iGen_DesignersGuide_lowres

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Formation Formation is the distribution of fibers and fillers in paper. Fibers and fillers should be distributed evenly throughout the sheet. Although formation is not included in the manufacturer’s specifications, you can check it by holding a sheet up to a light. If the sheet looks even throughout, it has good formation. If you see uneven light and dark areas, formation is poor. Good formation is especially important when documents include halftone images of photographs or high ink coverage. Halftone images appear sharper on paper with good formation. Solid images can appear uneven or spotty when printed on paper with poor formation. Recommendations for Formation • Choose paper with good formation to ensure uniformity of color images. 22 Digital Printing Reference
Impurities Impurities in the paper-making process can leave tiny specks in some stocks. The specks can appear as marks or spots in printed images, especially in high resolution images, fine type and fine lines. Impurities in recycled papers consist of inks and adhesives (from window envelopes, stick-on notes, labels, etc.), which are difficult to remove during the recycling process. Stock Recommendations for Impurities • Use high quality, non-recycled papers when the best image quality is required. Digital Printing Reference 23
Page 1 and 2: Digital Printing Reference Xerox iG
Page 3 and 4: Xerox Job Preparation Guide for Des
Page 5 and 6: Xerox Job Preparation Guide for Des
Page 7: i 1 2 3 4 5 Contents Intro—Digita
Page 10 and 11: Introducing The Xerox Digital Produ
Page 12 and 13: Inside the Xerox iGen3 ® (Our Flag
Page 15 and 16: Stock 1Choosing Stock • Stock Pro
Page 17 and 18: Brightness Brightness is the measur
Page 19 and 20: Table 1-1 Paper finish categories F
Page 21: Recommendations for Finish/Smoothne
Page 25 and 26: Size and Weight Specifications The
Page 27 and 28: The following stocks are not recomm
Page 29 and 30: Setup 2Before You Begin • Which C
Page 31 and 32: CMYK CMYK color spaces typically ha
Page 33 and 34: Color Decisions When in doubt, alwa
Page 35 and 36: Figure 2-4 Adobe Bridge (CS3), Suit
Page 37 and 38: Figure 2-5 An example of Adobe CS3
Page 39 and 40: Color Preferences can be found by s
Page 41 and 42: The Color Management window can be
Page 43 and 44: Monitor Calibration and Characteriz
Page 45 and 46: Design 3Things to Consider • Desi
Page 47 and 48: Type Color • Create solid black t
Page 49 and 50: Graphics Considerations Color in Gr
Page 51 and 52: Figure 3-5 QuarkXPress Edit Color D
Page 53 and 54: Tint Uniformity Digital printing sy
Page 55 and 56: Photoshop filter effects Design Dig
Page 57 and 58: Gradients The best produced gradien
Page 59 and 60: Overprinting in Illustrator • Cho
Page 61 and 62: Transparency in InDesign • Select
Page 63 and 64: Figure 3-15 Illustrator Save As PDF
Page 65 and 66: Figure 3-16 PDF Export files as PDF
Page 67 and 68: Figure 3-18 Illustrator Save As EPS
Page 69 and 70: If no embedded profile is detected
Page 71 and 72: Figure 3-20 Example of Adobe RGB 19
Page 73 and 74:
Figure 3-21 300 dpi resolution 72 d
Page 75 and 76:
Saving Photoshop CS3 Files—Photos
Page 77 and 78:
Photoshop TIFF Format • When savi
Page 79 and 80:
Figure 3-26 Example of JPEG low qua
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Gradients When printing a Microsoft
Page 83 and 84:
Generating Variable Information Job
Page 85 and 86:
Image Quality Considerations • Fo
Page 87 and 88:
Preflight 4Preparing to Print • T
Page 89 and 90:
Trapping • For best results, trap
Page 91 and 92:
Packaging Use the [Package] feature
Page 93 and 94:
Collect for Output Use the [Collect
Page 95 and 96:
The following recommended settings
Page 97 and 98:
Figure 4-6 Acrobat Distiller Genera
Page 99 and 100:
Distiller 8 contains a Policy butto
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Figure 4-9 Acrobat Distiller Fonts
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Figure 4-10 Acrobat Distiller Color
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Figure 4-11 Acrobat Distiller Advan
Page 107 and 108:
Exporting PDF Files When exporting
Page 109 and 110:
QuarkXPress 7.0—Export PDF In Qua
Page 111 and 112:
Preflighting PDF Files Preflighting
Page 113 and 114:
Printing 5Final Results • File Fo
Page 115 and 116:
Selecting Your Print Settings If yo
Page 117 and 118:
Figure 5-1 InDesign General Setting
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Marks and Bleeds • If bleeds are
Page 121 and 122:
Figure 5-4 InDesign Output Settings
Page 123 and 124:
Color Management • Color Handling
Page 125 and 126:
Figure 5-7 InDesign Advanced Settin
Page 127 and 128:
Figure 5-8 QuarkXPress Device Setti
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Output • Always Print Colors [As
Page 131 and 132:
Options • Pictures Output should
Page 133 and 134:
Profiles • The Separation and Com
Page 135 and 136:
Booklet Making The production of sa
Page 137 and 138:
Durability For the most part, image
Page 139 and 140:
Index Index Digital Printing Refere
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E embedded profile 69, 71 EPS 62, 6
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J JPEG 75, 78-80, 88 K Kanji 48 ker
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T text 19, 26, 46, 47, 48, 52, 61,
Page 148:
Both Keiger Printing Company and Ke
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