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Frankie Long<br />

chessie.long@ntlworld.com | 07912 852566 | instagram: frankielouiselong<br />

#subversion #appropriation #transformation<br />

#pattern #design #print #interior #traditional<br />

#<strong>art</strong>student #endtampontax<br />

I am beginning to realise the significance of the role<br />

social media is playing within my <strong>art</strong> practice. It’s the<br />

most accessible source of social commentary and<br />

it’s also the main way I present my <strong>art</strong>work to the<br />

world. My practice looks into the way women are<br />

currently viewed in society. I’m angry about<br />

inequality towards women. Many people try to<br />

trivialise sexism or present counter-arguments that<br />

women are over-reacting when an issue around<br />

inequality is raised. I therefore want to bring to<br />

attention through the works I produce the issues I<br />

see women facing. My approach is through the<br />

media, materials and processes I use. The lino<br />

printing reflects a relentlessness of activity, through<br />

the labour of cutting and the repetition of the<br />

printing, and the paper I have handmade represents<br />

the domestic roles of women. Flowers are important<br />

images within my work and I subvert their female<br />

associations by rendering vaginas in their petals. I<br />

do not want to con<strong>fine</strong> myself to a singular stance<br />

concerning women’s gender inequality, as even<br />

when exposed these issues transcend geographical<br />

and political borders and continue to need to be<br />

voiced.<br />

‘Untitled’, 2015 (lino print on handmade paper and carved plaster)<br />

‘Untitled’ , 2015 (lino print on handmade paper /carved plaster)<br />

‘Untitled’, 2015 (lino print on handmade paper and carved plaster)<br />

Frankie L:ong<br />

102<br />

103

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