27.06.2018 Views

Viva Brighton Issue #65 July 2018

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

PHOTOGRAPHY<br />

....................................<br />

Finn Hopson<br />

A life in the landscape<br />

I grew up here, and we’d<br />

go walking at Devil’s<br />

Dyke or Stanmer Park,<br />

so these landscapes have<br />

always been in my life.<br />

When I started taking<br />

photography more<br />

seriously, the Downs felt<br />

like the most natural place<br />

to go.<br />

I started the project<br />

around the time that the<br />

South Downs National<br />

Park was designated, so<br />

suddenly there was the sense of a boundary, an<br />

edge to it. I thought I knew the landscape well<br />

from cycling, but I hadn’t stopped to look closely.<br />

Places that I’d passed by a hundred times were<br />

full of potential.<br />

It’s hard to pick a favourite place. It changes at<br />

different times of the year, but I love the stretch<br />

of the Downs from Kingston to Alfriston. It has<br />

a mix of open, rolling escarpments and a lovely<br />

sense of layers. You can see the sea and the Weald,<br />

and there are places where mist builds up at dawn,<br />

and little patches of woodland dotted along the<br />

bottom of the hillsides. If you go further west, the<br />

Downs get more wooded, but up on Firle Beacon,<br />

you can see forever.<br />

I take as little kit as possible - a big digital<br />

SLR, two lenses, a couple of graduated filters<br />

and a tripod. I know the night before where I’m<br />

going to go, but it might take me months to get<br />

the right light. I can get a bee in my bonnet about<br />

a particular place and keep going back there day<br />

after day.<br />

After university, I worked as a TV runner,<br />

and that meant that I could talk to anyone on<br />

set. You could go over<br />

to the cameramen and<br />

lighting crew and ask them<br />

anything, and they’d be<br />

delighted to tell you. I<br />

learnt a lot of the technical<br />

stuff via osmosis. Little<br />

things about how colour<br />

temperature and direction<br />

of light can change the<br />

feeling in an image. Now<br />

I go out seeking particular<br />

conditions that will convey<br />

a certain mood. I go to<br />

bed scrutinising the weather forecast, and I can<br />

sometimes figure out conditions on the Downs<br />

from the beach. If I can see the wind farm,<br />

visibility is about eight miles. If the top of the<br />

i360 is in the clouds, then so are Stanmer woods.<br />

I don’t seem to have many people in my<br />

photographs. That’s mostly to do with being out<br />

at silly times of the day. No one is out at five in<br />

the morning. It sounds a bit antisocial, but it’s a<br />

nice antidote to being here at the gallery on the<br />

beach, where it can be heaving with people. You<br />

go to a hillside the next morning, and there’s no<br />

one. It’s peaceful except for the sound of the birds.<br />

In the past couple of years, I’ve been trying to<br />

explore more of West Sussex and Hampshire.<br />

The South Downs National Park is vast, and<br />

we’re right over in the east. There’s a huge area in<br />

the west where the character of the landscape and<br />

the texture of the ground changes. That’s when<br />

it feels like a lifetime’s work. This little project<br />

I’ve started, to photograph the Downs... I’m eight<br />

years in, and I’ve barely begun. Lizzie Lower<br />

finnhopson.com / brightonphotography.com<br />

52-53 Kings Road Arches, 01273 227523<br />

....27....

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!