You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
PREVI HEAR JOURNAL <strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />
PREVI HEAR JOURNAL <strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />
DAY ZERO<br />
Wednesday,<br />
9th of<br />
November<br />
<strong>2011</strong><br />
Phnom Penh<br />
to Sra ‘Aem<br />
-----------------------------<br />
It’s seven-forty-five in<br />
the early morning and the<br />
temperature is twenty-six<br />
degrees Celsius but the<br />
humidity feels like a wet oven.<br />
<strong>The</strong> streets of Phnom Penh<br />
are empty except for cats,<br />
stray dogs and garbage. Only<br />
the night’s left-overs linger<br />
on the curbs and the early<br />
birds on their way to offices<br />
pass us here. People look like<br />
cockroaches beginning to<br />
wriggle out of their burrows.<br />
It feels good to be leaving<br />
the hotel and embarking on<br />
another <strong>Peace</strong> Adventure. We<br />
pass from the Riverside into<br />
the teeming back streets. <strong>The</strong><br />
driver seems to know where<br />
he’s going. Where I am going<br />
I’m not so sure! It’s a maze<br />
for me.<br />
<strong>The</strong> wind is in my hair<br />
and Aone is beside me. I<br />
just picked her up from her<br />
house. I travel with her, the<br />
assistant for the film Blue<br />
Buddha to the Air-Asia office<br />
to buy the ticket for my<br />
return flight to Australia.<br />
<strong>The</strong> tuk tuk draws up. I get<br />
out while the other two<br />
wait. <strong>The</strong> woman at Air-<br />
Asia office does not take<br />
credit cards for my ticket,<br />
so it’s necessary to pay<br />
quickly. <strong>The</strong>n I can receive<br />
a return flight to Australia<br />
after the Blue Buddha<br />
project. I have been away so<br />
long. I need to sit at fifteen<br />
meetings and sort through<br />
tax returns. So Australia<br />
feels like I’m returning to<br />
the Dentist. Previ-Hear feels<br />
like I’m going in for a heart<br />
transplant. <strong>The</strong>y’re both bad,<br />
but Ill live through each!<br />
<strong>The</strong> city’s population is<br />
still waking up. <strong>The</strong> boys,<br />
Sambo and Sokkheng will be<br />
waiting at the bus station.<br />
<strong>The</strong>n the tuk tuk take<br />
us from Riverside to the<br />
Central bus station where<br />
we waited in a huddle with<br />
Sokkeng and Sambo for the<br />
journey to begin but the<br />
bus to the Provincial town<br />
of Previ-Hear doesn’t come.<br />
Our bags are heaped in a<br />
mound around us like four<br />
travelers around a campfire.<br />
We have to carry the twelve<br />
bags of camera equipment<br />
with us to Sra’Am.<br />
Sokkeng and Sambo have<br />
the two Canon 5D Mark 2s in<br />
two nap sacks. A Chloroziel<br />
Camera mount. <strong>The</strong>re are<br />
also Edirolll tape, rollers and<br />
tripods. Aone, my female<br />
assistant has helped with the<br />
logistics and says good<br />
bye to us at the station.<br />
We wait awkwardly<br />
in the out-door area<br />
until the bus arrives<br />
surrounded by beggars,<br />
suit- cases, loud hailer<br />
announcements and<br />
children with running<br />
noses. <strong>The</strong> bus does<br />
not leave at eight-fortyfive.<br />
It does not leave<br />
at nine- forty-five.<br />
<strong>Event</strong>ually the bus for<br />
Previ-Hear comes at<br />
ten-thirty, and we put<br />
everything into the<br />
upstairs compartments.<br />
Tith Mao and the art<br />
assistant, So Pert are<br />
meeting us and coming<br />
from Siem Reap by van.<br />
As we drive my<br />
thoughts are a cocktail.<br />
‘We had done<br />
preparation of drawings<br />
in Laos before I came.<br />
Tamar, the art assistant<br />
from Vientiane Laos<br />
and I had drawn up the<br />
Buddha image in pencil<br />
on the large canvas.<br />
Having prepared it we<br />
were ready and waiting<br />
to begin. Nokyak, the<br />
graphic designer<br />
from Laos and I had<br />
developed the image<br />
of reconciliation about<br />
peace. I had then rolled<br />
it and placing it in<br />
tube flown from Wattai<br />
airport to Siem, Reap.”<br />
Both crews are<br />
scheduled to meet at the<br />
same time. Mao will bring<br />
the easels which have been<br />
constructed by carpenters<br />
in Siem Reap, the painting<br />
stand and the canvas,<br />
which has already had the<br />
Blue Buddha stenciled<br />
in. From Phnom Penh<br />
to Sra'Aem by bus and<br />
taxi it was a blur of taxis<br />
and lakes. Everything is<br />
swamped by water. We pass<br />
the Tonle Sap Lake, then<br />
drive up towards Siem<br />
Reap. We don’t stop there<br />
but just pass on through<br />
to the outskirts. Slowly the<br />
landscape begins to change<br />
as we journey North. First<br />
it’s lush tropical trees<br />
and foliage which is soon<br />
replaced by hills and small<br />
shrubbery. As we journey<br />
North it becomes and more<br />
more barren. <strong>The</strong> palm<br />
trees are replaced eucalypts<br />
in places. Boulders and red<br />
clay replace paddy fields.<br />
<strong>The</strong> rice paddies give way to<br />
cattle grazing. Mountains<br />
emerge. We meet a<br />
family on the bus that<br />
are traveling on the way<br />
to Previ Hear Mountain.<br />
<strong>The</strong>ir son is stationed up<br />
there as a corporal. <strong>The</strong>y<br />
have plastic bags full of<br />
food, potatoes, rice and<br />
dead decapitated chickens<br />
to give him. <strong>The</strong> father is<br />
on crutches and seems<br />
crippled. <strong>The</strong> daughter is<br />
possessive of him and helps<br />
him as they get off at each<br />
stop.<br />
We arrive in Previ-<br />
Hear and negotiate with<br />
people drive us to Sra’Aem<br />
where the other crew<br />
Tith Mao and So Pert are<br />
waiting. Or so we think.<br />
Before this is to happen,<br />
we arrive in Previ-Hear.<br />
It is a one-horse-dump,<br />
masquerading as a town.<br />
Maybe there is one bank,<br />
two restaurants, thirtyfive<br />
noodle shops and<br />
seventy-five motorcycle<br />
garages, with as many<br />
people in cycles driving in<br />
circles nowhere. At least,<br />
that’s how it seems to me.<br />
We’‘re culture-shocked<br />
and zonked from the trip.<br />
We cannot get a bus to<br />
take us on to Sra’Aem.. I<br />
do the math. It doesn’t add<br />
up! We are waiting on the<br />
side of the road with our<br />
bags heaped in a mound.<br />
Sokheng goes off. <strong>The</strong>n<br />
Sambo. <strong>The</strong>n they return<br />
with the news.<br />
‘<strong>The</strong>re is no bus until<br />
tomorrow, at three in the<br />
afternoon.‘<br />
‘I'm not waiting till<br />
tomorrow,’ I tell Sambo. ‘We<br />
must pay whatever price<br />
they demand and go today.’<br />
<strong>Event</strong>ually we negotiate<br />
with the single taxi driver<br />
in this one horse town.<br />
<strong>The</strong> standard price for<br />
taxis is 25 dollars for a<br />
trip top Sra Aem, but he<br />
is the only taxi drover in<br />
town so he calls the shots.<br />
It turns out to be fortyfive<br />
or fifty dollars. He's<br />
no Mother <strong>The</strong>resa. He<br />
wouldn’t even know who<br />
Mother <strong>The</strong>resa is. He has<br />
greasy side burns and a<br />
<strong>Cambodia</strong>n version of a<br />
Cadillac with a cracked<br />
windscreen. He drives<br />
fast towards Sra’Aem,<br />
staring blindly at the road<br />
ahead of him without<br />
turning to talk to us. I<br />
don’t talk to him. I don’t<br />
even look at him. This is<br />
my way of addressing the<br />
fact he is greedy and does<br />
not deserve what we are<br />
giving him. <strong>The</strong> family<br />
with the man on crutches<br />
and daughter come with<br />
us. We pay for their trip!<br />
On our arrival, I give the<br />
money to Sokkheng, who<br />
in turn hands it to him. I<br />
don’t even want to see his<br />
face. <strong>The</strong> next moment, I<br />
have turned my back on<br />
him and I’m in another<br />
world. He is still in his<br />
body and that is enough<br />
punishment.<br />
Sambo, Sokheng and<br />
I, finally arrive in Srae<br />
Aem from Phnom Penh<br />
at seven-thirty in the<br />
evening . An hour later<br />
come the arrival of Tith<br />
Mao and So Perti by car<br />
from Siem Reap. <strong>The</strong><br />
guest house is the only<br />
one in Sra’Aaem. It has