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Viva Lewes Issue #135 December 2017

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ON THIS MONTH: TALK<br />

Luke Wright<br />

Leftist poet, playwright…<br />

and actor<br />

Before taking on board a simple suggestion by<br />

his stage director in 2015, Luke Wright was a live<br />

poet. Afterwards, he became a playwright and an<br />

actor, too. It was quite a step in his career.<br />

The piece in question was called What I Learnt<br />

from Johnny Bevan, and it was an hour-long show<br />

looking at the rise of neo-liberalism and the effect<br />

it has on two left wingers who meet at university<br />

in the eighties, and then again twenty years later.<br />

“I initially wrote it in the third person,” Luke tells<br />

me (in a café in Hove), “and I was going to tell it<br />

as I tell my poems, and my director said ‘use a first<br />

person narrative! You just need to say ‘I’ and not<br />

‘he’’. That was a big shift because it meant that<br />

suddenly I was going to be acting [and not just<br />

reciting] … but actually it made the whole thing a<br />

lot more urgent. And emotionally relevant. And so<br />

it became a play rather than a long poem.”<br />

He took it to the Edinburgh Fringe, and on tour<br />

around the country: among the many awards he<br />

won was the ‘Stage Award for Acting Excellence.’<br />

“So I thought ‘at least I’m not terrible’,” he says.<br />

With his next big stage project, Frankie Vah, Luke<br />

“had no doubt how to do it”. The play was a big<br />

success at this year’s Edinburgh Fringe, and he’s<br />

performing it in <strong>Lewes</strong> – organised by the <strong>Lewes</strong><br />

Labour Party as their Christmas celebration, but<br />

open to the public – as a warm up before touring it<br />

round the country in January.<br />

Frankie Vah is the story, set in 1987, of a young<br />

man who becomes a ranting political poet, “in<br />

the mode of John Cooper Clarke… or Attila the<br />

Stockbroker”, and gets involved in the equivalent<br />

of the Red Wedge tour, the fund-raising tour for<br />

the Labour Party which involved the likes of Paul<br />

Weller and Billy Bragg. “It all starts to unravel for<br />

him,” says Luke. “It’s about desperately wanting to<br />

believe in something, and how fervent all-encompassing<br />

blinkered belief can be really damaging to<br />

the people around you.”<br />

Luke was five at the time, but he’s done plenty of<br />

research (“I’ve got friends who were involved”)<br />

and he believes the tour backfired somewhat:<br />

“The idea was that the coolness of the rock stars<br />

would rub off on the Labour Party. Actually what<br />

happened was the naffness of the Labour Party<br />

rubbed off on the rock stars… Paul Weller was<br />

never cool again.”<br />

Before meeting Luke I’ve done a bit of research<br />

on his website (I strongly recommend checking<br />

out his ‘univowel’ poem Burt Up Pub) and noticed<br />

that one of the venues on his tour in January is<br />

the Merthyr Tydfil Conservative Club. For such a<br />

lefty, this seems strange, I point out. He chuckles,<br />

nervously. “It’s not my natural home,” he says, “but<br />

it’s just a venue. Anyway, I don’t think Tories are<br />

evil. I just think they’re wrong.” Alex Leith<br />

<strong>Lewes</strong> Labour's Seasonal Night Out, St Mary's<br />

Social Centre, 23rd <strong>December</strong>, £8/6, 7.30pm<br />

Photo by Idil Sukan<br />

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