Viva Brighton Issue #65 July 2018
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SARAH ARNETT<br />
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quite static. I like that sort<br />
of taxidermy look, where<br />
things are very composed;<br />
I’ve never been fascinated by<br />
the movement of the animals.<br />
I like the way they created<br />
a kind of scene in each of<br />
those big cabinets: a bird<br />
flying up here and a snake<br />
slithering down there. When<br />
I’m drawing it feels a little bit<br />
like that.”<br />
Earlier this year, Sarah<br />
launched her first collection<br />
of wallpaper designs and<br />
she’s busy working on the<br />
second. “I also create bespoke<br />
wallpaper,” she says. “I’ll<br />
go out and have a look at a<br />
space and then create the<br />
wallpaper specifically for<br />
that room, so it’s engineered<br />
around the architecture,<br />
the doorframes, the<br />
mantelpiece. I spent<br />
nearly two years<br />
working on<br />
a beautiful<br />
Regency<br />
building on the<br />
seafront, where<br />
the wallpaper<br />
design started in<br />
one room and grew<br />
into the next. It was<br />
an interesting creative<br />
process.”<br />
And there’ll be another<br />
opportunity to see some<br />
of Sarah’s work out on the<br />
streets of <strong>Brighton</strong> in the<br />
autumn: following on from<br />
the popular Snowdogs by<br />
the Sea art trail (where<br />
Sarah’s decorated dog, Max,<br />
raised a whopping £22,000<br />
for Martlets) Snailspace –<br />
an installation of 50 giant<br />
snail sculptures – will be<br />
popping up around the city in<br />
September. “I’ve just finished<br />
the design for my snail,”<br />
Sarah says, “but I can’t say<br />
anything about that till the<br />
big reveal...” Keep your eyes<br />
peeled. Rebecca Cunningham<br />
saraharnett.co.uk<br />
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