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Sacred and Secular Works<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
Three Motets op. 69 (Ger/Eng)<br />
for mixed choir (SATB)<br />
Urtext / Ed. J. M. Cooper<br />
BA 8937 <strong>Choral</strong> score<br />
New musical and performing insights<br />
Separate editions from op. 69<br />
(without introduction<br />
and critical commentary):<br />
Lord now lettest Thou Thy<br />
servant depart in peace /<br />
Herr, nun lässest du deinen<br />
Diener in Frieden fahren<br />
(Ger/Eng) for mixed choir<br />
(SATB)<br />
BA 8934 <strong>Choral</strong> score<br />
My soul doth magnify the<br />
Lord / Mein Herz erhebet Gott,<br />
den Herrn (Ger/Eng)<br />
for mixed choir (SATB)<br />
BA 8936 <strong>Choral</strong> score<br />
O be joyful in the Lord /<br />
Jauchzet dem Herrn, alle Welt<br />
(Ger/Eng)<br />
for mixed choir (SATB)<br />
BA 8935 <strong>Choral</strong> score<br />
Wer nur den lieben Gott lässt<br />
walten (Ger)<br />
Cantata for solo soprano,<br />
mixed choir (SATB) and strings<br />
(organ)<br />
Ed. B. Oswald<br />
BA 6380 Score<br />
BA 6380-91 <strong>Choral</strong> score<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
Bach, Johann Sebastian<br />
(1685–1750)<br />
St. Matthew Passion BWV 244<br />
(Ger). Oratorio by J. S. Bach<br />
in the arrangement by<br />
F. Mendelssohn Bartholdy<br />
Urtext / Ed. K. Winkler<br />
Piano reduction by the editor<br />
BA 9088-90 • V.s.<br />
Monteverdi, Claudio<br />
(1567–1643)<br />
Canzonetten (Ital/Ger)<br />
For female choir (SSA)<br />
German text in Gothic print<br />
BA 1562 <strong>Choral</strong> score<br />
Monteverdi, Claudio<br />
(1567–1643)<br />
Vespro della Beata Vergine (Lat)<br />
Urtext / Ed. H. Schulze et al.<br />
BA 8794-90 ° V.s.<br />
Scholarly-critical Urtext<br />
edition orientated towards<br />
performance practice<br />
Detailed Critical<br />
Commentary (Eng) in the<br />
full score<br />
Movements 10, 13 and 14 are<br />
included in their original<br />
high clef in the appendix of<br />
the full score.<br />
These movements are also<br />
available with piano<br />
reduction as print-ondemand.<br />
“What a monumental<br />
publication! The comprehensive<br />
and remarkably documented<br />
foreword ... is musicologically,<br />
historically and liturgically of<br />
great significance for the<br />
understanding of the work and<br />
its interpretation. Regarding the<br />
score, it presents the optimum<br />
in layout and readability.”<br />
(L’Education musicale)<br />
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