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11 Priests: Amangku Dalang [25]<br />
Anybody <strong>in</strong> Bal<strong>in</strong>ese society is allowed to establish himself as a dalang, puppeteer of the shadow<br />
theatre. Such a nightly performance can be arranged for purely secular and mercenary purposes.<br />
Frequently, however, it is given at the occasion of rites de passage, specially marriage. Then the<br />
choice of the play is not arbitrary but appropriate to the occasion.<br />
Whereas the ord<strong>in</strong>ary dalang performs dur<strong>in</strong>g the night, uses screen and lamp, needs hours after<br />
hours for a more or less secular performance, the amangku dalang uses neither lamp nor screen,<br />
only a thread support<strong>in</strong>g the r<strong>in</strong>ggits lean<strong>in</strong>g to it, a thread tended between two branches of the<br />
ever sprout<strong>in</strong>g magically important dapdap tree (n). His performance, frequently at mid day, at<br />
the same time as that of a sengguhu, lasts for about one hour only and at the best attracts some<br />
stray children as the visible part of his auditory. His aim is religious, exorcistic; often it is a child<br />
which is the object of his lukat, but not necessarily so. The child may be <strong>in</strong>tractable, have been<br />
born on the wrong day or <strong>in</strong> the wrong composition of family.<br />
The performance with the r<strong>in</strong>ggits certa<strong>in</strong>ly exercises its healthy <strong>in</strong>fluence but above all the<br />
amangku dalang is expected to exorcise <strong>by</strong> the force of the Holy Water, toya panglukatan, which<br />
he prepares after the performance <strong>by</strong> stick<strong>in</strong>g handles of certa<strong>in</strong> puppets <strong>in</strong>to holy water,<br />
accompanied <strong>by</strong> the mutter<strong>in</strong>g of the appropriate mantras and the mak<strong>in</strong>g of the necessary<br />
mudras. The amangku dalang should know <strong>by</strong> heart several scores of shorter and longer mantras<br />
which he learns from the DHARMA PAWAYANGAN, 'thesaurus of mantras fit for the<br />
shadowplay'. They are conceived <strong>in</strong> that k<strong>in</strong>d of Sanskrit, deprived of declension and<br />
conjugation, do<strong>in</strong>g only with a very few verbs, called 'Archipelago Sanskrit', which is also found<br />
<strong>in</strong> many mantras used <strong>by</strong> the padandas.<br />
It would be mislead<strong>in</strong>g to suggest that toya panglukatan, prepared <strong>by</strong> the amangku dalang, were<br />
only needed for children. Grown ups may as well need it badly dur<strong>in</strong>g several of the most<br />
different unfortunate situations <strong>in</strong> life. Its beneficial work<strong>in</strong>g is not restricted to the liv<strong>in</strong>g, under<br />
certa<strong>in</strong> circumstances the dead are as well helped <strong>by</strong> it.