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Sarah Jane Owen<br />

sarah-owen@live.co.uk | www.sarahjaneowe8.wix.com/sjphotography<br />

Place and memory. Through film I explore the<br />

effects of deindustrialisation by observing the<br />

post-industrial landscape. In this, North East<br />

mining heritage proposes a poignant historical<br />

reference point as its collapse continues to<br />

affect the lives of those who once depended on<br />

it so heavily.<br />

On arrival at Easington Colliery in County<br />

Durham I was greeted by a derelict school<br />

building, which still in p<strong>art</strong> shows signs of its<br />

former grandeur and central position within a<br />

now dispersed community. To many current<br />

residents it is an eyesore, to others a bitter<br />

reminder of the village’s demise. Seaside Lane,<br />

Easington’s main street, is largely empty and<br />

many of the buildings are shuttered. Further<br />

along a freight train rolls past the old colliery, a<br />

cruel irony. And finally I see the pit cage that<br />

once took miners hundreds of feet below sea<br />

level several times a day, year after year. It now<br />

stands motionless on top of the hill, a bleak<br />

monument left to the hands of the elements.<br />

‘Untitled’, 2015 (video screenshot) ‘Untitled’, 2015 (video screenshot)<br />

‘Untitled’, 2015 (video screenshot)<br />

Sarah Jane Owen<br />

128<br />

129

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