Viva Brighton Issue #65 July 2018
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SPOKEN WORD<br />
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Penguin Pride<br />
Poetry-slam champ Toby Campion<br />
Toby Campion is a<br />
UK National Poetry<br />
Slam Champion<br />
and a World Poetry<br />
Slam finalist. He is<br />
director of UniSlam;<br />
a resident artist at the<br />
Roundhouse in Camden,<br />
and was one of<br />
the first resident poets<br />
of the River Thames.<br />
This month he hosts<br />
Penguin Pride, a<br />
showcase of the<br />
best contemporary<br />
LGBTQ+ writers, poets, musicians and activists.<br />
I saw my first poetry slam in North Carolina<br />
when I was visiting friends there. I’d never<br />
even heard of a slam before but as I was watching<br />
it I realised this was what I was meant to do.<br />
It was the opportunity to interact so directly<br />
with an audience that I liked: in the States people<br />
make noises and click their fingers when poets<br />
are performing. There’s immediate feedback.<br />
The spoken word scene there has its roots in<br />
the civil rights movement so a lot of the work<br />
is political. Here in the UK it’s a bit broader.<br />
That suits me because it means I’ve been able to<br />
use humour more: there’s no way you could win a<br />
poetry slam in America with a humorous poem.<br />
I think that being able to make an audience<br />
laugh is as important as being able to make<br />
them cry. Humour can be a good way of getting<br />
people to see things differently. I work hard at<br />
what I do and I have important things to say.<br />
But getting up on a soapbox isn’t the only way to<br />
make a point.<br />
As soon as something<br />
challenges me, makes<br />
me laugh, makes me<br />
think again – I want<br />
to write about it.<br />
At the moment I’m<br />
looking at the history<br />
of queer culture, at the<br />
ways in which queer<br />
people have been<br />
oppressed in the past<br />
and the way in which<br />
that still affects the<br />
scene now.<br />
People seem to think<br />
that now we have gay marriage, everything is<br />
sorted. It’s not. Even when I was resident artist<br />
for the River Thames I found myself coming<br />
back to stories about queer people who’d died on<br />
the river in homophobic attacks or been killed by<br />
someone they met on Grindr.<br />
My sexuality has had a big impact on my work<br />
as a poet. I grew up in Leicester going to an<br />
all-boys school and I was in the closet until I was<br />
21. I definitely struggled when I was younger and<br />
it’s only recently I’ve started to unpack those feelings.<br />
Poetry has helped me articulate things I find<br />
hard to explain in normal conversation.<br />
Through Your Blood is my debut poetry<br />
collection. I describe it as coming-of-age stories<br />
about growing up in a place where you feel you<br />
don’t belong. It’s about masculinity, sexuality and<br />
repression of feelings.<br />
Writing is an emotional process for me. If one<br />
of my poems makes someone cry, I’ll usually have<br />
cried when writing it. As told to Nione Meakin<br />
Komedia, <strong>July</strong> 25th<br />
Photo by www.willfahy.co.uk<br />
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