iGen_DesignersGuide_lowres

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RGB RGB color spaces are typically larger than CMYK spaces and are becoming more popular as the preferred color space to use when jobs are sent to the printer. Generally, larger color spaces are able to reproduce more colors that are brighter and saturated in color. Keeping files in RGB also allows for greater repurposing to a diverse range of output processes such as web, digital media or printing. Most print devices use CMYK inks, so at some point the RGB elements will be converted to CMYK. The print shop can do the conversion at the RIP just prior to printing and this will generally yield the most pleasing results. Figure 2-2 RGB 32 Digital Printing Reference
Color Decisions When in doubt, always consult with the printer and use their recommendations. Sometimes it’s possible to design artwork using CMYK colors to yield more precise matches and yet keep images in RGB spaces in order to retain more vivid color when repurposing. RGB and CMYK elements can then be placed into page layout applications such as QuarkXPress ® or Adobe InDesign ® and output in such a way that no colors get converted until they get to the digital press. In optimized workflows, color conversions are generally delayed as late as possible. Be sure to discuss the details with the print provider. Figure 2-3 Example of CMYK and RGB image color spaces Setup photo credit: Michael Riebesehl CMYK RGB Digital Printing Reference 33
Page 1 and 2: Digital Printing Reference Xerox iG
Page 3 and 4: Xerox Job Preparation Guide for Des
Page 5 and 6: Xerox Job Preparation Guide for Des
Page 7: i 1 2 3 4 5 Contents Intro—Digita
Page 10 and 11: Introducing The Xerox Digital Produ
Page 12 and 13: Inside the Xerox iGen3 ® (Our Flag
Page 15 and 16: Stock 1Choosing Stock • Stock Pro
Page 17 and 18: Brightness Brightness is the measur
Page 19 and 20: Table 1-1 Paper finish categories F
Page 21 and 22: Recommendations for Finish/Smoothne
Page 23 and 24: Impurities Impurities in the paper-
Page 25 and 26: Size and Weight Specifications The
Page 27 and 28: The following stocks are not recomm
Page 29 and 30: Setup 2Before You Begin • Which C
Page 31: CMYK CMYK color spaces typically ha
Page 35 and 36: Figure 2-4 Adobe Bridge (CS3), Suit
Page 37 and 38: Figure 2-5 An example of Adobe CS3
Page 39 and 40: Color Preferences can be found by s
Page 41 and 42: The Color Management window can be
Page 43 and 44: Monitor Calibration and Characteriz
Page 45 and 46: Design 3Things to Consider • Desi
Page 47 and 48: Type Color • Create solid black t
Page 49 and 50: Graphics Considerations Color in Gr
Page 51 and 52: Figure 3-5 QuarkXPress Edit Color D
Page 53 and 54: Tint Uniformity Digital printing sy
Page 55 and 56: Photoshop filter effects Design Dig
Page 57 and 58: Gradients The best produced gradien
Page 59 and 60: Overprinting in Illustrator • Cho
Page 61 and 62: Transparency in InDesign • Select
Page 63 and 64: Figure 3-15 Illustrator Save As PDF
Page 65 and 66: Figure 3-16 PDF Export files as PDF
Page 67 and 68: Figure 3-18 Illustrator Save As EPS
Page 69 and 70: If no embedded profile is detected
Page 71 and 72: Figure 3-20 Example of Adobe RGB 19
Page 73 and 74: Figure 3-21 300 dpi resolution 72 d
Page 75 and 76: Saving Photoshop CS3 Files—Photos
Page 77 and 78: Photoshop TIFF Format • When savi
Page 79 and 80: Figure 3-26 Example of JPEG low qua
Page 81 and 82: Gradients When printing a Microsoft
Page 83 and 84:
Generating Variable Information Job
Page 85 and 86:
Image Quality Considerations • Fo
Page 87 and 88:
Preflight 4Preparing to Print • T
Page 89 and 90:
Trapping • For best results, trap
Page 91 and 92:
Packaging Use the [Package] feature
Page 93 and 94:
Collect for Output Use the [Collect
Page 95 and 96:
The following recommended settings
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Figure 4-6 Acrobat Distiller Genera
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Distiller 8 contains a Policy butto
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Figure 4-9 Acrobat Distiller Fonts
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Figure 4-10 Acrobat Distiller Color
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Figure 4-11 Acrobat Distiller Advan
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Exporting PDF Files When exporting
Page 109 and 110:
QuarkXPress 7.0—Export PDF In Qua
Page 111 and 112:
Preflighting PDF Files Preflighting
Page 113 and 114:
Printing 5Final Results • File Fo
Page 115 and 116:
Selecting Your Print Settings If yo
Page 117 and 118:
Figure 5-1 InDesign General Setting
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Marks and Bleeds • If bleeds are
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Figure 5-4 InDesign Output Settings
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Color Management • Color Handling
Page 125 and 126:
Figure 5-7 InDesign Advanced Settin
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Figure 5-8 QuarkXPress Device Setti
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Output • Always Print Colors [As
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Options • Pictures Output should
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Profiles • The Separation and Com
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Booklet Making The production of sa
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Durability For the most part, image
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Index Index Digital Printing Refere
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E embedded profile 69, 71 EPS 62, 6
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J JPEG 75, 78-80, 88 K Kanji 48 ker
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T text 19, 26, 46, 47, 48, 52, 61,
Page 148:
Both Keiger Printing Company and Ke
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