The politics of fashion and beauty in Africa
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dishes, claimed by the dom<strong>in</strong>ant Afrikaner culture <strong>of</strong> the day. Foreground<strong>in</strong>g<br />
the fundamental contributions <strong>of</strong> the Malay slaves to what eventually came<br />
to be known as South <strong>Africa</strong>n cuis<strong>in</strong>e, Baderoon also <strong>in</strong>cisively <strong>in</strong>terrupts<br />
dom<strong>in</strong>ant tropes <strong>of</strong> exoticism on the subject <strong>of</strong> cuis<strong>in</strong>e. Instead she retrieves<br />
counter-narratives <strong>of</strong> survival <strong>and</strong> preservation reflected <strong>in</strong> cookbooks<br />
authored by Muslim women from the 1960s onwards. Here Baderoon draws<br />
on Betty Gov<strong>in</strong>den’s crucial <strong>in</strong>sight that “cuis<strong>in</strong>e was considered a way <strong>of</strong><br />
preserv<strong>in</strong>g cultural identity <strong>in</strong> a strange l<strong>and</strong>” (59).<br />
<strong>The</strong> book <strong>in</strong>cludes a chapter on the sea as a metaphor for “experiences<br />
that transcend conventional categories” (67), <strong>and</strong> exam<strong>in</strong>es memoirs <strong>and</strong><br />
stories <strong>of</strong> pilgrimage <strong>and</strong> sacred geography. <strong>The</strong> notion <strong>of</strong> the sea as metaphor<br />
is evocative given the associations with ships br<strong>in</strong>g<strong>in</strong>g slaves <strong>and</strong> <strong>in</strong>dentured<br />
labours to South <strong>Africa</strong> as well as sacred journeys to Mecca by enslaved<br />
Muslims. Yet this chapter <strong>in</strong>tegrates with less ease <strong>in</strong>to the book than the<br />
others, possibly requir<strong>in</strong>g deeper analytical development <strong>and</strong> conceptual<br />
<strong>in</strong>tegration.<br />
On the one h<strong>and</strong>, it might be argued that that Baderoon is perhaps<br />
attempt<strong>in</strong>g to do too much <strong>in</strong> her ambitious <strong>and</strong> provocative work: she<br />
traverses the large historical sweep <strong>of</strong> four centuries, discuss<strong>in</strong>g many<br />
different aspects <strong>of</strong> Muslim history <strong>and</strong> identity. On the other h<strong>and</strong>, while<br />
the book certa<strong>in</strong>ly engages multiple <strong>and</strong> diverse types <strong>of</strong> representation over<br />
an extensive historical period, it is characterised by a clear <strong>and</strong> susta<strong>in</strong>ed<br />
analytical <strong>and</strong> theoretical coherence. Precisely because Baderoon employs<br />
a rigorous <strong>in</strong>tersectional approach, her work presents a f<strong>in</strong>ely-honed <strong>and</strong><br />
strik<strong>in</strong>gly perceptive lens on complex social-political processes <strong>and</strong> identities.<br />
Regard<strong>in</strong>g Muslims: From Slavery to Postapartheid is an <strong>in</strong>novative,<br />
imag<strong>in</strong>ative, erudite <strong>and</strong> courageous piece <strong>of</strong> scholarship. It makes a fresh<br />
<strong>and</strong> vibrant contribution to fem<strong>in</strong>ist debates, add<strong>in</strong>g nuanced <strong>in</strong>sights to<br />
questions <strong>of</strong> race, slavery, gender, sexuality, religion <strong>and</strong> representation drawn<br />
from the South <strong>Africa</strong>n context. Instructive for audiences <strong>in</strong> a variety <strong>of</strong> fields,<br />
<strong>in</strong>clud<strong>in</strong>g gender, social history, anthropology, <strong>politics</strong>, literature, <strong>and</strong> art, it<br />
also makes a powerful contribution to contemporary academic debates <strong>and</strong><br />
a postcolonial South <strong>Africa</strong>n <strong>and</strong> Indian Ocean archive. And, <strong>in</strong> addition to<br />
provid<strong>in</strong>g us with a ground-break<strong>in</strong>g work <strong>of</strong> enormous <strong>in</strong>tellectual creativity,<br />
Regard<strong>in</strong>g Muslims is also a beautifully crafted <strong>and</strong> deliciously pleasurable<br />
book to read.<br />
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