16.04.2018 Views

SPA030_Choral_Music_2018_2019_hoch

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Sacred and Secular Works<br />

Mendelssohn Bartholdy, Felix<br />

(1809–1847)<br />

Three Motets op. 69 (Ger/Eng)<br />

for mixed choir (SATB)<br />

Urtext / Ed. J. M. Cooper<br />

BA 8937 <strong>Choral</strong> score<br />

New musical and performing insights<br />

Separate editions from op. 69<br />

(without introduction<br />

and critical commentary):<br />

Lord now lettest Thou Thy<br />

servant depart in peace /<br />

Herr, nun lässest du deinen<br />

Diener in Frieden fahren<br />

(Ger/Eng) for mixed choir<br />

(SATB)<br />

BA 8934 <strong>Choral</strong> score<br />

My soul doth magnify the<br />

Lord / Mein Herz erhebet Gott,<br />

den Herrn (Ger/Eng)<br />

for mixed choir (SATB)<br />

BA 8936 <strong>Choral</strong> score<br />

O be joyful in the Lord /<br />

Jauchzet dem Herrn, alle Welt<br />

(Ger/Eng)<br />

for mixed choir (SATB)<br />

BA 8935 <strong>Choral</strong> score<br />

Wer nur den lieben Gott lässt<br />

walten (Ger)<br />

Cantata for solo soprano,<br />

mixed choir (SATB) and strings<br />

(organ)<br />

Ed. B. Oswald<br />

BA 6380 Score<br />

BA 6380-91 <strong>Choral</strong> score<br />

Mendelssohn Bartholdy, Felix<br />

(1809–1847)<br />

Bach, Johann Sebastian<br />

(1685–1750)<br />

St. Matthew Passion BWV 244<br />

(Ger). Oratorio by J. S. Bach<br />

in the arrangement by<br />

F. Mendelssohn Bartholdy<br />

Urtext / Ed. K. Winkler<br />

Piano reduction by the editor<br />

BA 9088-90 • V.s.<br />

Monteverdi, Claudio<br />

(1567–1643)<br />

Canzonetten (Ital/Ger)<br />

For female choir (SSA)<br />

German text in Gothic print<br />

BA 1562 <strong>Choral</strong> score<br />

Monteverdi, Claudio<br />

(1567–1643)<br />

Vespro della Beata Vergine (Lat)<br />

Urtext / Ed. H. Schulze et al.<br />

BA 8794-90 ° V.s.<br />

Scholarly-critical Urtext<br />

edition orientated towards<br />

performance practice<br />

Detailed Critical<br />

Commentary (Eng) in the<br />

full score<br />

Movements 10, 13 and 14 are<br />

included in their original<br />

high clef in the appendix of<br />

the full score.<br />

These movements are also<br />

available with piano<br />

reduction as print-ondemand.<br />

“What a monumental<br />

publication! The comprehensive<br />

and remarkably documented<br />

foreword ... is musicologically,<br />

historically and liturgically of<br />

great significance for the<br />

understanding of the work and<br />

its interpretation. Regarding the<br />

score, it presents the optimum<br />

in layout and readability.”<br />

(L’Education musicale)<br />

26

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!