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PhotoPlus_Issue_128_July_2017

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Summer landscapes<br />

TOP<br />

TIP<br />

The Sunny 16 rule<br />

The Sunny 16 rule is a way to meter for a<br />

correct exposure during the middle of the day<br />

without using your Canon’s light meter. The<br />

basic idea is that, in daylight at an aperture of<br />

f/16, the correct exposure can be achieved with<br />

a reciprocal shutter speed to the ISO speed<br />

you’re using. For example, ISO200 would<br />

require 1/200 sec. As the conditions change,<br />

you simply alter the aperture. Use this table as<br />

a guide and try it out on your next shoot. Even<br />

the most sophisticated camera meters can be<br />

fooled in certain conditions, so this is a handy<br />

concept to keep at the back of your mind.<br />

Aperture<br />

Light<br />

Francesco Richardo<br />

f/16<br />

Sunny<br />

At midday<br />

Be patient. A passing cloud<br />

can be enough to soften the<br />

light hitting the landscape<br />

On a lovely sunny day, shooting at noon can be a photographer’s worst<br />

nightmare. It’s the time when the sun is highest in the sky, and this generates<br />

high contrast between the foreground and the sky. If you meter for the land,<br />

you’ll usually find the sky is completely blown out, whereas exposing for the sky<br />

leaves the land too dark. If you have to shoot at midday, try ditching the wideangle<br />

lens and zoom in on the scene with a telephoto lens. This way, you’ll<br />

eliminate the large amount of contrast that’s evident in broader shots, meter<br />

more effectively, and give the viewer’s eye something to focus on.<br />

f/11<br />

f/8<br />

Slightly Overcast<br />

Overcast<br />

Use shade<br />

If the midday sun is too high for your<br />

DSLR to handle, move to a spot of shade.<br />

This could be under a palm tree (if you’re<br />

lucky!) or building. Try not to worry<br />

about how ridiculous you might look<br />

crouching down in bushes. Shaded light is<br />

softer, shadows are weaker and the<br />

contrast is lower. If you’re completely in the<br />

open and can’t get around it, make use of your<br />

lens hood to avoid flare and glare.<br />

f/5.6<br />

f/4<br />

Heavily Overcast<br />

Open Shade/<br />

Sunset<br />

Your ISO and shutter speed should be<br />

reciprocal for the correct exposure<br />

The Canon Magazine 33

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