Views
3 months ago

SPA030_Choral_Music_2018_2019_hoch

Bärenreiter Female

Bärenreiter Female Choir Series The choral scene is in a state of change! More and more choirs are lacking in male voices and at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. The Bärenreiter Female Choir series responds to these trends by presenting arrangements for female choir (mostly SMezA) of well-known, frequently-performed works. Fauré, Gabriel (1845–1924) NEW 2017 Messe de Requiem op. 48 (Lat) Arranged for female soloists/ choir (SSAA) by M. Bruno / I. Bredenbach BA 5695-90 ° V.s. The vocal score is compatible with the performance material of the original work (BA 9461). In this arrangement of Fauré’s Requiem for female voices and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation of the instrumental parts. However, the organ part is tailored to the arrangement rather than trying to imitate the sound of the orchestra. From: Fauré, Messe de Requiem op. 48 · BA 5695-90 Haydn, Joseph (1732–1809) Missa brevis Sti Joannis de Deo “Little Organ Mass” (Hob. XXII:7) (Lat) Arranged for female choir (SMezAA) by H. Breuer BA 5694-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 4653. Mozart, Wolfgang Amadeus (1756–1791) Missa brevis in D maj K. 194 (186 h ) (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5690-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 5342. 28

Sacred and Secular Works Mozart, Wolfgang Amadeus (1756–1791) Missa in C maj “Coronation Mass” K. 317 (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5691 Score BA 5691-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 4880 (arranged without trombones). Missa in C maj “Sparrow Mass” K. 220 (196 b ) (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5693 Score BA 5693-90 ° V.s The vocal score is compatible with the performance material of the original work BA 5343. Pergolesi, Giovanni Battista (1710–1736) Stabat Mater (Lat) Arranged for female choir (SMezA) by M. Bruno BA 5692 Score BA 5692-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 7679. Vivaldi, Antonio (1678–1741) Gloria RV 589 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8953 Score BA 8953-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 7674. Kyrie RV 587 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8954 Score BA 8954-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 8950. “The Bärenreiter edition is flawless”. (Kirchenmusik im Bistum Aachen) Mozart, Wolfgang Amadeus (1756–1791) Alma Dei creatoris K. 277 (272a) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4889-90 ° V.s. BA 4889-91 Choral score Ave verum corpus K. 618 (Lat) Urtext / Ed. H. Federhofer Piano reduction by C. Heimbucher BA 4946-90 V.s. BA 4946 Playing score Benedictus sit Deus K. 117 (66a=47b) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4884-90 ° V.s. BA 4884-91 Choral score Betulia liberata K. 118 (Ital/Ger) Text by P. Metastasio / E. Schmidt Urtext / Ed. F. Tagliavini Piano reduction by H. G. Kluge BA 4521-90 • V.s. Dixit et Magnificat K. 193 (186g) (Lat) Urtext / Eds. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 5340-90 ° V.s. BA 5340-91 Choral score Exsultate, jubilate K. 165 (158a) (Lat) with additional material from the Salzburg version Urtext / Eds. H. Federhofer, R. Münster Piano reduction by M. Focke BA 4897-90 ° V.s. Hosanna in G maj K. 223 (166e) (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5347-90 V.s. Inter natos mulierum K. 72 (74f) (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 4788-90 ° V.s. BA 4788-91 Choral score Kyrie in D min K. 90 (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5346-90 ° V.s. Kyrie in D min K. 341 (368a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4702-90 ° V.s. Kyrie in F maj K. 33 (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5345-90 ° V.s. Laudate Dominum from the Vesperae solennes de Confessore K. 339 (Lat) Urtext / Eds. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 5339-90 ° V.s. Litaniae Lauretanae B.M.V. in B-flat maj K. 109 (74 e ) (Lat) Urtext / Eds. H. Federhofer, R. Federhofer-Königs Piano reduction by M. Focke BA 4890-90 ° V.s. BA 4890-91 Choral score 29