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Peninsula People Feb 2018

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Tribal<br />

by Ryan McDonald<br />

In “The Tribes of Palos Verdes,” there’s darkness amid the sunshine as Medina (Makia Monroe) and her brother Jim (Cody Fern) move to the peninsula from the<br />

midwest with their family. Photo courtesy IFC Films<br />

‘Tribes of Palos Verdes’ is a beautiful but flawed take on the <strong>Peninsula</strong><br />

Brendan and Emmet Malloy’s latest film, “The Tribes of Palos Verdes,”<br />

had a high bar to clear, and the fault is their own. As far as cinematic<br />

takes on surfing localism go, it would be hard to top a four-minute<br />

deleted scene from “Fair Bits,” the Malloy Brothers’ Taj Burrow-centered<br />

surf movie from 2005.<br />

The skit centers around Donavon Frankenreiter and Ben Stiller — disguised<br />

in a fake moustache and trucker hat — who post up in a beach-front<br />

carpark, channeling Laurel and Hardy as they ape their way through the<br />

finer points of localism. They growl “No photos!” and clumsily wrench a<br />

camera away from a mom and daughter out for a stroll. They clutch latemorning<br />

Budweisers while talking down the surf, which, in passing shots,<br />

looks absolutely firing. (The spot is never named, but the footage suggests<br />

a certain Ventura County beach break with a reputation for violence). And<br />

they harangue a series of passersby who include Burrow, the late Andy<br />

Irons, and the Malloy Brothers themselves. “More like the motherfuckin’<br />

Marx Brothers,” Stiller mumbles from the lot as one of them threads a spitting<br />

barrel.<br />

It’s hilarious, and it dramatizes the way hateful surfing locals are almost<br />

always clowns, as suitably brought down with a pie in the face as a vengeful<br />

exposé. This lesson, though, is often forgotten in the brooding “Tribes,”<br />

which snaps and turns with a seriousness that never quite feels earned.<br />

The film follows teenager Medina (Makia Monroe), who moves with her<br />

family from the midwest to Palos Verdes. She encounters a sterile, superficial<br />

community that enforces manicured uniformity by municipal ordinance,<br />

and is so cloistered that the football stadium lacks lights, Medina<br />

tells the audience, “because locals didn’t want anyone from out of town<br />

there after dark.”<br />

Medina launches this voiceover critique less than 15 minutes in, but it is<br />

already fairly clear what kind of ideas the movie has about Palos Verdes.<br />

<strong>Peninsula</strong> residents watching the movie will notice a fair share of Easter<br />

eggs, but they are unlikely to be thrilled. Over the course of the film, Medina’s<br />

family tumbles downward like stones off a cliff, and it all seems to be<br />

the fault of the Hill and the people living on top of it.<br />

As a finely etched portrait of the <strong>Peninsula</strong>, forget about it: “Tribes” dispenses<br />

with subtleties, like the existence of four different cities and an unincorporated<br />

area in favor of generalizations about the whole darn<br />

landmass. In interviews, the Malloy brothers have instead characterized the<br />

film as a look at the darker side of coastal Southern California, a place that<br />

tries very hard to be perfect. The idea is not quite an original one, but there<br />

are enough piquant moments to make one wonder whether people will<br />

groan at the movie for what it gets wrong, or squirm for what it gets right.<br />

“Tribes” is an adaptation of the 1997 young-adult novel of the same name.<br />

In most reviews, the book carries the ambiguous descriptor “semi autobiographical,”<br />

and in the years since its publication, <strong>Peninsula</strong> native Joy<br />

Nicholson’s tale has found a comfortable niche between cult classic and<br />

mainstream success. Its frank depictions of drug use and parents behaving<br />

badly have endeared it to teens typically bored by reading. But the real lure<br />

of the story, for coast-dwellers and landlocked alike, is surfing.<br />

The “Tribes” of the title carries several meanings, but the most prominent<br />

reference is to the Bay Boys — or “Bayboys” in Nicholson’s truncated style<br />

— the crew of surfers that for decades have been accused of keeping people<br />

out of the water at Lunada Bay. As in the headlines, the Bay Boys of the<br />

film are buffoonish cro-magnons, who hold their territory with a mixture<br />

of intimidation and violence. (A lawsuit in federal court against several alleged<br />

Bay Boys is pending; last <strong>Feb</strong>ruary, a judge declined to certify it as a<br />

class action.)<br />

This protectionist behavior, of course, is also a great way to make something<br />

desirable. Not long after moving in, a mysterious noise at sunset lures<br />

Medina out of her bedroom. She climbs to the top of her family’s ranchstyle<br />

home, and realizes that it is a crew of surfers hooting each other into<br />

16 <strong>Peninsula</strong> • <strong>Feb</strong>ruary <strong>2018</strong>

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