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Viva Brighton Issue #65 July 2018

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SPOKEN WORD<br />

....................................<br />

Penguin Pride<br />

Poetry-slam champ Toby Campion<br />

Toby Campion is a<br />

UK National Poetry<br />

Slam Champion<br />

and a World Poetry<br />

Slam finalist. He is<br />

director of UniSlam;<br />

a resident artist at the<br />

Roundhouse in Camden,<br />

and was one of<br />

the first resident poets<br />

of the River Thames.<br />

This month he hosts<br />

Penguin Pride, a<br />

showcase of the<br />

best contemporary<br />

LGBTQ+ writers, poets, musicians and activists.<br />

I saw my first poetry slam in North Carolina<br />

when I was visiting friends there. I’d never<br />

even heard of a slam before but as I was watching<br />

it I realised this was what I was meant to do.<br />

It was the opportunity to interact so directly<br />

with an audience that I liked: in the States people<br />

make noises and click their fingers when poets<br />

are performing. There’s immediate feedback.<br />

The spoken word scene there has its roots in<br />

the civil rights movement so a lot of the work<br />

is political. Here in the UK it’s a bit broader.<br />

That suits me because it means I’ve been able to<br />

use humour more: there’s no way you could win a<br />

poetry slam in America with a humorous poem.<br />

I think that being able to make an audience<br />

laugh is as important as being able to make<br />

them cry. Humour can be a good way of getting<br />

people to see things differently. I work hard at<br />

what I do and I have important things to say.<br />

But getting up on a soapbox isn’t the only way to<br />

make a point.<br />

As soon as something<br />

challenges me, makes<br />

me laugh, makes me<br />

think again – I want<br />

to write about it.<br />

At the moment I’m<br />

looking at the history<br />

of queer culture, at the<br />

ways in which queer<br />

people have been<br />

oppressed in the past<br />

and the way in which<br />

that still affects the<br />

scene now.<br />

People seem to think<br />

that now we have gay marriage, everything is<br />

sorted. It’s not. Even when I was resident artist<br />

for the River Thames I found myself coming<br />

back to stories about queer people who’d died on<br />

the river in homophobic attacks or been killed by<br />

someone they met on Grindr.<br />

My sexuality has had a big impact on my work<br />

as a poet. I grew up in Leicester going to an<br />

all-boys school and I was in the closet until I was<br />

21. I definitely struggled when I was younger and<br />

it’s only recently I’ve started to unpack those feelings.<br />

Poetry has helped me articulate things I find<br />

hard to explain in normal conversation.<br />

Through Your Blood is my debut poetry<br />

collection. I describe it as coming-of-age stories<br />

about growing up in a place where you feel you<br />

don’t belong. It’s about masculinity, sexuality and<br />

repression of feelings.<br />

Writing is an emotional process for me. If one<br />

of my poems makes someone cry, I’ll usually have<br />

cried when writing it. As told to Nione Meakin<br />

Komedia, <strong>July</strong> 25th<br />

Photo by www.willfahy.co.uk<br />

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