iGen_DesignersGuide_lowres

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This is 1 pt. Palatino type This is 1 pt. Helvetica type This is 1 pt. Palatino type This is 1 pt. Helvetica type Type Size • For positive solid text, use a minimum of 2 point and 3 point for reverse. • For positive tinted text, use a minimum of 4 point and 6 point for reverse. • When using Kanji fonts in either positive and reverse/negative text, the minimum type size should be 8 point or larger for best results. • With smaller text, sans serif fonts are recommended. Figure 3-2 Serif text and sans serif text This is 2 pt. Palatino type This is 3 pt. Palatino type This is 4 pt. Palatino type This is 5 pt. Palatino type This is 6 pt. Palatino type This is 7 pt. Palatino type This is 8 pt. Palatino type This is 9 pt. Palatino type This is 10 pt. Palatino type This is 11 pt. Palatino type This is 12 pt. Palatino type This is 12 pt. Palatino type This is 11 pt. Palatino type This is 10 pt. Palatino type This is 9 pt. Palatino type This is 8 pt. Palatino type This is 7 pt. Palatino type This is 6 pt. Palatino type This is 5 pt. Palatino type This is 4 pt. Palatino type This is 3 pt. Palatino type This is 2 pt. Palatino type This is 2 pt. Helvetica type This is 3 pt. Helvetica type This is 4 pt. Helvetica type This is 5 pt. Helvetica type This is 6 pt. Helvetica type This is 7 pt. Helvetica type This is 8 pt. Helvetica type This is 9 pt. Helvetica type This is 10 pt. Helvetica type This is 11 pt. Helvetica type This is 12 pt. Helvetica type This is 12 pt. Helvetica type This is 11 pt. Helvetica type This is 10 pt. Helvetica type This is 9 pt. Helvetica type This is 8 pt. Helvetica type This is 7 pt. Helvetica type This is 6 pt. Helvetica type This is 5 pt. Helvetica type This is 4 pt. Helvetica type This is 3 pt. Helvetica type This is 2 pt. Helvetica type 48 Digital Printing Reference
Graphics Considerations Color in Graphics • Colors for fine rules or small graphics, such as bullets and icons, print best when at least one color separation (other than yellow) is set to a solid or near solid color (e.g., 90-100%). Color Consistency Across Stocks A unique characteristic to digital press dry ink systems is that color consistency can be maintained very closely across stock types. • If you are creating a job that will be printed on a mix of papers through the digital press, you can be more confident that the colors will be fairly consistent across the stocks. • If you plan to print your job on both an digital press and an offset press, you will want to work with the print provider to decide on stocks that will allow for the best matches. Design Figure 3-3 An example of the same color printed on a variety of stocks on <strong>iGen</strong>3 ® (top) and offset (bottom) Digital Printing Reference 49
Page 1 and 2: Digital Printing Reference Xerox iG
Page 3 and 4: Xerox Job Preparation Guide for Des
Page 5 and 6: Xerox Job Preparation Guide for Des
Page 7: i 1 2 3 4 5 Contents Intro—Digita
Page 10 and 11: Introducing The Xerox Digital Produ
Page 12 and 13: Inside the Xerox iGen3 ® (Our Flag
Page 15 and 16: Stock 1Choosing Stock • Stock Pro
Page 17 and 18: Brightness Brightness is the measur
Page 19 and 20: Table 1-1 Paper finish categories F
Page 21 and 22: Recommendations for Finish/Smoothne
Page 23 and 24: Impurities Impurities in the paper-
Page 25 and 26: Size and Weight Specifications The
Page 27 and 28: The following stocks are not recomm
Page 29 and 30: Setup 2Before You Begin • Which C
Page 31 and 32: CMYK CMYK color spaces typically ha
Page 33 and 34: Color Decisions When in doubt, alwa
Page 35 and 36: Figure 2-4 Adobe Bridge (CS3), Suit
Page 37 and 38: Figure 2-5 An example of Adobe CS3
Page 39 and 40: Color Preferences can be found by s
Page 41 and 42: The Color Management window can be
Page 43 and 44: Monitor Calibration and Characteriz
Page 45 and 46: Design 3Things to Consider • Desi
Page 47: Type Color • Create solid black t
Page 51 and 52: Figure 3-5 QuarkXPress Edit Color D
Page 53 and 54: Tint Uniformity Digital printing sy
Page 55 and 56: Photoshop filter effects Design Dig
Page 57 and 58: Gradients The best produced gradien
Page 59 and 60: Overprinting in Illustrator • Cho
Page 61 and 62: Transparency in InDesign • Select
Page 63 and 64: Figure 3-15 Illustrator Save As PDF
Page 65 and 66: Figure 3-16 PDF Export files as PDF
Page 67 and 68: Figure 3-18 Illustrator Save As EPS
Page 69 and 70: If no embedded profile is detected
Page 71 and 72: Figure 3-20 Example of Adobe RGB 19
Page 73 and 74: Figure 3-21 300 dpi resolution 72 d
Page 75 and 76: Saving Photoshop CS3 Files—Photos
Page 77 and 78: Photoshop TIFF Format • When savi
Page 79 and 80: Figure 3-26 Example of JPEG low qua
Page 81 and 82: Gradients When printing a Microsoft
Page 83 and 84: Generating Variable Information Job
Page 85 and 86: Image Quality Considerations • Fo
Page 87 and 88: Preflight 4Preparing to Print • T
Page 89 and 90: Trapping • For best results, trap
Page 91 and 92: Packaging Use the [Package] feature
Page 93 and 94: Collect for Output Use the [Collect
Page 95 and 96: The following recommended settings
Page 97 and 98: Figure 4-6 Acrobat Distiller Genera
Page 99 and 100:
Distiller 8 contains a Policy butto
Page 101 and 102:
Figure 4-9 Acrobat Distiller Fonts
Page 103 and 104:
Figure 4-10 Acrobat Distiller Color
Page 105 and 106:
Figure 4-11 Acrobat Distiller Advan
Page 107 and 108:
Exporting PDF Files When exporting
Page 109 and 110:
QuarkXPress 7.0—Export PDF In Qua
Page 111 and 112:
Preflighting PDF Files Preflighting
Page 113 and 114:
Printing 5Final Results • File Fo
Page 115 and 116:
Selecting Your Print Settings If yo
Page 117 and 118:
Figure 5-1 InDesign General Setting
Page 119 and 120:
Marks and Bleeds • If bleeds are
Page 121 and 122:
Figure 5-4 InDesign Output Settings
Page 123 and 124:
Color Management • Color Handling
Page 125 and 126:
Figure 5-7 InDesign Advanced Settin
Page 127 and 128:
Figure 5-8 QuarkXPress Device Setti
Page 129 and 130:
Output • Always Print Colors [As
Page 131 and 132:
Options • Pictures Output should
Page 133 and 134:
Profiles • The Separation and Com
Page 135 and 136:
Booklet Making The production of sa
Page 137 and 138:
Durability For the most part, image
Page 139 and 140:
Index Index Digital Printing Refere
Page 141 and 142:
E embedded profile 69, 71 EPS 62, 6
Page 143 and 144:
J JPEG 75, 78-80, 88 K Kanji 48 ker
Page 145 and 146:
T text 19, 26, 46, 47, 48, 52, 61,
Page 148:
Both Keiger Printing Company and Ke
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