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Sacred and Secular Works<br />
Charles Gounod Year <strong>2018</strong><br />
(1818–1893)<br />
Messe solennelle<br />
(Ste Cécile) (Lat)<br />
for Soloists, Choir and<br />
Orchestra<br />
Urtext / Ed. H. Schellevis<br />
Piano reduction by the editor<br />
BA 8966-90 ° V.s.<br />
BA 8966-91 <strong>Choral</strong> score<br />
NEW 2017<br />
Today Charles Gounod is<br />
associated most of all with his<br />
opera Faust yet a large part of<br />
his œuvre is taken up by sacred<br />
music and it is the Messe<br />
solennelle en l'honneur de<br />
Sainte-Cécile which established<br />
his fame as a church composer.<br />
Its melodic invention and<br />
effective treatment of the<br />
orchestra bear witness to his<br />
close ties to opera.<br />
This new Urtext edition of<br />
Gounod's Mass is primarily<br />
based on the autograph score,<br />
which for unknown reasons<br />
was divided into two sections.<br />
The first section, preserved in<br />
the British Library, contains the<br />
Kyrie, Gloria, Offertory<br />
and Domine, salvum, fac.<br />
The second, with the Credo,<br />
Sanctus and Benedictus, is<br />
preserved in the library of<br />
Northwestern University,<br />
Chicago, and was consulted<br />
for the first time for our<br />
edition. As the Agnus Dei<br />
is missing entirely from the<br />
autograph, our edition draws<br />
on the original print in full<br />
score (1856), which was also<br />
consulted as an important<br />
source for the clarification of<br />
ambiguities.<br />
An extensive critical<br />
commentary clarifies the<br />
differences between the two<br />
main sources and provides<br />
an insightful introduction,<br />
thereby enabling choruses<br />
and orchestras to perform the<br />
Mass on a solid foundation.<br />
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