_1215_fine_art_catalogue
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Sarah Jane Owen<br />
sarah-owen@live.co.uk | www.sarahjaneowe8.wix.com/sjphotography<br />
Place and memory. Through film I explore the<br />
effects of deindustrialisation by observing the<br />
post-industrial landscape. In this, North East<br />
mining heritage proposes a poignant historical<br />
reference point as its collapse continues to<br />
affect the lives of those who once depended on<br />
it so heavily.<br />
On arrival at Easington Colliery in County<br />
Durham I was greeted by a derelict school<br />
building, which still in p<strong>art</strong> shows signs of its<br />
former grandeur and central position within a<br />
now dispersed community. To many current<br />
residents it is an eyesore, to others a bitter<br />
reminder of the village’s demise. Seaside Lane,<br />
Easington’s main street, is largely empty and<br />
many of the buildings are shuttered. Further<br />
along a freight train rolls past the old colliery, a<br />
cruel irony. And finally I see the pit cage that<br />
once took miners hundreds of feet below sea<br />
level several times a day, year after year. It now<br />
stands motionless on top of the hill, a bleak<br />
monument left to the hands of the elements.<br />
‘Untitled’, 2015 (video screenshot) ‘Untitled’, 2015 (video screenshot)<br />
‘Untitled’, 2015 (video screenshot)<br />
Sarah Jane Owen<br />
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