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Summer landscapes<br />
TOP<br />
TIP<br />
The Sunny 16 rule<br />
The Sunny 16 rule is a way to meter for a<br />
correct exposure during the middle of the day<br />
without using your Canon’s light meter. The<br />
basic idea is that, in daylight at an aperture of<br />
f/16, the correct exposure can be achieved with<br />
a reciprocal shutter speed to the ISO speed<br />
you’re using. For example, ISO200 would<br />
require 1/200 sec. As the conditions change,<br />
you simply alter the aperture. Use this table as<br />
a guide and try it out on your next shoot. Even<br />
the most sophisticated camera meters can be<br />
fooled in certain conditions, so this is a handy<br />
concept to keep at the back of your mind.<br />
Aperture<br />
Light<br />
Francesco Richardo<br />
f/16<br />
Sunny<br />
At midday<br />
Be patient. A passing cloud<br />
can be enough to soften the<br />
light hitting the landscape<br />
On a lovely sunny day, shooting at noon can be a photographer’s worst<br />
nightmare. It’s the time when the sun is highest in the sky, and this generates<br />
high contrast between the foreground and the sky. If you meter for the land,<br />
you’ll usually find the sky is completely blown out, whereas exposing for the sky<br />
leaves the land too dark. If you have to shoot at midday, try ditching the wideangle<br />
lens and zoom in on the scene with a telephoto lens. This way, you’ll<br />
eliminate the large amount of contrast that’s evident in broader shots, meter<br />
more effectively, and give the viewer’s eye something to focus on.<br />
f/11<br />
f/8<br />
Slightly Overcast<br />
Overcast<br />
Use shade<br />
If the midday sun is too high for your<br />
DSLR to handle, move to a spot of shade.<br />
This could be under a palm tree (if you’re<br />
lucky!) or building. Try not to worry<br />
about how ridiculous you might look<br />
crouching down in bushes. Shaded light is<br />
softer, shadows are weaker and the<br />
contrast is lower. If you’re completely in the<br />
open and can’t get around it, make use of your<br />
lens hood to avoid flare and glare.<br />
f/5.6<br />
f/4<br />
Heavily Overcast<br />
Open Shade/<br />
Sunset<br />
Your ISO and shutter speed should be<br />
reciprocal for the correct exposure<br />
The Canon Magazine 33