Locatelli,<br />

Gino D’Acampo and their Michelin-starred<br />

restaurants and TV shows. Bocca di Lupo in<br />

London audaciously proposes a seasonal<br />

menu with dishes labelled from each region<br />

and the Polpo restaurant group allows the<br />

discerning customer to sample cuisine from<br />

the Venetian region at £40 per head.<br />

As an Italian living in London, I often<br />

struggle to answer my friends’ query,<br />

“Where can we eat some good regional<br />

Italian food at a decent price?” This brings<br />

the question of how Italian food is different<br />

abroad, and not just in the UK. Is it lack of<br />

skilled chefs? Is it just that to get a decent<br />

Italian meal in the UK, we must accept<br />

paying at least £30 per head? Do chefs find<br />

the products needed at high cost prices?<br />

The cost price of products certainly has<br />

an impact on profit, as does the saleability of<br />

28 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Operating concepts Italian food culture<br />

goods. As restaurants have to hit a certain<br />

GP to work with a healthy financial business<br />

model, they might rush to open restaurants<br />

with high GP earners as menu heroes.<br />

Focusing on the restrictions of working<br />

with a cost-effective supply chain, I spoke<br />

to two players in the Italian restaurant scene<br />

– Lello Favuzzi (left), Head Chef of London’s<br />

award-winning restaurant L’Anima, and<br />

Martin Hoenle, owner of Festa sul Prato in<br />

up and coming Lewisham, south London.<br />

Lello’s brigade is composed of 50 chefs<br />

in L’Anima and oversees a simpler version<br />

Martin and his partner, who are fervent<br />

‘Italophiles’.” Festa sul Prato will be a<br />

food-led operation in Lewisham (Martin has<br />

acquired the lease for the former toilet in<br />

middle of Lewisham Park). It will aim to be<br />

a hub of Italian food with a large emphasis<br />

on Italian produce and regionalism. This<br />

will mean visiting Italy on a quarterly basis,<br />

tasting, selecting, purchasing direct from the<br />

producers. “I know I am giving myself a lot<br />

more work,” says Martin. “But I feel this is<br />

necessary to be true to what I want to<br />

achieve in Festa sul Prato. I am lucky to be<br />

able to work with this unusual model. This<br />

is a standalone operation and I want full<br />

control on what is sold.”<br />

With the UK market’s obsession of<br />

efficiency, it can have restrictions and lack<br />

the ability to live the freedom and variety of<br />

Italian cuisine. Thankfully, operators such as<br />

Martin and Lello, while catering for different<br />

clients, are helping us understand the<br />

alternatives to chains focusing solely on high<br />

GP items. Maybe some things are better<br />

when they are not completely standardised.<br />

Maybe we just need more individuality.<br />

“Maybe some<br />

things are better<br />

when they are<br />

not completely<br />

standardised.<br />

Maybe we just need<br />

more individuality”<br />

Photos by Jodi Hinds<br />

called L’Anima Cafe just around the corner.<br />

Having taken over the kitchen under a year<br />

ago, Lello runs a tight ship while focusing<br />

on menu creativity. “It’s not always easy but<br />

I have more flexibility than other restaurants<br />

as I have an adventurous clientele with a<br />

higher disposable income,” he explains.<br />

“I am extremely careful who I buy from<br />

– many Italian products are made for foreign<br />

markets, so are not a true reflection of our<br />

terroir. Compared to 15 years ago when<br />

I arrived in London, the UK supply chain<br />

has improved, and as a Sardinian I can say<br />

my region is well represented. It is still<br />

difficult to educate the restaurant-dining<br />

scene on what we mean by regionality.<br />

The majority order what they know.<br />

“That’s when I was introduced to Martin<br />

Hoenle. He was referred to me by a former<br />

client, as he needed help in defining his food<br />

concepts and kitchen design for his soon-tobe<br />

opened Festa sul Prato, an ambitious but<br />

very intimate 100% self-funded project for<br />

A taste of Italy: One of<br />

Lello’s creations at L’Anima<br />

epmagazine.co.uk | 29


Special feature Jerry Brand<br />

Laying the ground for<br />

future generations<br />

<strong>EP</strong> meets Jerry Brand, owner of Caternet and founder of The Brand Foundation<br />

He’s a controversial character, but there is little doubt that Jerry<br />

Brand is a natural entrepreneur with an impressive record. So what<br />

else is there for a man who has ‘done it’ four or five times? Simple –<br />

start a self-improving charity to develop educational programmes<br />

through helping entrepreneurs improve their chance of success<br />

One of the great features of many<br />

successful people is that they<br />

are happy to give back to the<br />

next generations. True to form,<br />

Jerry Brand has freed himself from the daily<br />

management of his businesses and brought<br />

together a multitalented team of proven<br />

heavyweights for The Brand Foundation.<br />

“One of the primary drivers of being a<br />

successful entrepreneur is change. Change<br />

in finding a better way of doing something,<br />

or in finding something no one has done.<br />

Looking at this fast-growing marketplace, it<br />

had to be different from the current ‘social<br />

enterprises’ or ‘business angel’ groups,”<br />

Jerry says. He feels they are all focused<br />

on making money from entrepreneurs<br />

at their most vulnerable point and so he<br />

registered the Foundation as a charity to<br />

make absolutely sure he is doing it for free.<br />

“The three main issues with start-ups are<br />

cash, customer fit with the idea/offer and<br />

people. By creating a ‘self-improvement’,<br />

secure, online business game that is free and<br />

fun to play, not only can we help hone their<br />

skills, we can help them potentially create a<br />

better chance of success for their idea. They<br />

will also understand what their business may<br />

be worth versus how much cash they need to<br />

raise and how to present that information<br />

to potential funders. We will improve the<br />

game through users’ feedback and provide<br />

access to our alumni to use on future ideas.”<br />

Online training sessions mean that<br />

anyone, young or old, employed or not, can<br />

join the online community and learn to be an<br />

entrepreneur ahead of building their ideas<br />

and going through the same process. Plus,<br />

the charity’s purpose will be achieved, which<br />

is ‘for the public benefit relating to the<br />

advancement of education and knowledge in<br />

the theory and practice of business’.<br />

“It is important that secondary education<br />

starts at 13 with business classes, so that our<br />

‘whizz-kids’ know exactly what to do as their<br />

ideas start to form in their minds,” says<br />

Jerry. “The Government seems to be missing<br />

out this group, so we see the Foundation<br />

providing the data that we develop from our<br />

delegates for our nation’s educationalists to<br />

create those learning processes.”<br />

Jerry is funding the Foundation start-up,<br />

with ongoing funding targeted to come from<br />

commercial and financial institutions that<br />

can benefit from the software by using it on<br />

their customers and/or employees, who can<br />

help large corporates be intrapreneurial, so<br />

fuelling growth of new areas of business. The<br />

Foundation will also seek support from<br />

Government and other related charities.<br />

The Foundation has brought together<br />

a diverse and multitalented group of trustees<br />

that include Tim Parker, non-executive<br />

chairman at the National Trust, Post Office<br />

and Samsonite, and the former CEO of<br />

Kenwood, Clarks, Kwik-Fit and the AA;<br />

Hugh Green, a senior audit partner with<br />

KPMG for nearly 20 years; Simon Hodson,<br />

the retiring senior partner at DAC<br />

Beachcroft; <strong>EP</strong>’s Chris Sheppardson; Ian<br />

Page, owner of SkillGate Training, and<br />

Professor Paul Burns, a leading academic in<br />

the entrepreneurship field.<br />

It really is a group of fascinating intellects,<br />

experience and insight that are coming<br />

together to support innovation and creative<br />

talent. Jerry, though, is the heartbeat and the<br />

driver for this foundation. He is known for<br />

being controversial, but he has lived his<br />

career and life in a manner he believes in.<br />

In trouble at school, Jerry found a natural<br />

home in catering and in 1988 founded<br />

Russell & Brand. He courted controversy<br />

and criticism with an open campaign against<br />

rebates. But whether one agreed with him or<br />

not, his company became the fastest<br />

organically grown contract caterer on record<br />

to date; was second fastest-growing private<br />

business in the UK in 1995, and was bought<br />

by Marriott for £15.8m in 1996.<br />

In 1997, Jerry invested some of his wealth<br />

in commercial and residential property, but<br />

also £2m in the restaurant chain Orange<br />

30 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


“It is important that secondary education<br />

starts at 13 with business classes, so that<br />

our ‘whizz-kids’ know exactly what to do<br />

as their ideas start to form in their minds”


Special feature Jerry Brand<br />

Balloon, with TV chef Brian Turner as the<br />

Executive Chef. Frustrated with the slow<br />

growth of the venture, which stalled at six<br />

restaurants, two-and-a-half years later he<br />

cut his losses and sold the assets to pizza<br />

chain Ask, and in 2004 founded Host<br />

Management. It can be argued that Host<br />

was held back by his controversial views but<br />

he was astute enough to bring on board Bill<br />

Toner in 2010, quickly handing over the<br />

reins to the more experienced man.<br />

Despite many commentators suggesting<br />

that the relationship wouldn’t last three<br />

months, Bill took the company from a £14m<br />

turnover to an exit for Jerry and merger with<br />

CH&Co in 2015, creating a £190m player<br />

and the fifth largest business in the sector.<br />

Add in Jerry’s investments since 1992 in<br />

<strong>EP</strong>OS and e-procurement technology since<br />

2004, and here is a man who has lived and<br />

breathed the ups and downs and still has an<br />

enthusiasm for entrepreneurial business.<br />

The controversial piece is pretty irrelevant<br />

today. Jerry will always challenge the status<br />

quo. That is who he is. He will generate<br />

actions and it says much of Jerry’s influence<br />

that he can bring together the Trustee group<br />

above to support a cause close to his heart.<br />

Much is written about entrepreneurs<br />

every year. In this market it is a popular and<br />

almost sexy subject as they are creative and<br />

generate new ideas and change. However,<br />

entrepreneurs are often self-made and are<br />

successful in spite of the system and not<br />

because of it. The UK has often been the<br />

home of leading entrepreneurs. The Brits<br />

are natural innovators, free thinkers and<br />

have creative talents. It seems strange to say<br />

there is work needed still to allow talent to<br />

flourish, but there is. It still takes a huge risk<br />

for entrepreneurs to take the leap into their<br />

own business, and if a framework can be<br />

developed to support talent and encourage<br />

them to analyse their ideas and skills before<br />

taking that leap, it can only be an advantage.<br />

The timescale for the Foundation’s launch<br />

is fluid, with the system architecture and<br />

design currently being worked on. Trustee<br />

Chris Sheppardson has kindly offered <strong>EP</strong>’s<br />

ever-growing list of entrepreneurs to help<br />

with testing the prototype, with the final<br />

system targeted to be available towards<br />

the end of summer <strong>2016</strong>. The Foundation<br />

website is live and is providing information<br />

and the ability for people to be part of the<br />

prototype testing as well as just registering<br />

to be contacted when the games begin.<br />

“I think it is very exciting and on a number<br />

of levels,” says Jerry. “Firstly, we are working<br />

hard to create an approach and system that<br />

can analyse good ideas and also look at the<br />

areas the entrepreneur has perhaps not<br />

considered. There is a gap in the market<br />

here. The banks are not as supportive of new<br />

businesses as they once were. <strong>Entrepreneurs</strong><br />

have a vision but are often inexperienced<br />

and do not have the skills to make their case.<br />

What they do have is passion, commitment<br />

and belief. These are powerful attributes and<br />

if we can nurture those strengths, and fill<br />

that market gap, then the Foundation will be<br />

providing a positive service to everyone.<br />

“Can you imagine a scenario whereby we<br />

provide a system and process that can give a<br />

“There are<br />

too many<br />

examples of clever<br />

people telling<br />

entrepreneurs they<br />

are wrong only<br />

to look a bit silly a<br />

few years later”<br />

far better chance of success to financial<br />

investors and the banks? This has never<br />

really ever existed before – everything<br />

is reviewed impersonally against finance and<br />

cash flows. Our point of difference is that we<br />

do understand entrepreneurs and the<br />

journey they need to go through, plus we<br />

have significant experience and knowledge<br />

in our Trustee group. Harness this<br />

effectively and we can add value to those<br />

starting out as well as funding.<br />

“It is not our role to say to someone that<br />

their idea is wrong, but to provide guidance.<br />

There are too many examples of clever<br />

people telling entrepreneurs that they are<br />

wrong only to look a bit silly a few years<br />

later. However, from our analysis we can<br />

look at training needs and work on the<br />

business plan with them. At the end of the<br />

process we can provide a report that<br />

explains the journey that they have been on<br />

and confirms that they are ready to launch.<br />

This could be invaluable for investors and<br />

banks. We can also provide mentors and<br />

coaches to support our entrepreneurs.<br />

“Eventually, we want to go into schools<br />

and universities and encourage the<br />

innovators and creators of the future. We<br />

want to encourage great ideas and good<br />

thinking as this has been important to our<br />

economy for many hundreds of years. The<br />

instinctive and natural entrepreneurs will<br />

always make it, but maybe through our work<br />

we can allow for more innovation to happen<br />

and that can only be good.”<br />

Jerry talks with a calm authority,<br />

confidence and passion, and it is clear<br />

to anyone listening that here is a new<br />

journey that excites him. “I know I have<br />

been controversial at times, but we were<br />

challenging a very established norm,” he<br />

concedes. “I do feel that all my experiences<br />

to date have prepared me for this challenge<br />

and as a team we can build something that<br />

will be of value to generations to come.<br />

It will certainly be a journey!<br />

“It will not all happen overnight, but we<br />

are doing the right thing for the right<br />

reasons,” he adds. “And yes, we will need<br />

support and I hope that all groups –<br />

corporate/industry, financial institutions,<br />

entrepreneurs, Government and other<br />

charities – rally round to support us.”<br />

32 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Comment Joelson Wilson<br />

THE PITFALLS OF<br />

ACQUIRING PREMISES<br />

Niall McCann, from Joelson Wilson LLP, explains what to look out for<br />

Given the present market, finding suitable premises for a business<br />

when a liquor licence is required is one of the toughest challenges<br />

for operators in the leisure sector. This is especially true for<br />

start-ups but there are a few points to be aware of in advance<br />

Searching for premises can take<br />

time. Start-ups, having undergone<br />

the tricky process of fund raising,<br />

may have anxious investors<br />

plying on the pressure for the business to<br />

commence trading as soon as possible.<br />

Therein lies the danger: potential tenants<br />

fail to do the necessary due diligence and<br />

end up with unwelcome surprises. So what<br />

can be done to mitigate the risk? Here are<br />

a few practical tips:<br />

Do not take agents’ assurances<br />

on face value.<br />

There are some extremely good commercial<br />

property agents. However, there are a<br />

small percentage of rogues who can trip up<br />

the unsuspecting operator. Never rely on an<br />

agent’s verbal assurances in respect of hours,<br />

conditions and licensable activities on any<br />

premises licence. Always ask to see a copy<br />

of the most up-to-date premises licence.<br />

You do not want to find that, after wasting<br />

considerable time and money, the premises<br />

licence only permits the sale of alcohol until<br />

11pm, for example, rather than 1am.<br />

Check with a licensing specialist to<br />

ensure that you can operate as desired.<br />

Be particularly cautious if an agent says that<br />

varying a premises licence to achieve later<br />

hours or less onerous conditions is a ‘piece<br />

of cake’. This is especially true if the<br />

premises is located in a cumulative impact<br />

zone, usually found in city and town centres,<br />

where it can be particularly difficult to vary<br />

the premises licence of a pub or bar.<br />

Make the lease conditional.<br />

Every restaurant or bar operator’s biggest<br />

fear is to pay an enormous premium and be<br />

lumbered with a high rent when they cannot<br />

legally sell alcohol. The way to mitigate this<br />

risk is to exchange contracts but ensure that<br />

completion is subject to the grant of a new<br />

or varied premises licence that is free from<br />

onerous conditions (which could include,<br />

for example, a requirement to have door<br />

supervisors or restricted use of an outside<br />

area). Again, such protection is especially<br />

important if the premises is located in<br />

a cumulative impact zone.<br />

Check whether complaints have<br />

been received.<br />

While your proposed style of operation<br />

might be ‘neighbour friendly’ it is generally<br />

worth checking with the vendor and the<br />

council’s noise team as to whether there<br />

have been any recent complaints from<br />

local residents. Once a premises has earned<br />

a bad reputation it can be very difficult<br />

to shift, and certain parts of the country<br />

are renowned for having pockets of local<br />

residents who can make operators’ lives<br />

particularly difficult.<br />

What about planning?<br />

Planning and licensing are separate regimes.<br />

Simply because the premises licence might<br />

permit a bar to stay open until 2am, it does<br />

not necessarily follow that the planning<br />

permission permits such activity. However,<br />

unlike licensing, initially breaching planning<br />

conditions is not a criminal offence, but<br />

a premises should operate as per the more<br />

restrictive of the two regimes.<br />

The above is merely a brief overview of<br />

what to look for. Getting proper legal advice<br />

at an early stage is imperative to avoid<br />

having to rectify costly and time-consuming<br />

mistakes further down the line.<br />

“Once a premises has earned a bad<br />

reputation it can be very difficult to shift”<br />

epmagazine.co.uk | 33


Comment Peter Davies<br />

DIFFERENT STROKES<br />

FOR DIFFERENT FOLKS?<br />

Peter Davies, Employment Tax Director and Head of Hospitality Services for WMT – Chartered Accountants, talks tax<br />

Peter Davies questions if we can all expect the same treatment<br />

from HM Revenue and Customs as Google recently experienced<br />

The news that internet giant<br />

Google has agreed to pay £130m<br />

in back taxes to HM Revenue<br />

and Customs (HMRC) has been<br />

greeted with a range of responses from the<br />

media and public alike. These extend from<br />

grim resignation (“anything is better than<br />

nothing”) to outrage that a business that<br />

generates billions of pounds in profits – and<br />

is an all-pervasive part of most people’s<br />

browsing experience – has managed to ‘get<br />

away’ with an amount which, for Google,<br />

represents loose change.<br />

Let’s be clear – no one is suggesting that<br />

Google has broken any laws (and I’m sure<br />

they have access to some very clever lawyers<br />

and accountants to make quite certain of<br />

that). Like many other tech giants and<br />

international corporations, Google has taken<br />

advantage of the vagaries and deficiencies<br />

within the international corporate tax<br />

structure to ensure that the country in which<br />

their profits are taxed at the lowest rate just<br />

happens to be the country where most of<br />

their profits end up.<br />

Of course, the only reason we actually<br />

know that this deal with HMRC took place<br />

is because Google asked for it to be made<br />

public. Presumably, this was in the belief<br />

that the news that they would pay some tax<br />

would reflect well on them and any outrage<br />

over the amount would be directed at<br />

HMRC – which turned out to be pretty<br />

accurate. Had Google not wished for<br />

publicity, we would have heard nothing at<br />

all about the deal. Various Parliamentary<br />

committees have intimated they wish to<br />

query HMRC regarding how the deal was<br />

arrived at, but I would be surprised if they<br />

uncover anything at all as HMRC will<br />

doubtless invoke the mantra of ‘taxpayer<br />

confidentiality’ as soon as any awkward<br />

questions are asked.<br />

For the rest of us the question must be:<br />

is this right? I don’t know about you, but<br />

my tax liability is worked out based on a<br />

computerised tax return that I file online<br />

once a year. The computer doesn’t allow me<br />

to enter into any debate over what I should<br />

pay, or offer me any sort of ‘deal or no deal’<br />

over my tax bill (imagine though if, after<br />

filing my return, I received a call from The<br />

Banker offering me a chance to accept one<br />

tax bill or gamble for another?). I don’t<br />

get to sit down with senior HMRC officials<br />

to negotiate the amount of tax I’d like to pay<br />

and end up with a ‘sweetheart’ deal.<br />

Maybe I’m being unfair. Maybe HMRC<br />

dragged Google’s senior executives into their<br />

offices, demanded the full £130m of tax<br />

they believed due, and browbeat them into<br />

“I don’t get to sit<br />

down with HMRC<br />

officials to negotiate<br />

the amount of tax<br />

I’d like to pay”<br />

conceding and paying up. But the point is,<br />

we’ll never know, and that’s not right.<br />

The answer could perhaps be for very<br />

large or public companies to be required<br />

to publish their corporate tax returns. We<br />

already insist on full accounts to be publicly<br />

filed for large organisations while allowing<br />

smaller businesses to file an abbreviated<br />

version, so the principle of greater<br />

transparency for the biggest businesses<br />

is already established.<br />

The concept of ‘taxpayer confidentiality’<br />

is important. I don’t have any right to know<br />

about my next-door neighbour’s tax affairs.<br />

But when it comes to large organisations,<br />

such as supermarkets, coffee chains, internet<br />

retailers and the like where there is no<br />

individual whose privacy is at stake, I should,<br />

as a consumer, be able to use them with<br />

confidence and not worry that my £2.50<br />

latte apparently comes from Ireland, or<br />

Switzerland, or any other of those famous<br />

coffee-growing nations.<br />

Public disclosure would surely also benefit<br />

HMRC, putting to bed any suspicions of<br />

favourable treatment and a culture of tax<br />

liabilities being settled over cosy meetings<br />

rather than in the same way as for the<br />

majority of taxpayers and businesses.<br />

If the media are to be believed, other<br />

internet giants such as Amazon, Facebook<br />

and Apple are also having their tax<br />

structures and affairs scrutinised by HMRC.<br />

Maybe they owe no tax. Maybe they owe<br />

rather a lot. But we shouldn’t have to rely on<br />

their willingness and the skill of their PR<br />

department to have the comfort that they<br />

are playing by the same rules as you or me.<br />

Or, perhaps HMRC really will get Noel<br />

Edmonds to give me a call next January?<br />

34 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


<strong>Innovation</strong> myCircle<br />

Coming full circle<br />

<strong>EP</strong> meets Maggie Sanchez, CEO of myCircle<br />

What happens when a highly talented team from a high-level<br />

corporate world comes together with a vision for better entry<br />

into the world of entrepreneurship? The answer may lie with the<br />

story of myCircle – a team that has invested heavily in a belief<br />

in the importance of cutting-edge cloud and retail technology<br />

that supports hospitality companies in increasing revenues<br />

Over the last few years, the<br />

leading hospitality and<br />

entertainment providers have<br />

been struggling to address the<br />

new consumer-led paradigm. Businesses are<br />

encumbered by a legacy of often outdated<br />

and expensive point-of-sale and back office<br />

systems. The technology providers have<br />

been slow to respond to new trends and the<br />

need to innovate quickly. Cloud computing<br />

and smart mobile devices have created the<br />

ability to change the traditional interaction<br />

between customers and service providers<br />

to the benefit of both sides. Every major<br />

hospitality service provider – be it a major<br />

league sporting venue, hotel chain, casual<br />

dining or coffee company – is looking for<br />

a competitive edge that delivers increased<br />

revenue, profitability, brand value and<br />

customer connection.<br />

With the latest advances in technology<br />

– inexpensive cloud computing, commodity<br />

smart mobile devices, agile software<br />

development, an increasing array of<br />

connected things (IoT) and the C2B<br />

paradigm change – now is the time<br />

to eliminate the reliance on legacy<br />

disconnected systems and technology<br />

providers, their associated high cost, lack<br />

of speed, lack of innovation and inability<br />

to deliver any unique competitive advantage.<br />

This change lies behind the creation of<br />

myCircle and is the vision of an almost<br />

uniquely talented founding team. Often<br />

those from the corporate world struggle<br />

to adjust to the entrepreneur’s world, but<br />

maybe this team can be the one that does<br />

show it is just a general rule.<br />

The three founders are Maggie Sanchez,<br />

Jane Turner and David Alstadter. The story<br />

of myCircle is about both the team and their<br />

vision for a better approach. Will it succeed?<br />

It should do, but they are still building the<br />

business and so only time will tell. But as<br />

a team, they bring real experience, intellect<br />

and vision to the table.<br />

So what is the story of the team? Maggie<br />

was formerly Chief Commercial and<br />

Marketing Officer of the Rio <strong>2016</strong><br />

Organising Committee of the Olympic<br />

Games; Global Marketing Director at<br />

epmagazine.co.uk | 35


<strong>Innovation</strong> myCircle<br />

Vodafone; Business Marketing Officer;<br />

Western Europe at Microsoft and the<br />

CEO and founder of Interactive Sports<br />

Provider Network (ISPN). She has a BA in<br />

Economics and International Studies from<br />

Macalester College in the US and an MBA<br />

from Harvard Business School – an<br />

impressive record. She also has a desire<br />

to see the world and learn and has trekked<br />

across Africa, China, Nepal, Tibet and Latin<br />

America, and hiked some of the world’s<br />

highest mountains.<br />

David is the former Director of<br />

Commercial Sponsor Services for the<br />

Rio <strong>2016</strong> Organising Committee of the<br />

Olympic Games where he led sponsor<br />

business development, marketing and<br />

services. Previously, he was the VP of Digital<br />

Strategy for Starbucks, driving new<br />

technology strategies to revolutionise the<br />

customer experience in store, on mobile and<br />

online. David was also GM of MSN online<br />

strategies, MD of Microsoft’s Global Media<br />

and Entertainment Group and held<br />

leadership roles at start-ups Supertracks<br />

and ISPN, which pioneered online<br />

ad-funded, subscription and pay-per-view<br />

services for digital distribution of content.<br />

Jane is the former Non-Executive Chair<br />

of Digital Outlook, CEO of Bright Station<br />

Ventures (a technology incubator group),<br />

founder and CEO of mobile and social app<br />

development company Noise Inc and former<br />

Managing Director of Chorion Ltd, a global<br />

IP, licensing and entertainment company.<br />

Jane completed the Harvard Advanced<br />

Management Programme in 2009.<br />

So hardly a lightweight team, and one that<br />

believes – and has invested their own money<br />

– in improving the service between provider<br />

and consumer. The market is changing and<br />

brands now need to chase the consumer,<br />

impact on the fan and club with frustratingly<br />

long queues, hugely decreasing the sales<br />

opportunities for merchandise, match-day<br />

programmes, food and beverage services at<br />

all levels and a poor overall experience<br />

particularly for the fans.<br />

“We worked with a UK-based football<br />

club and their catering partner to deliver<br />

a better service experience, delivering more<br />

value to fans, and increased engagement<br />

and monetisation performance to the<br />

club and the catering partner. This meant<br />

implementing a smart POS system and<br />

a myCircles consumer app – a smartphonebased<br />

app that enables fans to see the menu,<br />

pre-order and pre-pay for food, beverages<br />

and merchandise, and pick it up from an<br />

express lane at the kiosk.”<br />

And what were the results of this trial?<br />

“We delivered an increase in customer<br />

throughput of 10%. The myCircles mobile<br />

“Our system provided better data<br />

capture, analytics and insights to<br />

key business performance indicators<br />

and consumer information”<br />

who is not easily won over by the power of<br />

a brand. The pressure has been on to create<br />

faster and better service so that the<br />

consumer does engage.<br />

“myCircle’s solution launched as a pilot<br />

in the fall of 2013,” says Maggie, “and has<br />

been live in the hospitality sector since<br />

January 2014. We won business within<br />

football stadia in the UK and the results<br />

have been superb.”<br />

Maggie is naturally engaging and her<br />

passion for the product is clear as she talks.<br />

There is no doubt that she believes that<br />

myCircle can make a real difference to any<br />

business. “Football, baseball and hockey<br />

fans are all equally passionate for the sport<br />

and their team. For many fans, it’s more<br />

than just a sport; it’s a way of life,” she says.<br />

“Unfortunately, the fan experience at the<br />

stadium isn’t always the best it could be.<br />

This often has an exponentially negative<br />

consumer app ‘pre-order and pre-pay’ led<br />

to 12% of total sales in just four matches<br />

without any big promotional effort. We had<br />

a proven three-point increase in special meal<br />

deal purchases (from 4% to 7%), cross-sold<br />

match-day programmes to 18% of F&B<br />

customers (picked up at kiosks) and there<br />

was an increase in ATV from £5 to £6.50.<br />

“These results genuinely impact on the<br />

bottom line. Moreover, we gave more data<br />

and insight to the caterer on the habits of<br />

fans so they could understand what more<br />

was needed and what worked. Our system<br />

provided better data capture, analytics<br />

and insights to key business performance<br />

indicators and consumer information.”<br />

So what is next? “We need to engage the<br />

market and grow. We know the technology<br />

works. We know we can make a difference<br />

and improve profits. We are tried and tested.<br />

So now it is a path to the next level.”<br />

36 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


<strong>Innovation</strong> The Welcome Team<br />

HOW IMPORTANT<br />

IS A WELCOME<br />

TO A GUEST?<br />

<strong>EP</strong> talks to Luci Perry, MD of The Welcome Team<br />

“Your smile is your logo, your personality is your business card.”<br />

A positive first impression is vital when building a relationship<br />

with a potential client – you do not often get a second chance<br />

It is said that when making a great first<br />

impression, the first five seconds are key.<br />

This tiny amount of time will create<br />

a lasting impact and forge the direction<br />

of a relationship. A warm and sincere<br />

welcome gives a sense of caring and makes<br />

people feel appreciated, as well as making<br />

them feel that they have made a good choice<br />

in using a business in preference to others.<br />

Nurturing these relationships is a crucial<br />

part of growing a successful business. In the<br />

age of social media, it<br />

is all too easy for<br />

customers to share<br />

a bad experience with<br />

potentially hundreds<br />

or even thousands of<br />

people. It is more<br />

important than ever<br />

to create a welcoming and memorable<br />

experience for a potential customer. There<br />

are many statistics that support this:<br />

■ 89% of customers started doing business<br />

with a competitor after a poor experience.<br />

■ Even in a negative economy, customer<br />

experience is a high priority for consumers<br />

with 60% saying they often or always pay<br />

more for a better experience.<br />

■ The average open rate for welcome<br />

emails is 50%.<br />

This idea is not a new one – people who<br />

feel welcome are far more likely to return.<br />

<strong>EP</strong><br />

met Luci Perry (pictured), Managing<br />

Director of The Welcome Team Ltd, which<br />

provides high-calibre hospitality hostesses,<br />

hosts and other promotional staff. “A warm<br />

welcome is not just a welcoming smile, but it<br />

is a good start. You need to give your full<br />

attention to what is being said to you. If you<br />

can remember personal details about them,<br />

it shows you have a genuine interest in<br />

having them as a customer. Knowing more<br />

about them will help you to anticipate their<br />

needs. If you have spent time researching<br />

a potential customer this will also help you<br />

to welcome them, and demonstrate to them<br />

“We meet and interview all of our staff…<br />

you need to see people face to face to<br />

see how they will interact with others”<br />

that you have a keen interest in developing<br />

a mutually rewarding business relationship.”<br />

Luci points out the worldwide appeal of<br />

a warm welcome and how it is of paramount<br />

importance when conducting business. “The<br />

nature of the welcome will vary depending<br />

on different cultures. In South Korea there<br />

is no physical contact used, so a smile is<br />

your only weapon. Eye contact is important;<br />

it’s very off-putting if you are greeted by<br />

someone who fails to make eye contact.<br />

“Respect is defined as a positive feeling<br />

for a person. It is earned and must be<br />

shown first before it is earned. If you have<br />

anticipated the needs of your customer,<br />

it shows that you have some concern for<br />

their comfort and<br />

well-being. We<br />

should bear in mind<br />

that a customer may<br />

arrive at a venue<br />

with various feelings.<br />

They may arrive<br />

stressed due to<br />

a difficult journey or other factors. This<br />

is your opportunity to dispel the negative<br />

emotions that they arrive with to make<br />

a fantastic first impression – don’t waste it.”<br />

Luci has spent more than 15 years in the<br />

promotions and events industry. “All of our<br />

staff, from hostesses to brand ambassadors,<br />

understand the importance of how to greet<br />

people. We meet and interview all of our<br />

staff. It is my belief that you need to see<br />

people face to face to see how they will<br />

interact with others.”<br />

Luci and the Welcome Team know how<br />

important first impressions are, and so make<br />

sure to maximise the opportunity to ensure<br />

the most is made from the welcome.<br />

epmagazine.co.uk | 37


<strong>Innovation</strong> David Coubrough<br />

TER<br />

EN<br />

The novel<br />

<strong>EP</strong> talks to industry leader turned novelist David Coubrough<br />

Many have the dream of writing a novel but few have the discipline<br />

and creative drive to do it. David Coubrough, a Director of Maldon<br />

Salt, has his first novel published in August. But what is the story?<br />

a<br />

Ha lf<br />

n<br />

Po u d<br />

of Tuppen ny Rice<br />

IT COULD COST HIM HIS LIFE,<br />

BUT HE HAD TO FIND OUT<br />

DAVID COUBROUGH<br />

<strong>Innovation</strong> can take many forms, and<br />

maybe one form is reinvention of oneself<br />

in order to take a risk. Many dream of<br />

writing a novel but few are able to and<br />

it is perhaps underrated just how much it<br />

can leave the author exposed. The process<br />

– and final product – leaves them and their<br />

craft out into the open for analysis, so does<br />

require courage and commitment.<br />

The first question to ask David is where<br />

he found the desire to write this novel?<br />

“Nostalgic memories of childhood holidays<br />

in Cornwall, which featured many of the<br />

same families returning each year, up to<br />

the ages of 18 or 19,” he reveals. “But our<br />

holidays ended abruptly and those regular<br />

two weeks each August stopped for all the<br />

families concerned. Usually repeat bookings<br />

were made as soon as one holiday was<br />

ending. This particular time there were to be<br />

no future bookings for each and every family.<br />

No one ever went back; 40 years on I found<br />

myself wondering why?” Allowing his<br />

imagination to roam let David explore a<br />

myriad of what ifs. “Had there been some<br />

dark secret, unknown to me, that prevented<br />

any family from ever wanting to return?”<br />

he wondered, and with this in mind, David<br />

struck an exciting plot line. The resulting<br />

book is Half a Pound of Tuppenny Rice.<br />

Synopsis<br />

It is August 1972, a number of families<br />

happily return to the same holiday<br />

destination in Cornwall each year, but their<br />

worlds are shattered by sinister events that<br />

remain unexplained for over 40 years. The<br />

families are never to return. Grant Morrison,<br />

who was 17 at the time, remains particularly<br />

troubled by what occurred after discovering<br />

his mother’s affair with the father of one of<br />

the other families, Richard Hughes-Webb.<br />

Richard – a cardiologist – owned a cottage<br />

nearby used for storage of materials utilised<br />

in animal life science experiments and for<br />

his extra-marital activities, both of which<br />

were kept under the radar.<br />

The discovery in a country lane of a night<br />

porter from the hotel, Tom Youlen, in a<br />

stricken state having been poisoned, starts<br />

a chain of events that Grant Morrison<br />

waits over 40 years to investigate. Driven<br />

by the fear that his mother was involved in<br />

38 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


<strong>Innovation</strong> David Coubrough<br />

attempted murder, he waits until both<br />

she and her twin sister have died before<br />

finally feeling free to investigate the truth.<br />

Grant, now a London-based solicitor in<br />

his 50s returns to Cornwall with his wife<br />

of some 25 years, Brigit. He reveals the<br />

‘incident’ with Tom but keeps to himself the<br />

real reasons why he wants to re-open the<br />

‘cold case’ from 1972. On a coastal walk to<br />

Cape Cornwall, Brigit is sure they are being<br />

followed by a man. Later, when they depart<br />

in their car, she sees the same man feigning a<br />

distracted look, in his vehicle in the car park.<br />

Grant then reveals his five suspects, all<br />

of whom were middle aged and holiday<br />

regulars at the time. They are:<br />

1 Ted Jessops, a factory owner from the<br />

Midlands, who Tom knew fathered a child,<br />

Joanna, out of wedlock, and who had<br />

pursued him to Cornwall some four years<br />

before. Joanna nearly drowned in the strong<br />

currents at Constantine Bay when Ted<br />

heartlessly swam away from her.<br />

2 Richard Hughes-Webb, the cardiologist<br />

who had the affair with Grant’s mother, a<br />

fact known to Tom, who looks after scientific<br />

materials for Richard at his cottage in Zennor.<br />

3 Bob Silver, a merchant banker from the<br />

City of London, who adopted a struggling<br />

local artist, Clive Holford, although his<br />

actions are misinterpreted, particularly by<br />

Tom. Bob sets up a studio in St Ives for Clive.<br />

4 Paul Galvin, an accountant from Essex,<br />

who embarked on an ambitious house<br />

building project in Penzance, which fails and<br />

later leads to bankruptcy. It also caused the<br />

collapse of Tom’s brother’s employer, the<br />

building company used for the project.<br />

5 Arnie Charnley, an entrepreneur from<br />

Manchester whose hobby is betting on<br />

horses. Tom looked after his money for him<br />

as Arnie is terrified of his wife, known as<br />

‘The Duchess’, who he had assured he had<br />

stopped gambling. Tom managed to lose<br />

Arnie’s money in a burglary from his cottage<br />

in Zennor, where he stored the cash.<br />

For different reasons on Sunday 20<br />

August, back in 1972, all five are seen at<br />

different times collecting their Sunday<br />

newspapers from the local newsagents in<br />

Zennor after the normal daily delivery had<br />

strangely failed. Around this time, Tom is<br />

discovered, distraught, in a narrow country<br />

lane by Sunday morning churchgoers, who<br />

are also residents from the hotel.<br />

At lunchtime on the same day the police<br />

swarm into the hotel; all five suspects are<br />

arrested over the next two days as the police<br />

discover they each had motives and<br />

opportunities. The last suspect, Bob Silver,<br />

is arrested at his desk in London, where he<br />

had returned for business reasons. The other<br />

three, minus Ted Jessops (who is now<br />

suffering depression and soon to undergo<br />

electric shock therapy), meet for their usual<br />

morning run on the beach on the last day of<br />

the holiday, Thursday 24 August. They are<br />

shocked when Bob Silver is seen waiting<br />

for them at the cafe at the end of the beach.<br />

They are further taken aback by the p resence<br />

of two dodgy characters in the cafe, Ivan<br />

Youlen and Ken Holford.<br />

It was later that day that news filters<br />

through that Hector Wallace, another<br />

“A hand strokes his face in the dark, then,<br />

in the silence, he hears a woman’s voice<br />

sing ‘half a pound of tuppenny rice’…”<br />

holiday regular from the hotel, was found<br />

naked and dead, on the beach at nearby<br />

Carbis Bay. The police and Crown<br />

Prosecution Service were to decide this was<br />

accidental death by drowning, caused by<br />

excessive alcoholic consumption. The fact<br />

that another man was witnessed crossing the<br />

road from the pub to the beach with Hector<br />

was fatefully disregarded at the time.<br />

The pub had borne witness that night to<br />

a surprising group of drinkers, who had<br />

been seen conspiring together.<br />

Back in the present, Grant begins his<br />

pursuit of the truth and tracks down the<br />

offspring of the five families. These enquiries<br />

take him to Lords for a Test match, a football<br />

match at Spurs, a London private member’s<br />

club, train journeys to Manchester and<br />

Winchester, before the trail hots up with<br />

a long-haul journey to Cape Town to catch<br />

up with Hughes-Webb’s daughter, Suzie.<br />

Grant checks into a pub near Zennor and<br />

experiences some sinister forces at work; it<br />

starts with being spooked in the local church<br />

while checking a carving of a mermaid<br />

at the end of a pew. The door slams and he<br />

hears a person scuttle away. That night,<br />

Grant is awakened at 3.30am by a quiet<br />

‘tap-tapping’ on his bedroom door. He<br />

rushes out to the corridor and hears<br />

footsteps hurrying down the stairs.<br />

The following evening, as he sits in the bar,<br />

a power cut sets the scene for some strange<br />

experiences; firstly a hand strokes his face<br />

in the dark, then, in the silence, he hears<br />

a woman’s voice sing “half a pound of<br />

tuppenny rice…” The lights come back on<br />

but it’s unclear who is behind these incidents.<br />

An intriguing cast of characters, murder<br />

and mystery are entwined in this thrilling<br />

novel, which culminates in a startling end that<br />

leaves all concerned fearing for the future.<br />

Half a Pound of Tuppency Rice is published<br />

by Peter Owen Publishing and is on sale<br />

18 <strong>April</strong> <strong>2016</strong><br />

epmagazine.co.uk | 39


<strong>Innovation</strong> Compass<br />

This idea works<br />

<strong>EP</strong> talks to Esther Jenkinson, Marketing Executive at Compass Group UK and Ireland<br />

It’s always a positive thing when big business helps the new players,<br />

something that <strong>EP</strong><br />

has been encouraging for the last few years. This might<br />

take the form of mentoring, investment or other services, but it’s good to<br />

see heavyweights making moves to help the next generation. Compass Group<br />

UK and Ireland is leading the pack with its pitching scheme, The Idea Works!<br />

<strong>Entrepreneurs</strong> are big business.<br />

Today’s graduates are much less<br />

likely to choose a profession, train,<br />

qualify and then progress through<br />

the well-tracked career path of a doctor,<br />

solicitor or accountant than they were<br />

a generation ago. As the economy recovers,<br />

conditions are now right for a huge wave of<br />

entrepreneurs, forming innovative start-ups<br />

across every industry. Typically young and<br />

comparatively inexperienced in business,<br />

what they need to make their companies<br />

grow is guidance and to benefit from the<br />

experience of big companies and seasoned<br />

advisors who can really help them to make<br />

their mark. This is exactly the aim of<br />

Compass Group’s The Idea Works! scheme.<br />

Founded by Compass in 2012, the premise<br />

of the scheme is that they open their doors<br />

to four entrepreneurs who each present an<br />

idea to a panel of judges made up of senior<br />

employees from within Compass and also<br />

from elsewhere in the hospitality sector.<br />

<strong>EP</strong><br />

was privileged to join the panel for<br />

a recent event at Manchester’s Museum<br />

of Science and Industry.<br />

“It’s a great initiative to be involved in,”<br />

says Esther, who is part of Compass’s<br />

extensive graduate scheme and is currently<br />

focusing on innovation and marketing.<br />

“The entrepreneurs are inspiring with their<br />

creativity and enthusiasm. It’s great to be at<br />

the forefront of new products being brought<br />

to market and to have the chance to work<br />

with start-ups from the beginning. Watching<br />

them grow and develop is fascinating.”<br />

To apply for The Idea Works!, prospective<br />

candidates fill in a form on the website and<br />

then each entry is assessed by Esther with<br />

input from category experts across the<br />

Compass commercial team. Their<br />

knowledge of the market, both internally and<br />

externally, mean applicants that pass this<br />

stage are likely to have a very good product<br />

or service that could clearly provide a<br />

solution for a particular area of the business.<br />

The four companies pitching in January’s<br />

event gave an idea of the kind of brands The<br />

Idea Works! puts through to pitch stage and<br />

the variety they offer. Mr Lee’s presented<br />

a healthy noodle vending machine concept<br />

for universities. It comes with touchscreen<br />

technology, allowing sophisticated data<br />

gathering, and the product is much healthier<br />

than existing noodle alternatives.<br />

Keep Cup is a carbon-saving reusable<br />

coffee cup designed to be taken to coffee<br />

shops by customers and refilled to save using<br />

disposable cups. Keep Cup can calculate the<br />

levels of carbon saved by each site or sector,<br />

so providing a viable sustainability solution.<br />

Honest is a frozen yoghurt concept, with<br />

no added sugar, a low-fat content and a wide<br />

selection of toppings that allow the customer<br />

to be as healthy or indulgent as they like and<br />

so appeals to a wide audience.<br />

Finally, Jim Jams is a range of jams and<br />

spreads that have significantly less sugar<br />

than the average products, and they have<br />

already won a number of awards. The<br />

branding is attractive, and the products<br />

certainly passed the taste tests.<br />

So while all focused in the hospitality<br />

arena, the businesses vary a great deal and<br />

have different benefits for Compass, making<br />

the most of technological innovation, the<br />

importance of sustainability and ubiquitous<br />

concerns about health and well-being. On<br />

this occasion, all of the entrepreneurs who<br />

pitched received a yes from each member of<br />

the panel, and were approved for a trial with<br />

Compass in the most suitable sectors and<br />

venues for their product, something that<br />

they needed to identify when they pitch.<br />

If the trial is successful the businesses<br />

could be taken on as suppliers.<br />

“We’ve discovered some fantastic<br />

products that cover the whole spectrum<br />

of food and drink products, services and<br />

facilities management. It’s such a great<br />

boost for a start-up, and could possibly<br />

make a crucial difference to the success<br />

of their business,” explains Esther.<br />

While clearly a great opportunity for<br />

the entrepreneurs, how does the scheme<br />

go down with clients? “Our clients love The<br />

Idea Works!,” adds Esther. “They’re happy<br />

to support us on it because it shows that they<br />

have access to innovation and the newest<br />

products and ideas on the market. It marks<br />

them out as actively keeping their offer fresh<br />

and up to date, and their customers know<br />

40 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


<strong>Innovation</strong> Compass<br />

they can expect quality. It’s also good for the<br />

economy for big companies to help out<br />

SMEs and helps give a more human face<br />

than they might perhaps have otherwise.”<br />

While The Idea Works! requires a lot<br />

of research, prep work and organisation,<br />

Esther is also involved in other projects at<br />

Compass. “The Idea Works! takes up about<br />

a third of my time and most of my role is<br />

focused on new products and innovation<br />

in general, not just at entrepreneur level.<br />

I spend time organising various events to<br />

showcase products to the company, and<br />

have other marketing-focused tasks.”<br />

Esther started at Compass in October<br />

2014 and was initially working at the Army<br />

Foundation College in Harrogate as part of<br />

ESS. The graduate scheme offers varying<br />

roles, but it’s the marketing side that she<br />

is looking to pursue, to be involved with<br />

new products and keeping Compass at the<br />

forefront of innovation. She is one to watch<br />

and a great example of new talent coming<br />

up through the industry.<br />

As for The Idea Works!, the events will<br />

continue to be four per year, and will remain<br />

a fantastic opportunity for those running a<br />

hospitality-focused start-up to get a foot in<br />

the door and a real boost for their business.<br />

With innovation remaining such a key<br />

aspect of the industry, it will be interesting<br />

to watch other companies follow Compass<br />

Group’s lead, and for initiatives like The<br />

Idea Works! to become commonplace.<br />

“We’ve discovered some fantastic<br />

products that cover the whole spectrum<br />

of food and drink products, services<br />

and facilities management”<br />

epmagazine.co.uk | 41


<strong>Innovation</strong> Sophie Phillpotts-Dowding<br />

Charming our senses<br />

<strong>EP</strong> talks to interior designer Sophie Phillpotts-Dowding<br />

In all walks of life we are witnessing a fusion of styles from around the<br />

world. It is certainly happening with food and interior designs within hotels.<br />

There are few with real vision for hotel and restaurant design, but there<br />

is some exciting new talent emerging that will bring new ideas<br />

Sophie is a young talent at just 23<br />

years old, but she has a desire and<br />

hunger to bring new ideas to the<br />

fore – or if we are accurate, ideas<br />

and fashions from the past. “Sometimes,<br />

I think I must be 202 years old, as some of<br />

the interior design ideas I adore come from<br />

19th century French society,” she says,<br />

laughing. “But I do mix them with a broad<br />

range of modern influences from all round<br />

the world. The important aspect with design<br />

is that one must feel at home within a space<br />

from the moment one enters.<br />

“It is important that we have empathy<br />

with our space; that we should tap into<br />

more of our senses, instead of creating<br />

mere scenes of visual seduction,” she adds.<br />

“I envision our interiors should charm our<br />

emotions and nurture our<br />

well-being. After all, we are<br />

all humans, with senses<br />

other than just our eyesight.<br />

I believe our home should<br />

be our ‘habitat’.”<br />

Sophie talks softly but<br />

with a genuine passion for her craft. There<br />

is no hint of arrogance as one might expect<br />

from a 23 year old who believes they can<br />

take on the world of interior design, but<br />

rather a respect and knowledge for the<br />

skill required to make a room be more<br />

than just a room.<br />

“In a home, the ideal is to create a vision of<br />

the owner’s own special world so that they<br />

can feel the difference when they are there<br />

“The important aspect with design is<br />

that one must feel at home within a<br />

space from the moment one enters”<br />

and they know it is their space,” she says.<br />

“The key is to always listen carefully to<br />

the client and capture exactly the feel<br />

of their ideals and dreams. In a hotel and<br />

restaurant it is more complex, but it needs<br />

to be an environment that inspires guests to<br />

relax and enjoy the experience. The hotel<br />

owner or restaurateur wants to wow those<br />

that visit and also make the guest feel so<br />

relaxed and engaged they will spend more,<br />

enjoy the experience and so return.<br />

Hotels and restaurants can have a special<br />

magic about them, and design can really<br />

influence guests just as much as the food,<br />

wine or service, yet it is so rarely spoken<br />

about,” she adds. “Design catches the eye,<br />

influences the psychology of the guest and<br />

can make them relax – or the opposite if<br />

it is wrong. It is a very delicate balance.”<br />

Sophie Phillpotts-Dowding grew up in<br />

Gloucestershire. She is half-Caribbean and<br />

half-Irish but Gloucestershire is where her<br />

real roots lie. Looking back, she says the<br />

Gloucester docks played a large part in<br />

influencing her style. She spent many hours<br />

at the weathered docks watching the water<br />

rhythmically roll back and forth, admiring<br />

the raw materials and daydreaming of<br />

the past, imagining<br />

narratives and absorbing<br />

herself in the character.<br />

Sophie may be young<br />

but she possesses a genuine<br />

creativity that allows her to<br />

bring a room to life. She is,<br />

of course, a contradiction as she is very<br />

striking, elegantly dressed but also shy,<br />

as she knows she is at the start of what will<br />

be a long and often challenging journey.<br />

However, she possesses a solid belief in her<br />

craft. Sophie is also a twin and her sister,<br />

Natasha, will work closely with her as they<br />

develop the newly launched business. She<br />

says, “There are many designers but not<br />

many really fresh ideas. I like to believe we<br />

42 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Twice the talent: Sophie Phillpotts-Dowding (right)<br />

and her twin sister Natasha make a good team


“Hotels and restaurants can have a special magic about them,<br />

and design can really influence guests just as much as the<br />

food, wine or service, yet it is so rarely spoken about”<br />

can bring a different perspective and one<br />

that will excite our clients. I hope that this<br />

does not sound arrogant. I just think the<br />

world is changing and that people today are<br />

no longer just influenced by one culture but<br />

many, and the design of any room or venue<br />

needs to represent those influences. People<br />

today are international. They seek to eat a<br />

broader range of tastes and flavours and it<br />

is the same trend within their homes.”<br />

I wonder which styles have most<br />

influenced Sophie?<br />

“We need to be open to many styles, but if<br />

you push me, I would say that a mix between<br />

modern and vintage French. My personal<br />

favourite would be the fusion, overlaying<br />

modern technology with the character<br />

of French style and the mixture of the<br />

materials. But this is me; my clients will<br />

possess different desires and our role is to<br />

listen and interpret their ideals.”<br />

Twin sisters are renowned for being close<br />

– are Sophie and Natasha a good team?<br />

Again she laughs, saying, “Yes, of course.<br />

She is one of my major influences – along<br />

with aromatherapy and psychology. She is<br />

more into fashion design and I am more<br />

into interior design, but as a result we bring<br />

different perspectives that create different<br />

ideas and thoughts. I think that as a team we<br />

have real creativity that will allow us to grow<br />

and the company to be successful.”<br />

Is she, I ask, ready for the challenge<br />

of building a business?<br />

“Absolutely. Natasha and I may be young<br />

but we love what we do. We have already<br />

worked on a number of projects together<br />

and the feedback has been very good. We<br />

have a good support structure from our<br />

experienced investors, which enables us to<br />

deal with any challenges. However, design<br />

– interior or fashion – is a craft and we are<br />

students and lovers of our craft, and this love<br />

and skill will allow us to bring our clients a<br />

care and design that we hope will inspire.<br />

44 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


<strong>Innovation</strong> Spectank<br />

SIMPLY<br />

SUSTAINABLE<br />

Justine Samuels, Managing Director of Spectank UK, unveils a revolutionary cleaning product<br />

It is rare to have a product enter the market that can save<br />

businesses money and energy which at the same time has<br />

a positive impact on the environment<br />

For a product with sustainable<br />

credentials, which ticks many of the<br />

right boxes, it can be difficult to make<br />

the right impact. Not for the lack of<br />

trying, but for where it falls in the priority<br />

list of actions for a company wishing to<br />

adopt the new. Many may champion<br />

products labelled as sustainable and<br />

will point out that their CSR policies<br />

highlight their green credentials but it can<br />

fall down the priority list. If green initiatives<br />

suddenly went to the top of the list, wouldn’t<br />

we all experience a far more interesting and<br />

lasting world? Spectank is an example of<br />

a product that does possess the luxury of<br />

energy and money savings, so therefore<br />

shouldn’t it be grasped with both hands?<br />

Sustainable products should not be<br />

labelled ‘kind’, ‘cute’ or placed under the<br />

heading ‘great for when talking about<br />

sustainable credentials’. They should simply<br />

be embraced because it makes economic<br />

sense to use them. For all the products out<br />

there that save water, electricity, food<br />

waste, time and money, why are more not<br />

embraced? Is there a barrier that must be<br />

broken for them to reach the point where the<br />

market adopts them? Probably, but if this<br />

bar is set at its current height for much<br />

longer the future can only seem bleak.<br />

Millennials are not the only reason<br />

sustainability has become a buzz word of<br />

recent years but they have played a role.<br />

They have entered the industry following<br />

an education that has focused on saving,<br />

reusing and recycling. They did not<br />

experience first-hand the growth of multiple<br />

choices of products and the huge rise<br />

of commercialisation that would engulf the<br />

western world. To be fair, those experiencing<br />

this firstly didn’t know this would play such<br />

a role in the environment and secondly<br />

couldn’t have controlled it or stopped it<br />

should they have tried to do so. The<br />

important point is that now we know what<br />

damage is happening to the world, we know<br />

we need to act upon it and we know there are<br />

people out there trying to make a difference.<br />

Justin Samuels, Managing Director<br />

of Spectank is one of these individuals. A<br />

proud South African, Justin is spreading the<br />

word of Spectank in the UK, which was<br />

originally created in his home country. The<br />

concept is simple. A tank which, once filled<br />

with water, will clean most kitchen products<br />

for a month using only a sustainable cleaning<br />

product dissolved in the water. The energy<br />

friendly product re-uses the same water for<br />

the whole month with only a few tops ups<br />

needed and therefore saves on the water<br />

used to clean all the dirty pieces of kit. From<br />

pots and pans to filters and grills, the tank<br />

removes even the most hardened build-up of<br />

carbon while sanitising the equipment.<br />

Justin and his eco-friendly product are<br />

now taking their message further and hope<br />

to have more restaurants, bakeries and other<br />

commercial kitchens improve their cleaning<br />

process and reduce their costs. If a product<br />

can simplify a cleaning process, free up time<br />

and improve bottom lines, then it makes<br />

sense to investigate. With the added luxury<br />

of a positive factor on the environment, it<br />

becomes a no-brainer.<br />

“Sustainable<br />

products should<br />

not be labelled<br />

as ‘cute’ or ‘kind’.<br />

They should be<br />

embraced because<br />

it makes economic<br />

sense to use them”<br />

epmagazine.co.uk | 45


Drinks NixandKix<br />

A little heat.<br />

A lot of happiness.<br />

<strong>EP</strong> talks to Kerstin Robinson and Julia Kessler of NIX&KIX<br />

The importance of grown-up soft drinks is becoming more evident<br />

as the need for healthy alternatives increases. NIX&KIX produces<br />

beverages that tap into the consumer move towards healthier lifestyles<br />

NIX&KIX is one of those stories of<br />

innovation that began, like many<br />

others, from a frustration. Kerstin<br />

Robinson and Julia Kessler, both<br />

originally from Germany, met on a plane<br />

while they were both moving to London.<br />

When out and about, they wanted more<br />

exciting but not too sweet alternatives to<br />

soft drinks and after an unsuccessful search<br />

decided to leave the banking and big<br />

corporations where they worked and set<br />

about creating a new adult soft drink. After<br />

testing several different variations of<br />

ingredients, they settled on cayenne chilli<br />

pepper – a natural pick-me-up that delivers<br />

an exciting flavour kick.<br />

The young duo are confident and calm<br />

when speaking about their product but<br />

excitement does appear when speaking<br />

about their success so far and plans for the<br />

future. This is unsurprising when they were,<br />

in many ways, ahead of the healthy drinking<br />

curve. It is only recently that the soft drinks<br />

industry has tried to adapt to produce a<br />

healthier portfolio. The consumer has<br />

changed and retailers are playing catch-up<br />

to provide healthy food and drinks. The<br />

drinks market has been under scrutiny from<br />

consumers, and while there is an increase<br />

of low or no-calorie drinks, there is still a<br />

lack of excitement.<br />

“NIX&KIX is similar to a health kick,”<br />

explains Kerstin. “The chilli in the drinks<br />

46 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Drinks NixandKix<br />

can help release endorphins that may<br />

make drinkers feel happier. We wanted<br />

to create an alternative on the market that<br />

is stimulating and can also act as a<br />

conversation starter. People won’t talk<br />

about calorie intake or health benefits when<br />

drinking alcohol but with a soft drink they<br />

often take much more care,” she adds. “The<br />

palate is changing, consumers are now more<br />

adapted to spices and other strong flavours.<br />

There is a desire for a taste to cut through<br />

some flavours and enhance others.”<br />

They believe the industry is adapting<br />

and developing, with more options coming<br />

on to the market place. Julia explains,<br />

“Large companies are now working on<br />

creating healthier drinks and it is this<br />

innovation that will help the adult soft drinks<br />

category grow as a whole.” NIX&KIX are<br />

keen to point out that their drinks are an<br />

experience as well as a refreshing alternative<br />

to both alcohol and sugary soft drinks. “The<br />

ingredients used are of high quality and this<br />

we believe is one of the reasons why we are<br />

already stocked in 100 outlets in London,<br />

Edinburgh and other locations in the UK as<br />

well as Holland.”<br />

NIX&KIX has received many leads and<br />

business opportunities from social media,<br />

which even led to them being recognised on<br />

the Underground in London by a potential<br />

buyer. Their team of six are international,<br />

which makes them well positioned for<br />

growth outside the UK. “It has been a steep<br />

learning curve but we have met many people<br />

in the industry willing to help a start-up,”<br />

says Julia. “We have battled through some<br />

tough times to get where we are today.<br />

One of these examples was during the early<br />

days when we were creating a new batch of<br />

flavours. We realised we had forgotten a key<br />

new ingredient – lime. It was hard to take<br />

and pushed us back by quite some time.<br />

We later discovered the bottling plant was<br />

making a batch of another drink later that<br />

day – lime juice. We laugh about it now.”<br />

Kerstin adds, “With experiences such<br />

as this we have learnt how it’s important<br />

not to panic and that most issues aren’t as<br />

massive as they first seem. With two people<br />

in charge we have been able to bounce ideas<br />

off each other. If one of us is more upset or<br />

disappointed than the other, we can take<br />

The range: Currently available in three<br />

flavours, all with a signature cayenne kick<br />

“We wanted to create an alternative<br />

on the market that is stimulating and can<br />

also act as a conversation starter”<br />

a step back and help push ourselves further<br />

by not allowing the other to dwell.”<br />

Sugary foods are high on the political<br />

agenda. There are still no strict rules in place<br />

when it comes to food and drinks high in fat,<br />

sugar and salt. Celebrity chef Jamie Oliver<br />

has argued that some brands should not be<br />

allowed to advertise during popular shows<br />

such as The X Factor, as it may encourage<br />

unhealthy eating. There are plans by the<br />

National Health Service to introduce a tax<br />

on sugar sold in its hospitals but this has<br />

been criticised by industry trade bodies.<br />

“Education on healthy alternatives must<br />

start at schools,” continues Kerstin.<br />

“Although our drinks are more aimed at<br />

adults we find it intriguing that a recent<br />

survey found that a quarter of young people<br />

over the legal age to drink alcohol are<br />

teetotal. They want healthy diets and an<br />

alternative to sugary drinks. We believe<br />

that when they go out to restaurants, cafes<br />

and bars they want an exciting drink, and<br />

this is where NIX&KIX sits.”<br />

Soft drinks are one of the largest sources<br />

of sugar in a diet and there is a requirement<br />

for healthy drinks in all types of<br />

establishments. A refined sugar-free drink<br />

with the addition of a cayenne chilli does<br />

create a unique taste sensation and while<br />

not for everyone’s taste buds, it can only be<br />

of benefit to have more options. With the<br />

Health Secretary declaring that the country<br />

is suffering a national emergency due to the<br />

rise in childhood obesity, there must be<br />

brave changes from the top down. Having<br />

drinks like NIX&KIX available can only help<br />

this situation when solutions are found.<br />

epmagazine.co.uk | 47


Drinks Crossbill Gin<br />

Making the most of Scotland’s<br />

natural produce<br />

<strong>EP</strong> talks to Jonathan Engels, founder of independent micro distillery, Crossbill Gin<br />

There is a current fascination with gin, one that is showing no signs of slowing down with<br />

a surge of new independent producers and a renewed interest in those with a longer<br />

history. It’s a tangible manifestation of the British obsession with all things quality<br />

and craft. Crossbill Gin is one such producer with a unique, home-grown product<br />

Explaining the ethos and vision<br />

behind Crossbill Gin, Jonathan<br />

Engels says, “It’s the same with any<br />

recipe – the fresher the ingredients,<br />

the better the results. That’s why we aim to<br />

get the berries from the bush to the still in an<br />

hour or less.” Clearly both knowledgeable<br />

and passionate, you can well imagine him<br />

roaming forests searching for juniper<br />

berries. His dedication to re-establishing the<br />

tradition of Scottish gin has driven him to<br />

create a truly premium product with 100%<br />

provenance that appeals to a growing market<br />

of gin enthusiasts. ‘Crossbill’ refers to the<br />

Scottish crossbill bird that, like the gin, is<br />

unique to the Caledonian pine forests.<br />

In any UK city it’s not difficult to find a gin<br />

bar, a gin tour, special gin menu or mixologist<br />

sourcing the finest cocktail ingredients<br />

to showcase the best artisan gins – it’s a<br />

product that has seen a strong resurgence.<br />

An estimated 29 million litres were consumed<br />

in the UK in 2015 and Mintel predicts sales<br />

will continue to rise, hitting £1.3 billion by<br />

2020. It’s more likely to be seen as<br />

a sophisticated spirit, and is increasingly<br />

bought by the younger end of the market.<br />

Gin is comparatively quick to make<br />

compared to spirits such as whisky, and<br />

while the market is clearly there, this means<br />

there is also the possibility of lots more<br />

competition in the next few years. This isn’t<br />

something that worries Jonathan – he’s<br />

just focused on making the most of Crossbill<br />

Gin’s USPs and making sure consumers<br />

know why it is special.<br />

An architect by background, Jonathan<br />

began making spirits in 2006 with the<br />

creation of botanical vodka Pincer,<br />

inspired by the need for a spirit with<br />

botanical benefits such as milk thistle and<br />

elderflower. He says, “The common ground<br />

between spirit production and architecture<br />

Team work: Jonathan’s<br />

(left) creation is just as<br />

popular south of the border<br />

thanks to the work of his<br />

sales team including<br />

Adam Shaw (right)<br />

is realising a concept and bringing a vision to<br />

life. I’m much more hands-on now, and do<br />

more design work than I did as an architect!”<br />

Jonathan’s success with Pincer inspired<br />

him to create the first and only gin made<br />

from 100% Scottish juniper berries – not<br />

one berry is imported. Drying them in order<br />

to ship drains the flavour, which is partly<br />

why Crossbill Gin is so distinctive.<br />

The short amount of time between picking<br />

the berries and getting them to the still is<br />

48 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


Drinks Crossbill Gin<br />

Hands on: Visitors can watch the gin being made<br />

and then sample the products in the bar next door<br />

vital to capture as much of the natural<br />

juniper flavour as possible and results in<br />

a gin that is fragrant, smooth and warming<br />

– not at all harsh. “There are, of course,<br />

plenty of other gins on the market,” says<br />

Jonathan. “But the producers often add so<br />

many other flavours to the recipe that the<br />

taste of the juniper is lost. We wanted to go<br />

back to what the essence of gin is all about,<br />

and we’ve created the only one with 100%<br />

Scottish provenance.”<br />

Due to a pathogen spread by hillwalkers<br />

and the fact that it’s a poor cross-pollinator,<br />

juniper in England is under threat, one<br />

of the reasons Crossbill Gin focuses its<br />

efforts in Scotland. Working with the<br />

Forestry Commission and PlantLife.org,<br />

Crossbill Gin was founded on a private<br />

estate free of walkers and with a controlled<br />

deer population, to limit the volume of<br />

berries being damaged or eaten. Juniper<br />

numbers have flourished in the area since<br />

the measures were introduced, and it was the<br />

perfect place for Crossbill Gin to set up.<br />

The distillery itself is housed in a beautiful<br />

shed that last year won Channel 4’s Amazing<br />

Spaces: Shed of the Year<br />

programme. It’s not<br />

your typical distillery; for a start it’s the only<br />

one in Europe certified by the American<br />

Distilling Institute, something made more<br />

remarkable by the fact that there are only<br />

two certified in the US. Its proximity to the<br />

“We wanted to go back to the essence<br />

of gin – we’ve created the only one<br />

with 100% Scottish provenance”<br />

forest is paramount to the finished product,<br />

as it ensures the berries reach the still in the<br />

freshest condition. Crossbill Gin also won<br />

European Classic Gin of the Year at London<br />

Cocktail Week Craft Distilling Expo.<br />

As well as the standard bottle there is also<br />

the Crossbill 200, made exclusively from<br />

berries from a 200-year-old juniper bush<br />

on the estate. As you might expect, it has<br />

an even heavier juniper fragrance but is still<br />

exceptionally smooth, no mean feat at nearly<br />

60% proof (the standard version is close<br />

to 40%). It’s a very limited edition and was<br />

completely sold out prior to it even being<br />

released, a testament to the quality and<br />

popularity of the product.<br />

The Crossbill Gin distillery is open for<br />

visits from customers, and guests can go out<br />

with a bucket, pick juniper berries and watch<br />

the process as they’re made into gin. It’s<br />

a great experience, and the foraging means it<br />

can be categorised with the growing volume<br />

of sustainable tourism options in the UK.<br />

Visitors also get an insight into how the<br />

result of distilling is different depending on<br />

the time of year. The outside temperate in<br />

Aviemore can range from -14 to 30 degrees,<br />

quite a difference. During winter the stills<br />

can take up to two days to heat up properly,<br />

so there’s a very noticeable variation in<br />

flavour between winter and summerdistilled<br />

gin. Jonathan will be introducing<br />

a section on the company website that shows<br />

batch numbers and the corresponding<br />

temperature at which it was distilled, to<br />

enable customers to use it as a taste guide<br />

once they become familiar with the product.<br />

So what’s next for Crossbill Gin? “At the<br />

moment we’re concentrating on increasing<br />

production and broadening our customer<br />

base across the UK. We’ll be putting more<br />

resources into PR and marketing, and in the<br />

not-too-distant future we’ll be developing<br />

our export strategy and looking to do<br />

business in the US and Far East, where<br />

there are big expat communities with a lot<br />

of buying power. Five or ten years ago this<br />

wasn’t a feasible market, but as tastes<br />

change and consumers broaden their<br />

horizons, it’s a significant part of our plan.”<br />

epmagazine.co.uk | 49


Comment IndiCater<br />

BUILDING<br />

A BOARD<br />

Executive Chairman Mike Day reveals the changing structure at IndiCater<br />

Future-proofing an established and successful software business<br />

is essential for long-term growth and continued innovation<br />

While sipping a cocktail with<br />

my wife Pat in a hotel in<br />

Singapore last February,<br />

I found myself contemplating<br />

the challenge of how to achieve the<br />

next stage of growth for IndiCater, the<br />

hospitality software business I formed with<br />

Lou Willcock almost 15 years ago.<br />

We set a target of doubling our turnover<br />

within 18 months, but this would present<br />

its own challenges, including some personal<br />

soul-searching alongside learning from<br />

past mistakes. Questions arose; did we have<br />

the right company culture and team to<br />

implement the systems and processes<br />

required for a fast-growth environment?<br />

Were Lou and I the right people to run the<br />

business on a day-to-day basis or should we<br />

step back and find a Managing Director? If<br />

we did appoint an MD, would they be from a<br />

corporate background or an entrepreneur?<br />

Could our Head of Technology and our<br />

board of directors achieve our aims?<br />

New sales would be required quickly in<br />

order to invest in any potential new team<br />

changes and appointments. Both Lou and<br />

I would need to re-engineer our own roles<br />

in order to not stifle any new appointments<br />

while at the same time continuing to be<br />

heavily involved in the business.<br />

The process of introducing change<br />

commenced with listening to clients,<br />

partners and industry experts outside of the<br />

company and trusting their insights about<br />

our business. Chris Sheppardson of <strong>EP</strong><br />

was a key confidant – extremely supportive<br />

and clear about the skills we needed to<br />

complement those of Lou and I.<br />

The Managing Director’s role would<br />

be the hardest to fill and take the longest<br />

time to get right. Initially we concentrated<br />

on ensuring that we had the right heads of<br />

department in place for both Client Services<br />

and Technology, a process that resulted<br />

in the creation of the new role, Head of<br />

Product. A new Head of Technology was<br />

appointed externally while other positions<br />

were filled through internal promotion.<br />

Strengthening of the board was the next<br />

focus, and with Chris’s support we attracted<br />

interest from potential non-executive<br />

directors (NEDs) who we might otherwise<br />

have never considered. In late 2015, Russel<br />

Joffe joined the board, familiar to many<br />

as the face and founder of the successful<br />

high-street restaurant brand Giraffe,<br />

subsequently sold to Tesco. Russel’s fast<br />

growth achievements with Giraffe, Laurel<br />

Canyon Ventures restaurant group and,<br />

previously, with Café Flo are already having<br />

a major impact on IndiCater.<br />

Balancing the board is the recent NED<br />

appointment of industry stalwart Bob<br />

Cotton OBE. As former Chief Executive of<br />

the BHA (British Hospitality Association),<br />

his reputation and understanding of the<br />

sector needs very little introduction.<br />

In January <strong>2016</strong>, we were delighted to<br />

welcome Debi Nichol to the team as our<br />

new Managing Director. With outstanding<br />

leadership skills and operational strength,<br />

Debi has worked with the Metropolitan<br />

Police for the last four years, initially<br />

overseeing catering, transport and other<br />

logistics for the London Olympics. Prior<br />

to that, Debi was Commercial Director<br />

with Select Service Partner (SSP) and also<br />

Sales Director with Compass Group UK.<br />

With the team in place, I have taken on<br />

the role of Executive Chairman to guide the<br />

company through its next phase of growth.<br />

This includes future-proofing while ensuring<br />

our product continues to innovate and help<br />

our clients. Lou remains as a key director<br />

and great ambassador for the business.<br />

Watching my son, Matt, embrace his new<br />

role as father to our first grandchild, Maisie,<br />

I am reminded of the parallels in creating<br />

and building a business. It starts with an<br />

idea and with a little fear attached. The<br />

baby is born and what follows as the child<br />

grows is a series of stages, each needing<br />

different things from the parent. Parental<br />

roles change, just as business roles need to<br />

change, becoming more appropriate as<br />

the child or business grows. As Matt recently<br />

said in one of our FaceTime chats, “In more<br />

ways than one, Mike’s new Day has come.”<br />

“Watching my son embrace his new role<br />

as a father, I am reminded of the parallels<br />

in creating and building a business”<br />

50 | <strong>Entrepreneurs</strong> & <strong>Innovation</strong> | <strong>April</strong> <strong>2016</strong>


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