_1215_fine_art_catalogue
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Euan Lynn<br />
euanlynn@gmail.com | http://euanlynn.tumblr.com<br />
My work uses skateboarding – both as subject and as <strong>art</strong>istic process –<br />
to explore ways in which people perceive and interpret their<br />
environments. Skateboarding highlights how it’s possible to re-read<br />
and radically rede<strong>fine</strong> the most mundane of spaces, altering the<br />
insignificant aspects of architecture into something that transcends its<br />
intended purpose.<br />
Referencing classical minimalist <strong>art</strong>works, Kerb Composition invites the<br />
viewer to experience it by moving around and through the concrete<br />
blocks. Built from readymade kerb stones with the surfaces marked by<br />
skateboarding, the installation allows the viewer to rede<strong>fine</strong> these<br />
ubiquitous concrete forms, prescribing an alternative use to them as<br />
skateboarders do. Expanding on these concerns, Environment seeks to<br />
subvert the clichés of skateboard videos, offering an alternative visual<br />
aesthetic by shifting the focus from spectacle moves to moving<br />
through an environment. A wider interest in the histories of punk and<br />
skateboarding subcultures has led me to produce zines by<br />
photocopying. This format, often used as a DIY political platform, is a<br />
way to pass on my work to other people. Through making zines I have<br />
become interested in the mechanical aesthetics of photocopiers and<br />
the production of high contrast, grainy images.<br />
‘Kerb Composition’, 2015 (concrete)<br />
‘Environment ‘, 2015 (video still)<br />
‘Murals, Waterloo’, 2014<br />
Euan Lynn<br />
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