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The politics of fashion and beauty in Africa

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Contributors 21 | 103<br />

Contributors<br />

Grace Adeniyi Ogunyank<strong>in</strong> is currently an assistant pr<strong>of</strong>essor <strong>of</strong> Women’s<br />

<strong>and</strong> Gender Studies at Carleton University <strong>in</strong> Ottawa, Canada. She is an<br />

<strong>Africa</strong>n fem<strong>in</strong>ist geographer who uses a postcolonial urbanism lens to analyse<br />

urban renewal projects <strong>and</strong> new city build<strong>in</strong>g projects <strong>in</strong> Nigeria <strong>and</strong> Ghana.<br />

Her other research <strong>in</strong>terests <strong>in</strong>clude: critical race theory, the paradoxes <strong>of</strong><br />

‘<strong>Africa</strong> ris<strong>in</strong>g’ narratives, mother<strong>in</strong>g <strong>and</strong> disability <strong>in</strong> the new <strong>Africa</strong>n Diaspora,<br />

<strong>and</strong> <strong>Africa</strong>n Diaspora literature.<br />

Valérie Bah is a Canadian-born, Haitian-Ben<strong>in</strong>ese freelance writer <strong>and</strong><br />

photographer, currently based <strong>in</strong> Montreal. Her work focuses on human<br />

<strong>in</strong>terest stories <strong>and</strong> portraiture, <strong>and</strong> has been featured <strong>in</strong> <strong>in</strong>ternational<br />

publications <strong>and</strong> media, <strong>in</strong>clud<strong>in</strong>g Al Jazeera English <strong>and</strong> This is <strong>Africa</strong>.<br />

Simidele Dosekun is a lecturer <strong>in</strong> media <strong>and</strong> cultural studies at the University<br />

<strong>of</strong> Sussex, prior to which she was a fellow <strong>in</strong> qualitative methodology at<br />

the London School <strong>of</strong> Economics <strong>and</strong> Political Science. She has a PhD <strong>in</strong><br />

gender <strong>and</strong> cultural studies from K<strong>in</strong>g’s College London. Her research centres<br />

black <strong>Africa</strong>n women to explore questions <strong>of</strong> gender, subjectivity, power <strong>and</strong><br />

<strong>in</strong>equality <strong>in</strong> a global context. Her current project is on the <strong>fashion</strong><strong>in</strong>g <strong>of</strong><br />

postfem<strong>in</strong>ist subjectivities among elite women <strong>in</strong> Lagos, Nigeria. She is<br />

reviews editor for Fem<strong>in</strong>ist <strong>Africa</strong> <strong>and</strong> the guest editor <strong>of</strong> the present issue.<br />

Fatma Emam is a fem<strong>in</strong>ist from Egypt. She works as a researcher <strong>and</strong><br />

translator, <strong>and</strong> is <strong>in</strong>terested <strong>in</strong> the <strong>in</strong>tersections between gender, religion <strong>and</strong><br />

ethnicity. She also advocates for Nubian rights <strong>in</strong> Egypt.<br />

Aleya Kassam is a Kenyan reader, writer <strong>and</strong> performer who moonlights as a<br />

copywriter <strong>in</strong> the advertis<strong>in</strong>g world. She has written for Jalada, UP Magaz<strong>in</strong>e,<br />

<strong>The</strong> Rumpus, Mail <strong>and</strong> Guardian <strong>Africa</strong> <strong>and</strong> <strong>The</strong> Sahan Journal. She blogs<br />

her mus<strong>in</strong>gs at www.chanyado.wordpress.com which was nom<strong>in</strong>ated for Best<br />

New Blog at the Blog Awards Kenya 2015 <strong>and</strong> has performed <strong>in</strong> <strong>The</strong> Vag<strong>in</strong>a<br />

Monologues <strong>and</strong> Stories from the Mall: A Westgate Memorial as well<br />

as Sitawa Namwalie’s acclaimed shows Silence is a Woman <strong>and</strong> Cut Off My<br />

Tongue. She is a proud Jaladan <strong>and</strong> member <strong>of</strong> the Weavers Collective.

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