Viva Brighton Issue #65 July 2018
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PHOTOGRAPHY<br />
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Finn Hopson<br />
A life in the landscape<br />
I grew up here, and we’d<br />
go walking at Devil’s<br />
Dyke or Stanmer Park,<br />
so these landscapes have<br />
always been in my life.<br />
When I started taking<br />
photography more<br />
seriously, the Downs felt<br />
like the most natural place<br />
to go.<br />
I started the project<br />
around the time that the<br />
South Downs National<br />
Park was designated, so<br />
suddenly there was the sense of a boundary, an<br />
edge to it. I thought I knew the landscape well<br />
from cycling, but I hadn’t stopped to look closely.<br />
Places that I’d passed by a hundred times were<br />
full of potential.<br />
It’s hard to pick a favourite place. It changes at<br />
different times of the year, but I love the stretch<br />
of the Downs from Kingston to Alfriston. It has<br />
a mix of open, rolling escarpments and a lovely<br />
sense of layers. You can see the sea and the Weald,<br />
and there are places where mist builds up at dawn,<br />
and little patches of woodland dotted along the<br />
bottom of the hillsides. If you go further west, the<br />
Downs get more wooded, but up on Firle Beacon,<br />
you can see forever.<br />
I take as little kit as possible - a big digital<br />
SLR, two lenses, a couple of graduated filters<br />
and a tripod. I know the night before where I’m<br />
going to go, but it might take me months to get<br />
the right light. I can get a bee in my bonnet about<br />
a particular place and keep going back there day<br />
after day.<br />
After university, I worked as a TV runner,<br />
and that meant that I could talk to anyone on<br />
set. You could go over<br />
to the cameramen and<br />
lighting crew and ask them<br />
anything, and they’d be<br />
delighted to tell you. I<br />
learnt a lot of the technical<br />
stuff via osmosis. Little<br />
things about how colour<br />
temperature and direction<br />
of light can change the<br />
feeling in an image. Now<br />
I go out seeking particular<br />
conditions that will convey<br />
a certain mood. I go to<br />
bed scrutinising the weather forecast, and I can<br />
sometimes figure out conditions on the Downs<br />
from the beach. If I can see the wind farm,<br />
visibility is about eight miles. If the top of the<br />
i360 is in the clouds, then so are Stanmer woods.<br />
I don’t seem to have many people in my<br />
photographs. That’s mostly to do with being out<br />
at silly times of the day. No one is out at five in<br />
the morning. It sounds a bit antisocial, but it’s a<br />
nice antidote to being here at the gallery on the<br />
beach, where it can be heaving with people. You<br />
go to a hillside the next morning, and there’s no<br />
one. It’s peaceful except for the sound of the birds.<br />
In the past couple of years, I’ve been trying to<br />
explore more of West Sussex and Hampshire.<br />
The South Downs National Park is vast, and<br />
we’re right over in the east. There’s a huge area in<br />
the west where the character of the landscape and<br />
the texture of the ground changes. That’s when<br />
it feels like a lifetime’s work. This little project<br />
I’ve started, to photograph the Downs... I’m eight<br />
years in, and I’ve barely begun. Lizzie Lower<br />
finnhopson.com / brightonphotography.com<br />
52-53 Kings Road Arches, 01273 227523<br />
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