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PhotoPlus_Issue_128_July_2017

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CANONSCHOOL<br />

MAKE CASH with<br />

YOUR canon<br />

In this latest instalment of the series, we reveal all you need<br />

to know to get started as a pro portrait photographer<br />

Peter travers<br />

Canon expert<br />

Peter’s been a passionate<br />

photographer for well over<br />

20 years. He’s worked on<br />

<strong>PhotoPlus</strong> since the very<br />

first issue, back in 2007,<br />

and has been the magazine’s<br />

editor for the past six years.<br />

Shoot portraits part-time<br />

Portraits are a great way to earn money from your photography – we help you get started<br />

If you enjoy shooting<br />

subjects that talk<br />

back, maybe it’s time<br />

you started making<br />

cash from your portraits.<br />

You don’t need much<br />

equipment if you start by<br />

taking outdoor portraits in<br />

natural light.<br />

Any Canon DSLR will be up<br />

to the job, although the higher<br />

resolution of the latest models<br />

will give you the option of<br />

producing larger prints than<br />

some of the older models.<br />

You also need to think<br />

about your lenses. While a<br />

18-55mm f/3.5-5.6 kit lens<br />

that typically comes with<br />

crop-sensor Canons can<br />

produce great results, a<br />

wider-aperture standard<br />

zoom, such as the 17-55mm<br />

f/2.8, will allow you to<br />

achieve shallower depth of<br />

field than the f/5.6 maximum<br />

aperture at the longest<br />

end of most standard zooms.<br />

Another lens worth investing<br />

in is a 50mm f/1.8, as this will<br />

give you even shallower depth<br />

of field and allow you to shoot<br />

in low light without having to<br />

increase the ISO.<br />

Stepping up to full-frame,<br />

again any Canon is capable<br />

of professional results with the<br />

right lens. The high-resolution<br />

models will give the option<br />

of huge prints, but even shots<br />

from an older camera, such as<br />

the original 5D, will print up<br />

Take promoting yourself online – if people can see how good your photos<br />

are, they’ll know that a session with you will be worth the asking price<br />

to A3. When it comes to lenses<br />

the 50mm is a good starting<br />

point, but the focal length is<br />

a little too short for head-andshoulders<br />

shots. An 85mm<br />

f/1.8 gives more flattering<br />

results, or if you can live<br />

with the smaller maximum<br />

aperture, a 24-70mm f/2.8<br />

or 70-200mm f/2.8 are<br />

versatile (if pricey) options.<br />

People skills<br />

Along with your photographic<br />

skills, taking successful<br />

portraits relies on your ability<br />

to get the best from the people<br />

you are shooting. There are<br />

many ways to do this, from<br />

cracking jokes to simply<br />

chatting with the subject to<br />

find out what their interests<br />

are. But the key skill is being<br />

able to put subjects at ease<br />

at the same time as you are<br />

shooting amazing images.<br />

This means that you need to<br />

be completely confident in<br />

your photographic technique,<br />

so you can concentrate on the<br />

person and not have to think<br />

about your composition or<br />

camera settings.<br />

This ability comes naturally<br />

to some, but if your people<br />

skills don’t quite match your<br />

photographic ones then you’ll<br />

need to spend plenty of time<br />

practising this on any willing<br />

subjects (try friends or family)<br />

You don’t need masses of kit if<br />

you’re shooting outside with<br />

available light<br />

if you’re going to make it as a<br />

portrait photographer.<br />

Getting the best out of your<br />

subject is only part of your job,<br />

though. If you’re going it alone<br />

as a portrait photographer<br />

you’ll also need to be able to<br />

sell yourself and your services<br />

before you can get the work<br />

and, depending on your<br />

business model, you may also<br />

need to sell the prints to the<br />

customer after the shoot in<br />

order to make money.<br />

Find a style<br />

From using available light and<br />

wide apertures to give a soft,<br />

80 www.digitalcameraworld.com

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