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Viva Brighton Issue #65 July 2018

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PRIDE<br />

.............................<br />

Guilty Pleasures<br />

‘Don’t bore us, get to the chorus’<br />

There’s a thing, apparently<br />

a growing thing,<br />

called Slow Listening,<br />

where people sit quietly<br />

in a pub and listen<br />

attentively to a whole<br />

classic album, usually in<br />

vinyl form. Some nod<br />

at particular nuances.<br />

Others tut at their<br />

nodding. Others bristle<br />

at their tutting. There<br />

are parallels with John Peel in his pre-punk DJ<br />

days, when he’d play an entire LP, usually by a<br />

prog combo not averse to jazz cigarettes, without<br />

interruption.<br />

Guilty Pleasures isn’t Slow Listening. It’s a<br />

peripatetic club night, a regular at the Spiegeltent,<br />

and now coming to Pride (or, more precisely the<br />

LoveBN1Fest on the Sunday) with its non-stop<br />

celebratory pop assault. 90s Swedish pop duo<br />

Roxette inadvertently provided what could be its<br />

tagline with the title of their Greatest Hits album:<br />

‘Don’t Bore Us, Get To The Chorus!’<br />

“Yeah, it’s pure sugar rush” says GP creator and<br />

host Sean Rowley. “It all started 14 years ago<br />

when I had a show on BBC London Radio, a show<br />

with real credibility, and within the show we started<br />

a slot for reclaiming songs you loved but that it<br />

was deemed slightly shameful to love. There was<br />

very much one foot in the 70s then: songs like Oh<br />

Lori by the Alessi Brothers, Bee Gees songs, Lido<br />

Shuffle by Boz Scaggs. It all took off from there.<br />

Over the years we’ve evolved, by nature of being<br />

a massive Saturday night club brand, so that now<br />

we’re very much rooted in pop from the 90s, the<br />

noughties and even contemporary stuff. It’s all<br />

very much verse-chorus, out, and on to the next.<br />

Someone described it<br />

brilliantly, saying that<br />

what we do is like throwing<br />

raw meat to the<br />

lions. More! Not that I<br />

ever had a masterplan.”<br />

Sean’s on the cover<br />

of Oasis’s 1995 album<br />

(What’s The Story) Morning<br />

Glory? walking down<br />

Soho’s Berwick Street.<br />

Before then he was<br />

Bananarama’s plugger, getting them slots on telly.<br />

He was a hardcore triathlete and he once swam<br />

the channel. These days, Eckhart Tolle’s Power<br />

Of Now is “my bible”, he meditates daily, uses the<br />

Headspace app, and has a radio show on BBC<br />

Radio Kent, that does indeed play obscure album<br />

tracks that sometimes don’t have an obvious<br />

chorus. On Saturdays, though, at London’s Koko,<br />

and at festivals from Glastonbury to Latitude, his<br />

Guilty Pleasures persona is foregrounded.<br />

“We have performers, too – at Pride we’ve a drag<br />

queen dance group, Glitter Heat, who perform<br />

to Bonnie Tyler songs. At festivals we’ll throw in<br />

John Paul Young’s Love Is In The Air, which was<br />

always obligatory in the early days. If there’s one<br />

song that’s been a constant, it’s probably Don’t<br />

Stop Me Now by Queen. In 1978 when it came out,<br />

Queen were naff. I remember back then, thinking<br />

‘I don’t like Queen. But I love this!’ We could dissect<br />

the concept, but it simply works. I remember<br />

looking out on the dancefloor years ago and there<br />

were various members of the band The Strokes<br />

dancing with Vanessa Feltz. I thought ‘f*** me,<br />

I’m onto a winner here!’”<br />

Andy Darling<br />

LoveBN1 Fest, Sunday 5th August<br />

....43....

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