Tropicana Magazine Mar-Apr 2018 #117: Edge Of Excitement
MARCH into April with the Edge of Excitement: Featuring the power couple of sustainability, legendary dancer Datuk Ramli Ibrahim, and the swanky bars of Singapore. Read it here now:
MARCH into April with the Edge of Excitement: Featuring the power couple of sustainability, legendary dancer Datuk Ramli Ibrahim, and the swanky bars of Singapore. Read it here now:
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THE HOME<br />
HAMBURG ELBPHILHARMONIE<br />
Sat atop the Kaispeicher A, a 1960’s warehouse in the HafenCity quarter,<br />
the ambitious Elbphilharmonie was, during its construction, the subject<br />
of derision by Hamburg’s residents. Targeted to open in 2010, the Herzog<br />
& De Meuron designed urban complex was four times over budget when<br />
finally officiated in January 2017 six years behind schedule. But as proof<br />
of the redemptive powers of art, design, culture and music, performances<br />
at the Elbphi, as it’s now affectionately known, have been sold out since,<br />
and its transformative space has attracted millions.<br />
The building draws in its audience even from a distance. 108 metres<br />
at its highest point, it is Hamburg’s tallest building, and has a rooftop of<br />
surging waves that rise over the industrial waterfront like a charging<br />
tsunami. Inside star architects Herzog & de Meuron apply a maze of<br />
stairways, curved 80-metre escalator and dramatic foyer and curved glass<br />
windows that frame the city to such impressive effect that it renders<br />
the building’s residential complex and string of restaurants and cafes an<br />
almost unnecessary diversion.<br />
Not so Elbphi’s three performance spaces, which are are considered<br />
to be among the world’s most acoustically advanced. Master acoustician<br />
Yasuhisa Toyota (his Nagata Acoustics also worked on LA’s Walt Disney<br />
Concert Hall) used 10,000 algorithmically designed gypsum fiber panels<br />
to disperse sound waves in the 2,100 seater Great Concert Hall.<br />
Combined with the hall’s vineyard arrangement, which puts performers<br />
at the centre of attention and its audience no more than 100 feet away,<br />
the result is not just parity in sounds and performance, but the kind of<br />
precision engineered acoustics and clarity that could render a pin drop<br />
audible.<br />
47 MARCH/APRIL <strong>2018</strong> | TM