27.06.2018 Views

Viva Brighton Issue #65 July 2018

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CLASSICAL MUSIC<br />

.............................<br />

A celebration of Puccini<br />

Conductor Mark Andrew James<br />

How long has the Sussex Symphony Orchestra<br />

been going? We started up 25 years ago<br />

when we realised the region needed a superb orchestra<br />

which was representative of all the talent<br />

we have in the area. We’ve performed hundreds<br />

of concerts over the years… In 1995 we did no<br />

fewer than 14. It’s settled down to six or seven a<br />

year, now. We’ve worked with some marvellous<br />

performers in that time, from Lesley Garret to<br />

Aled Jones. Nigel Kennedy is our Orchestra<br />

President. He’s got local connections… his mum<br />

lives in Fulking.<br />

Why are you putting on a Giacomo Puccini<br />

celebration? We’re very loyal to our audiences,<br />

and we’ve had a lot of requests to return to Puccini.<br />

He’s extremely popular, extremely accessible,<br />

and a wonderful composer. He speaks to people.<br />

He can make you go through all the emotions.<br />

He takes you in, he winds you up, he lets you go.<br />

And quite a character… Yes, a women’s man,<br />

who liked cigars, and fast cars. He was nearly<br />

killed in a car crash, but it was the cigars that<br />

finished him off.<br />

And I understand he’s going to be on the<br />

stage… One element of the evening is that we’ve<br />

got the actor Richard Hawley playing Puccini<br />

and addressing the audience. It’s quite a departure<br />

for Richard… you’d be more likely to see him in<br />

Coronation Street.<br />

I guess you’ll do a lot of the popular stuff…<br />

We’re actually starting with an aria from Le Villi,<br />

his first work, which doesn’t get performed that<br />

often nowadays. But of course we’ll be performing<br />

pieces from ‘the big four’: La Bohème, Tosca,<br />

Madama Butterfly and Turandot. Turandot has to<br />

be my favourite. I was privileged enough to see<br />

it performed at the Met, conducted by James<br />

Levine. I can still see it like it was yesterday.<br />

It was jaw-dropping. Completely and utterly<br />

marvellous.<br />

Is Puccini difficult to stage? Well Madama<br />

Butterfly is set in Japan, and Turandot in China,<br />

but we’re going to be setting the scene with<br />

clever lighting, and a lot of different costumes.<br />

The singers will be doing a lot of quick changes<br />

behind the scenes.<br />

You’ve played in <strong>Brighton</strong> Dome before…<br />

Indeed, and it’s much improved as a venue since<br />

its refurbishment. At one point we’re going to<br />

have bells ringing from all four corners of the<br />

hall, it’s going to be stupendous. The most difficult<br />

thing about the Dome is its size… there are<br />

1,628 seats to fill. We’re working on that…<br />

And it’s all in a good cause… We<br />

raise a lot of money for charity,<br />

and this year it’s Cancer Research<br />

UK. There aren’t many people who<br />

haven’t been touched by the disease<br />

in their lives.<br />

What’s your personal favourite<br />

Puccini piece? He was all<br />

about heart-rending arias,<br />

rather than big choruses,<br />

and my favourite is<br />

Doretta’s Dream from La<br />

Rondine. Oh my God, it’s<br />

sublimely beautiful. If<br />

you haven’t heard it, get<br />

onto YouTube straight<br />

away. Alex Leith<br />

<strong>Brighton</strong> Dome, 6pm,<br />

15th <strong>July</strong><br />

....51....

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!