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Cambodia 2011 Peace Project Event (Part1 The Story)

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PREVI HEAR JOURNAL <strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />

PREVI HEAR JOURNAL <strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />

Prior to<br />

Departure<br />

I had already been<br />

planning a journey to<br />

Previ-Hear since early<br />

May to visit the temple<br />

on the <strong>Cambodia</strong>-Thai<br />

border. <strong>The</strong> Thai-Khmer<br />

war of <strong>2011</strong> had started<br />

and finished after only a<br />

few days in February. All<br />

that was left was lingering<br />

tension, fox holes,<br />

binoculars and military<br />

instillations. On June<br />

23 I visited Previ-Hear<br />

temple with my friend<br />

Tith Mao and realised<br />

that I could do another<br />

<strong>Peace</strong> <strong>Project</strong> event there!<br />

But when I came there<br />

were no tourists. Well, at<br />

least three tourists each<br />

day came. I was one of<br />

them. Meanwhile, the<br />

<strong>Cambodia</strong>n government<br />

had been building bitumen<br />

four-lane highways and<br />

tourist counters, and ticket<br />

machines in expectation of<br />

building another Angkor<br />

Watt tourist theme park in<br />

Previ Hear. When I arrived<br />

all I saw was kalashnikovs<br />

and bamboo huts.<br />

My two day excursion<br />

proved, in my mind’s<br />

eye, that I could paint an<br />

image of peace and bring<br />

the two sides into the No-<br />

Mans- Land to sign the<br />

UDCR on the temple site.<br />

If I received a permit!<br />

Upon arriving, I realized<br />

it would be possible to do<br />

something others had<br />

not done before. Maybe! I<br />

could get in there, make a<br />

film about the process and<br />

build a bridge relating to<br />

peace.<br />

During our trip we had<br />

spent two days visiting<br />

the mountain, taking<br />

photographs and talking<br />

to the soldiers. <strong>The</strong>n<br />

three weeks later we<br />

approached the Previ-Hear<br />

Government Authority to<br />

ask for permission to paint<br />

an image on the site. Tony<br />

Nan from the Apsarra, the<br />

representative in Siem<br />

Reap had written some<br />

notes and passed my<br />

documents for permission<br />

on to the authorities<br />

asking if I could paint on<br />

the site.<br />

<strong>The</strong>re were different<br />

organizations to approach.<br />

A german called Nico’s,<br />

from the Meta House,<br />

a German cultural<br />

organization in Phnom<br />

Penh had given me the<br />

referral of two media<br />

students who have since<br />

become camera men.<br />

<strong>The</strong>ir names were Sambo<br />

and Sokkheng.<br />

With Tith Mao, a Khmer<br />

guide from Siem Reap, I<br />

was intending to find a<br />

team of people and build a<br />

bridge for a peace event. In<br />

early October the permit<br />

came through a day after<br />

we had asked to start.<br />

We then rescheduled the<br />

commencement date. Mao<br />

rang me in Laos with the<br />

news,<br />

‘You got it. <strong>The</strong> second<br />

date has been accepted.<br />

You can paint there from<br />

the 8th until the 28th of<br />

November.’<br />

PREVI HEAR JOURNAL<br />

<strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />

PREVI HEAR JOURNAL<br />

<strong>2011</strong> ! <strong>The</strong> <strong>Peace</strong> <strong>Project</strong><br />

‘ That would be enough<br />

time,’ I thought. In early<br />

November, after ten days<br />

in preparation with Mao<br />

in<br />

Siem Reap searching<br />

for an art assistant<br />

from some of the artists<br />

stationed close to the<br />

Angkor Watt, we finally<br />

settled on a musician. So<br />

Pet was his name. And he<br />

was also an artist.<br />

Meanwhile Sambo<br />

and Sokkeng in Phnom<br />

Penh were looking at<br />

permits for the event and<br />

assessing what equipment<br />

we needed before<br />

traveling to Sra’Aem. Most<br />

of the days had been spent<br />

with Sambo, Sokkeng<br />

and a female assistant<br />

called Aone at the Foreign<br />

Correspondents Club. It<br />

overlooked the Mea Kong<br />

and was positioned on<br />

Riverside. We spent one week, from<br />

2nd of November through to 9th,<br />

going through equipment, visiting<br />

the Phnom Penh Royal University<br />

and looking at renting equipment<br />

from their Media department.

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