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iology, stupid. Countless peerreviewed<br />
studies show that, on a very<br />
primal level, even babies are most<br />
attracted to fuller-lipped, wide-eyed,<br />
symmetrical faces. “It’s the look that<br />
gets the likes,” says Montano. “And so<br />
scores of young women will jump<br />
through hoops to get it. For women<br />
of my generation, it’s hard to swallow.<br />
We fought hard not to be defined<br />
by our looks and sexuality, so this<br />
feels like going back to the dark ages.”<br />
I hear her. It’s as if we unshackled<br />
ourselves from the kitchen stove,<br />
only to handcuff ourselves to the<br />
dressing table. But are things really<br />
as bleak as all that?<br />
Go compare<br />
“Give women some credit: doing<br />
make-up is a hobby for lots of them,”<br />
says psychologist and media<br />
commentator Honey Langcaster-James.<br />
“So to an extent, yes, this is a case of<br />
young women just having fun. The<br />
snag is, if remodelling your face,<br />
whether it’s with surgery, fillers or<br />
industrial amounts of make-up,<br />
becomes a way of life, the implicit<br />
message is that you’re not good<br />
enough as you are. And that’s when a<br />
discrepancy develops between the real<br />
and the transformed self. These days<br />
I see that a lot in my practice.”<br />
Plus, of course, it’s far from just<br />
ourselves we’re competing with.<br />
Online comparison culture, or the act<br />
of browsing other people’s lives and,<br />
more often than not, finding yourself<br />
lacking, has been shown in numerous<br />
studies to lead to social anxiety,<br />
emotional distress and body-image<br />
problems. “It’s an epidemic that’s<br />
warping our collective identity as<br />
women,” says Langcaster-James.<br />
“Comparing yourself to others is<br />
a natural way to understand identity.<br />
But now we’re trying to emulate, on<br />
a mass scale, the kind of women whose<br />
lives and looks have nothing to do<br />
with ours, let alone that these lives<br />
and looks aren’t actually real.” I thank<br />
my lucky stars for growing up with<br />
Get the<br />
latex look<br />
Are the doll-like faces that are ruling<br />
Instagram for real? Frankly, we can’t tell<br />
CHLOE KHAN The CBB<br />
housemate is bent overin<br />
most of her pics – maybe<br />
it’s the weight of her lips,<br />
boobs and bronzer?<br />
LIL’ KIM Where she<br />
finds the rubber-finish<br />
foundation and near-red<br />
sculpting powder, we<br />
truly are at a loss to say.<br />
CHARLOTTE CROSBY<br />
Now makes a career of<br />
chronicling her plastic<br />
surgery and weightfluctuation<br />
‘journeys’.<br />
KYLIE JENNER Took<br />
on the image of half-sister<br />
Kim K by “simply using<br />
lipliner”. That’s what<br />
make-up can do, people.<br />
PIA MIA Jumbo lips<br />
parted, nose downsized,<br />
camel lashes, dead-eyed<br />
gaze: yes, Pia has become<br />
the sex doll of dreams.<br />
only three TV channels and nobody<br />
to pose for but my brother and his<br />
Pocket Instamatic.<br />
Beauty is a state of mind<br />
Our ambition-driven, individualistic<br />
culture makes us extra-vulnerable to<br />
competitive comparison. “In the West<br />
and any Westernised country, we<br />
celebrate individual success over that<br />
of the community,” says Langcaster-<br />
James. “Also, capitalist society is<br />
founded on an ‘imperfection’ mentality<br />
that says you would be great if only you<br />
had this or that.” In other words, feeling<br />
not quite good enough is ingrained in<br />
our culture – and social media, where<br />
everyone else’s life seems glossier, sexier<br />
and more successful than yours, only<br />
serves to ram the point home.<br />
In contrast, Sharmadean Reid, MBE,<br />
the 32-year-old entrepreneur behind<br />
Wah Nails, grew up “as part of a wide<br />
female family network. In Jamaican<br />
culture (as in many others), kids are<br />
told continuously that they’re beautiful<br />
just as they are; that’s why Jamaican<br />
women are so sassy! Actual, physical<br />
social networks and tribes are so<br />
important. If you’re not surrounded<br />
by loved ones who offer continuous<br />
support and affirmation, you’ll look<br />
for completion in all the wrong places.”<br />
When I asked a 21-year-old<br />
<strong>Cosmopolitan</strong> intern why she loved<br />
online tutorials, she said it was because<br />
“I’ll never have to make mistakes with<br />
make-up like your generation did”.<br />
And there’s the rub. Experimentation,<br />
creativity, individual style, pushing<br />
against the establishment: all the<br />
things that being young and playing<br />
with make-up were always about are<br />
seen as embarrassing mistakes by an<br />
Instagram generation brought up on<br />
conformity and perfection. And it’s<br />
time that changed, says Barber. “There’s<br />
huge potential for counterculture and<br />
diversity online, but not if followers<br />
and likes are our reason for living.”<br />
Girl power<br />
And – hallelujah! – individual thinking<br />
is seeping back into the mainstream.<br />
This season’s big campaigns are awash<br />
with startling-looking, androgynous<br />
models. Ruth Bell, Andreja Pejić and<br />
Isabella Emmack are all arresting<br />
because they look different.<br />
And if you want to see how beautiful<br />
that can be, look at Alicia Keys. Sick<br />
of the way the entertainment industry<br />
tried to make her fit the ‘foxy, skinny,<br />
perfect’ mould while leaving her<br />
increasingly insecure, she wrote on<br />
Lennyletter.com (Lena Dunham and<br />
Jenni Konner’s feminist website):<br />
“I don’t want to cover up any more.<br />
Not my face, not my mind, not my<br />
soul, not my thoughts, not my dreams,<br />
not my struggles, not my emotional<br />
growth. Nothing.” She now performs<br />
in freckles, free from make-up and<br />
looking impossibly young for her<br />
35 years. “I hope to God it’s a<br />
revolution,” she says. Me too. ◆<br />
PHOTOGRAPHS RANKIN/TRUNKARCHIVE.COM, GETTY IMAGES, REX FEATURES, WENN.COM<br />
74 · COSMOPOLITAN