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SPA030_Choral_Music_2018_2019_hoch

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Sacred and Secular Works<br />

Charles Gounod Year <strong>2018</strong><br />

(1818–1893)<br />

Messe solennelle<br />

(Ste Cécile) (Lat)<br />

for Soloists, Choir and<br />

Orchestra<br />

Urtext / Ed. H. Schellevis<br />

Piano reduction by the editor<br />

BA 8966-90 ° V.s.<br />

BA 8966-91 <strong>Choral</strong> score<br />

NEW 2017<br />

Today Charles Gounod is<br />

associated most of all with his<br />

opera Faust yet a large part of<br />

his œuvre is taken up by sacred<br />

music and it is the Messe<br />

solennelle en l'honneur de<br />

Sainte-Cécile which established<br />

his fame as a church composer.<br />

Its melodic invention and<br />

effective treatment of the<br />

orchestra bear witness to his<br />

close ties to opera.<br />

This new Urtext edition of<br />

Gounod's Mass is primarily<br />

based on the autograph score,<br />

which for unknown reasons<br />

was divided into two sections.<br />

The first section, preserved in<br />

the British Library, contains the<br />

Kyrie, Gloria, Offertory<br />

and Domine, salvum, fac.<br />

The second, with the Credo,<br />

Sanctus and Benedictus, is<br />

preserved in the library of<br />

Northwestern University,<br />

Chicago, and was consulted<br />

for the first time for our<br />

edition. As the Agnus Dei<br />

is missing entirely from the<br />

autograph, our edition draws<br />

on the original print in full<br />

score (1856), which was also<br />

consulted as an important<br />

source for the clarification of<br />

ambiguities.<br />

An extensive critical<br />

commentary clarifies the<br />

differences between the two<br />

main sources and provides<br />

an insightful introduction,<br />

thereby enabling choruses<br />

and orchestras to perform the<br />

Mass on a solid foundation.<br />

17

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