Viva Brighton Issue #65 July 2018
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PRIDE<br />
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Guilty Pleasures<br />
‘Don’t bore us, get to the chorus’<br />
There’s a thing, apparently<br />
a growing thing,<br />
called Slow Listening,<br />
where people sit quietly<br />
in a pub and listen<br />
attentively to a whole<br />
classic album, usually in<br />
vinyl form. Some nod<br />
at particular nuances.<br />
Others tut at their<br />
nodding. Others bristle<br />
at their tutting. There<br />
are parallels with John Peel in his pre-punk DJ<br />
days, when he’d play an entire LP, usually by a<br />
prog combo not averse to jazz cigarettes, without<br />
interruption.<br />
Guilty Pleasures isn’t Slow Listening. It’s a<br />
peripatetic club night, a regular at the Spiegeltent,<br />
and now coming to Pride (or, more precisely the<br />
LoveBN1Fest on the Sunday) with its non-stop<br />
celebratory pop assault. 90s Swedish pop duo<br />
Roxette inadvertently provided what could be its<br />
tagline with the title of their Greatest Hits album:<br />
‘Don’t Bore Us, Get To The Chorus!’<br />
“Yeah, it’s pure sugar rush” says GP creator and<br />
host Sean Rowley. “It all started 14 years ago<br />
when I had a show on BBC London Radio, a show<br />
with real credibility, and within the show we started<br />
a slot for reclaiming songs you loved but that it<br />
was deemed slightly shameful to love. There was<br />
very much one foot in the 70s then: songs like Oh<br />
Lori by the Alessi Brothers, Bee Gees songs, Lido<br />
Shuffle by Boz Scaggs. It all took off from there.<br />
Over the years we’ve evolved, by nature of being<br />
a massive Saturday night club brand, so that now<br />
we’re very much rooted in pop from the 90s, the<br />
noughties and even contemporary stuff. It’s all<br />
very much verse-chorus, out, and on to the next.<br />
Someone described it<br />
brilliantly, saying that<br />
what we do is like throwing<br />
raw meat to the<br />
lions. More! Not that I<br />
ever had a masterplan.”<br />
Sean’s on the cover<br />
of Oasis’s 1995 album<br />
(What’s The Story) Morning<br />
Glory? walking down<br />
Soho’s Berwick Street.<br />
Before then he was<br />
Bananarama’s plugger, getting them slots on telly.<br />
He was a hardcore triathlete and he once swam<br />
the channel. These days, Eckhart Tolle’s Power<br />
Of Now is “my bible”, he meditates daily, uses the<br />
Headspace app, and has a radio show on BBC<br />
Radio Kent, that does indeed play obscure album<br />
tracks that sometimes don’t have an obvious<br />
chorus. On Saturdays, though, at London’s Koko,<br />
and at festivals from Glastonbury to Latitude, his<br />
Guilty Pleasures persona is foregrounded.<br />
“We have performers, too – at Pride we’ve a drag<br />
queen dance group, Glitter Heat, who perform<br />
to Bonnie Tyler songs. At festivals we’ll throw in<br />
John Paul Young’s Love Is In The Air, which was<br />
always obligatory in the early days. If there’s one<br />
song that’s been a constant, it’s probably Don’t<br />
Stop Me Now by Queen. In 1978 when it came out,<br />
Queen were naff. I remember back then, thinking<br />
‘I don’t like Queen. But I love this!’ We could dissect<br />
the concept, but it simply works. I remember<br />
looking out on the dancefloor years ago and there<br />
were various members of the band The Strokes<br />
dancing with Vanessa Feltz. I thought ‘f*** me,<br />
I’m onto a winner here!’”<br />
Andy Darling<br />
LoveBN1 Fest, Sunday 5th August<br />
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