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Sean Burke The Death and Return of the Author : Criticism and Subjectivity in Barthes, Foucault and Derrida.

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everyth<strong>in</strong>g we do, <strong>and</strong> that we cannot master our own discourses. Lacan's mastery <strong>of</strong> Freud is<br />

merely local, however, reveal<strong>in</strong>g <strong>the</strong> work <strong>of</strong> <strong>the</strong> unconscious.'—Julian Wolfreys, 'Premature<br />

Obituaries', Radical Philosophy 67 (Summer 1994), pp. 57–8: p. 57. However, as I trust my<br />

argument makes clear, Lacan's recourse to Freud takes <strong>the</strong> form <strong>of</strong> deference to, ra<strong>the</strong>r than<br />

mastery <strong>of</strong>, <strong>the</strong> founder <strong>of</strong> psychoanalysis. Lacan would sooner be mastered by Freud than<br />

confront <strong>the</strong> authority implicit <strong>in</strong> his own <strong>the</strong>oretical stance. <strong>The</strong> problems raised by <strong>the</strong> claim that<br />

Lacan is merely 'reveal<strong>in</strong>g <strong>the</strong> work <strong>of</strong> <strong>the</strong> unconscious' are dealt with below.<br />

76. Jean Michel Palmier, quoted <strong>in</strong> Jane Gallop, Read<strong>in</strong>g Lacan (Ithaca Cornell University Press,<br />

1985), p. 40. Gallop forwards an <strong>in</strong>terest<strong>in</strong>g discussion <strong>of</strong> Lacan's implicit mastery <strong>of</strong> language,<br />

but admits a similar susceptibility to <strong>the</strong> auctoritas <strong>of</strong> his text.<br />

77. Ca<strong>the</strong>r<strong>in</strong>e Clément, <strong>The</strong> Lives <strong>and</strong> Legends <strong>of</strong> Jacques Lacan, trans. Arthur Goldhammer<br />

(New York: Columbia University Press, 1983), p. 31.<br />

78. Ibid., p. 201.<br />

79. This is not to suggest that Lacan is free <strong>of</strong> any defensive anxieties <strong>of</strong> <strong>in</strong>fluence but that such<br />

anxieties do not take Freud as <strong>the</strong>ir object. For a glimpse <strong>of</strong> Lacan agonistes concern<strong>in</strong>g Hegel<br />

see Jacques Lacan, <strong>The</strong> Four Fundamental Concepts <strong>of</strong> Psycho-analysis, trans. Alan Sheridan<br />

(Harmondsworch: Pengu<strong>in</strong> Books, 1977), p. 215.<br />

80. Ibid., p. 232.<br />

81. Jacques Lacan, quoted <strong>in</strong> Karlis Racevskis, Michel <strong>Foucault</strong> <strong>and</strong> <strong>the</strong> Subversion <strong>of</strong> Intellect<br />

op. cit., pp. 34–5.<br />

82. Julia Kristeva, '<strong>The</strong> System <strong>and</strong> <strong>the</strong> Speak<strong>in</strong>g Subject', <strong>The</strong> Times Literary Supplement, 12<br />

October 1973, pp. 1249–50: p. 1249.<br />

83. Ludwig Wittgenste<strong>in</strong>, Tractatus Logico-Philosophicus, trans. D.F. Pears <strong>and</strong> B.F. McGu<strong>in</strong>ness<br />

(London: Roudedge <strong>and</strong> Kegan Paul, 1962), 5.641, p. 58.<br />

84. Indeed when <strong>Foucault</strong> was pressed on this issue he replied by say<strong>in</strong>g that <strong>the</strong> death <strong>of</strong> man<br />

<strong>and</strong> <strong>the</strong> question <strong>of</strong> <strong>the</strong> author are not to be hastily consociated. See Michel <strong>Foucault</strong>, 'Qu'est-ce<br />

qu'un auteur?', op. cit., p. 102.<br />

85. <strong>The</strong>re are <strong>of</strong> course strategic reasons why <strong>Foucault</strong> should wish to keep <strong>the</strong> issues <strong>of</strong> author<br />

<strong>and</strong> man at a certa<strong>in</strong> distance. Not least among <strong>the</strong>se is <strong>the</strong> fact that <strong>Foucault</strong> had said that <strong>the</strong><br />

author was constituted <strong>in</strong> <strong>the</strong> era <strong>of</strong> representation: '<strong>The</strong> artist was able to emerge from <strong>the</strong> ageold<br />

anonymity <strong>of</strong> epic s<strong>in</strong>gers only by usurp<strong>in</strong>g <strong>the</strong> power <strong>and</strong> <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> <strong>the</strong> same epic<br />

values. <strong>The</strong> heroic dimension passed from <strong>the</strong> hero to <strong>the</strong> one whose task it had been to<br />

represent him at a time when Western culture itself became a world <strong>of</strong> representations.'—Michel<br />

<strong>Foucault</strong>, Language, Counter-Memory, Practice, op. cit., p. 73. <strong>The</strong>re could <strong>the</strong>n be no question<br />

<strong>of</strong> associat<strong>in</strong>g <strong>the</strong> deaths <strong>of</strong> author <strong>and</strong> man on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> epistemic economy <strong>of</strong> <strong>The</strong> Order<br />

<strong>of</strong> Th<strong>in</strong>gs.<br />

86. Jean-Marie Benoist, <strong>The</strong> Structural Revolution (London: Weidenfeld <strong>and</strong> Nicolson, 1978.), p.<br />

13.<br />

87. Stephen Heath, 'Comment on "<strong>The</strong> idea <strong>of</strong> authorship" ', <strong>in</strong> John Caughie, ed., <strong>The</strong>ories <strong>of</strong><br />

<strong>Author</strong>ship: A Reader (London: Routledge <strong>and</strong> Kegan Paul, 1981), pp. 214–20: p. 216.<br />

88. Mart<strong>in</strong> Jay, 'Should Intellectual History Take a L<strong>in</strong>guistic Turn'?, <strong>in</strong> Dom<strong>in</strong>ick LaCapra <strong>and</strong><br />

Steven L. Caplan, eds, Modern European Intellectual History: Reappraisals <strong>and</strong> New<br />

Perspectives (Ithaca: Cornell University Press, 1982), pp. 86–110: p. 89.<br />

89. Charles C. Lemert, <strong>and</strong> Garth Gillan, Michel <strong>Foucault</strong>: Social <strong>The</strong>ory <strong>and</strong> Transgression (New<br />

York: Columbia University Press, 1982), p. 136. For ano<strong>the</strong>r example <strong>of</strong> <strong>the</strong> over-hasty<br />

identification <strong>of</strong> authorial, transcendental <strong>and</strong> div<strong>in</strong>e subjects see Pierre Macherey, A <strong>The</strong>ory <strong>of</strong><br />

Literary Production, trans. Ge<strong>of</strong>frey Wall (London: Routledge <strong>and</strong> Kegan Paul, 1978), especially<br />

pp. 66–8.<br />

90. Immanuel Kant, A Critique <strong>of</strong> Pure Reason, op. cit., B 404, p. 331.<br />

91. Edmund Husserl, <strong>The</strong> Idea <strong>of</strong> Phenomenology, trans. William P. Alston <strong>and</strong> George<br />

Nakhrukian (Hague: Mart<strong>in</strong>us Nijh<strong>of</strong>f, 1964), p. xviii–xix.<br />

92. Edmund Husserl, Cartesian Meditations, op. cit., pp. 31–2.<br />

93. Paul de Man, Bl<strong>in</strong>dness <strong>and</strong> Insight: Essays <strong>in</strong> <strong>the</strong> Rhetoric <strong>of</strong> Contemporary <strong>Criticism</strong>,<br />

second edition, revised <strong>and</strong> enlarged, ed. Wlad Godzich (London: Methuen, 1983), p. 49.<br />

94. Ibid., p. 38.<br />

95. E. D. Hirsch Jr, Validity <strong>in</strong> Interpretation (New Haven: Yale University Press, 1967), p. 32.

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