Eberhard Bosslet - INTERVENTIONEN 1982-2012 - DE-EN-ES

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and initial s.o.s. (distress signal), referring to aggressive action on a set of palm trees, embellishing a short walk from a resort town north of Tenerife. (11) In a similar way we can make reference to another artist, who has also been characterized by a reading reviewed and committed, against the traces left by the touristic development, such as Nestor Torrens (La Orotava, 1954). Torrens, author of installations with controversial content such as, ”Carpet for sinners, Family Circle, Intensive Polyculture, Seduction and ecosystem” - has manifested itself in hard form of land use: „The Canarian landscape has been crushed.“ ( 12) Juan Gopar (Arrecife , Lanzarote, 1958) began his career in art in the late seventies, in Tenerife, approaching an intense activity then developed the Sala Conca, in the city of La Laguna, revealing a large group of young artists who have come to be known as Generation 70. Juan soon followed his own path, returning to his native island and expanding his professional horizon to Madrid and other parts of Europe. He has a dense artistic journey, from initial concept art, such as ‚Invitation to Beuys having tea on my father’s boat‘ with conceptualist calling to continue abstraction to minimalism (‚Blue Scenery, with a working Atlantic sea theme), and achieve other facets of creation, in addition to painting, such as objects, sculptures or waste, and poetry and stories. The result of these incursions in art was, for example, in 1986, the ‚installation for a strong hunger`‚ to achieve, and in the nineties, a particular reading of minimalism, which he defines as essentialism (exhibitions ‚Estancia insular‘, 1992, ‚Stay ‚, 1994 and ‚Subject denatured’, 2006). Eberhard Bosslet has toured the island, has penetrated inland, not only in geography, and not as a tourist or as a hiker, or browsing in these eye-catching details that are common to its culture and habitat. No, Eberhard has been involved with the territory and the landscape of Tenerife, he has observed, studied and collected for his own artistic creation. At the same time, Eberhard has reflected the contradictions that arose in an island territory, a coastal area, in which every day new buildings appear for tourism in Europe, while in the inner region disappeared, also from day to day, simple but beautiful traditional buildings, made directly by residents. No comparisons pose, not only with other foreign artists who have come to the Canary Islands, but also with the way they have coped with the territory, and how they have interpreted the artists own islands. Eberhard did not intend to lead any demonstration in defense of a particular landscape or Canarian architecture, nor take charge of a clear environmentalist manifest content. Eberhard has incorporated the contradictions of Canarian tourism and economic development to the core and heart of his work, and from his artistic creations has made clear his surprise and critical reading, and feeling like part of the island territory, in which has been temporarely residing during the last thirty years. Celso Celestino Hernández 2013 Translation R. Greg Haughton 1) Puig-Samper, Michelangelo, Sandra Rebok, Nicholas Gonzalez Lemus and Isidoro Sánchez García (2009), Alexander von Humboldt in Ibércia Peninsula and the Canary Islands, Madrid: Ediciones Doce Calles. (2) RUIZ PACHECO, Mila: „The trail of the enigmatic artist JJ Williams „in Joseph M. Oliver Frade and Alberto Menendez Relancio, Editors, The scientific discovery of the Canary Islands (2007), Tenerife: Fundación Canaria Orotava History of Science (3) ACOSTA GARCIA, Luz D. and Carlos E. Pinto: Bruno Brandt 1893-1962 (1984), Santa Cruz de Tenerife: Caja General de Ahorros de Canarias. (4) FEO RODRIGUEZ, Maria Noemi: The presence of the Italian Trans Canary in the eighties, Proceedings of the Fourth Conference of Historical Research Prebendary Pacheco, Tegueste 2011. 5) Salvat, John, Rita Arola, Pilar Bonet and Francesc Espluga (1993), The art of the twentieth century 1960.1979 and 1980.1989 The art of the twentieth century, Navarra: Salvat Editores. (6) Bosslet, Eberhard (1981-2011), in the Canary Islands Bosslet-artist‘s comments, to be found in quotes, belong to reflections by Eberhard on his work in the Canaries- ( 7) ALMEIDA CABRERA, Pedro (1991 ) , Néstor Martín Fernández de la Torre, Library Artists Canarios 3 Tenerife: Deputy Ministry of Culture and Sports of the Government of the Canary Islands. ( 8) „ So that is produced in the artist an overlap of ideas : the art is part of the world around him , art for Manrique is open to life „ Paco Galante , „ First we should ask for the meaning of life in the work category Caesar is synonymous with creative lIFE NATURE (natura natura ) „in Galante , Francisco and Fernando Castro ( 1992) , Manrique. Art and nature, Madrid: Ministry of Industry and Trade of the Government of the Canary Islands. ( 9) Eberhard visited the island of César Manrique , Lanzarote for the first time in 1982 , calling his attention immediately, not only the beauty of the island, but also the adaptation made by their homes and yards, to take advantage of as much rainwater as possible , noticing the almost total lack of fountains and springs . In Lanzarote was the first of the two occasions when Eberhard has been invited to make a work , within the program of an exhibition in the Canaries, with the in- 230
tervention ‚ Begleiterscheinung XI- Era II‘ , in September 2008 , in the Barranco de Tegoyo , Tias , 28 ° 57‘54 .00 „N - 13 º 40‘37 .67“ W , organized by Luis Villalba, of the “El Taller de Arte” in the municipality of Tias. (10 ) Eberhard Bosslet rode in Space „ P“ , Madrid , which Garhel Pedro was founder and director , between 1981 and 1997 , a large structure , belonging to the set of facilities that have developed since 1985 and called „ support measures „ and that has continued to develop until today , from which arise the autonomous sculptures , called „ modular structures“ . (11) OHLENSCHLÄ GER, Karin, José Díaz Cuyás, Abraham San Pedro, Gloria Picazo, Llorenç Barber, Miguel Álvarez-Fernández, Victor del Rio and Fernando Aramburu Nekane Castro Borrego (2011), Pedro Garhel. Archival, Barcelona: the Canary Islands, CAAM and TEA. (12) „Tourism is there, has helped our development but has built fatal“ (...) „If you bet on quality and taste, take advantage of the spaces, the architecture of the islands ...“ (...) „My Manrique what I do not like, because it is also an artificial landscape.“. Declarations of Nestor Torrens to Lagenda, Tenerife, published in its issue 47, April 2005, pp.62 and 63. 231
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BOSSLET Obras en España | Works in
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DB O S S L E T E B E R H A R
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la mano de Dios ejercían una espec
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parecidas a cimientos, mediante la
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Móviles e inmóviles Movable and i
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Móviles e inmóviles I-IV Esta ser
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elegido un determinado color han si
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de, from, aus Móviles e inmóviles
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Vacation Comfort Se pueden observar
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Chatarra y sol Scrap Metal and Sun
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oposición al redivivo concepto de
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Agua falsa En su serie fotocráfica
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tema sea establecido con este mismo
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Casa de una habitation One Room hou
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Carta para Eberhard Bosslet Querido
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Trauma 1982 Escombros: las caras co
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carretera norte de la ciudad de Las
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Eberhard Bosslet: en un lugar, el t
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naturaleza. No hay que imaginar la
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Viento solar Solar Wind wind Sonnen
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III Desde una perspectiva simbólic
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miración que despiertan esos lugar
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interesa especialmente el inicio: l
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100 Mercanciá blanca I White Goods
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Mercanciá blanca III White Goods I
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Conocidos de la carretera I Road Ac
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Significativamente III Significantl
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Base de construcción I Constructio
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Eberhard Bosslet, obra y compromiso
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de su historia natural, queremos de
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en la convulsa región de los Balca
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dan entre estos dos artistas, de do
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son los ejemplos de estas actuacion
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Concomitancia II Concomitant II Beg
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Intervention Innenhafen I 1984 Pint
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Feliz pascua I+II Happy Easter, I+I
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140 Intervención Sarría 1984 Pint
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142 Reformación I Reformation I Re
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Dibujo de obra Brug Noordkasteel Co
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Intervenciones Las intervenciones a
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“ What are the roots that clutch,
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vez pensar en la capacidad de resis
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Reformación, Arafo Reformation, Ar
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176 Concomitancia VII (vista norte)
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Page 217 and 218: English Texts Eberhard Bosslet Orla
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Page 221 and 222: looking windows and doorways. The d
Page 223 and 224: Dear friend Eberhard It is always a
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Page 262 and 263: Interventionen Die Interventionen v
Page 264 and 265: Curriculum Vitae EBERHARD BOSSLET N
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1990-1997 - „Pneumatische Skulptu
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desde 2001 - Esculturas biomorfas y
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Pie de Imprenta Imprint Impressum E
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Detail Detail Detail 1983 Pintura s
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Eberhard Bosslet - INTERVENTIONEN 1982-2012 - DE-EN-ES

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