Viva Lewes Issue #135 December 2017
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ON THIS MONTH: TALK<br />
Luke Wright<br />
Leftist poet, playwright…<br />
and actor<br />
Before taking on board a simple suggestion by<br />
his stage director in 2015, Luke Wright was a live<br />
poet. Afterwards, he became a playwright and an<br />
actor, too. It was quite a step in his career.<br />
The piece in question was called What I Learnt<br />
from Johnny Bevan, and it was an hour-long show<br />
looking at the rise of neo-liberalism and the effect<br />
it has on two left wingers who meet at university<br />
in the eighties, and then again twenty years later.<br />
“I initially wrote it in the third person,” Luke tells<br />
me (in a café in Hove), “and I was going to tell it<br />
as I tell my poems, and my director said ‘use a first<br />
person narrative! You just need to say ‘I’ and not<br />
‘he’’. That was a big shift because it meant that<br />
suddenly I was going to be acting [and not just<br />
reciting] … but actually it made the whole thing a<br />
lot more urgent. And emotionally relevant. And so<br />
it became a play rather than a long poem.”<br />
He took it to the Edinburgh Fringe, and on tour<br />
around the country: among the many awards he<br />
won was the ‘Stage Award for Acting Excellence.’<br />
“So I thought ‘at least I’m not terrible’,” he says.<br />
With his next big stage project, Frankie Vah, Luke<br />
“had no doubt how to do it”. The play was a big<br />
success at this year’s Edinburgh Fringe, and he’s<br />
performing it in <strong>Lewes</strong> – organised by the <strong>Lewes</strong><br />
Labour Party as their Christmas celebration, but<br />
open to the public – as a warm up before touring it<br />
round the country in January.<br />
Frankie Vah is the story, set in 1987, of a young<br />
man who becomes a ranting political poet, “in<br />
the mode of John Cooper Clarke… or Attila the<br />
Stockbroker”, and gets involved in the equivalent<br />
of the Red Wedge tour, the fund-raising tour for<br />
the Labour Party which involved the likes of Paul<br />
Weller and Billy Bragg. “It all starts to unravel for<br />
him,” says Luke. “It’s about desperately wanting to<br />
believe in something, and how fervent all-encompassing<br />
blinkered belief can be really damaging to<br />
the people around you.”<br />
Luke was five at the time, but he’s done plenty of<br />
research (“I’ve got friends who were involved”)<br />
and he believes the tour backfired somewhat:<br />
“The idea was that the coolness of the rock stars<br />
would rub off on the Labour Party. Actually what<br />
happened was the naffness of the Labour Party<br />
rubbed off on the rock stars… Paul Weller was<br />
never cool again.”<br />
Before meeting Luke I’ve done a bit of research<br />
on his website (I strongly recommend checking<br />
out his ‘univowel’ poem Burt Up Pub) and noticed<br />
that one of the venues on his tour in January is<br />
the Merthyr Tydfil Conservative Club. For such a<br />
lefty, this seems strange, I point out. He chuckles,<br />
nervously. “It’s not my natural home,” he says, “but<br />
it’s just a venue. Anyway, I don’t think Tories are<br />
evil. I just think they’re wrong.” Alex Leith<br />
<strong>Lewes</strong> Labour's Seasonal Night Out, St Mary's<br />
Social Centre, 23rd <strong>December</strong>, £8/6, 7.30pm<br />
Photo by Idil Sukan<br />
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