Viva Brighton Issue #65 July 2018
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CLASSICAL MUSIC<br />
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A celebration of Puccini<br />
Conductor Mark Andrew James<br />
How long has the Sussex Symphony Orchestra<br />
been going? We started up 25 years ago<br />
when we realised the region needed a superb orchestra<br />
which was representative of all the talent<br />
we have in the area. We’ve performed hundreds<br />
of concerts over the years… In 1995 we did no<br />
fewer than 14. It’s settled down to six or seven a<br />
year, now. We’ve worked with some marvellous<br />
performers in that time, from Lesley Garret to<br />
Aled Jones. Nigel Kennedy is our Orchestra<br />
President. He’s got local connections… his mum<br />
lives in Fulking.<br />
Why are you putting on a Giacomo Puccini<br />
celebration? We’re very loyal to our audiences,<br />
and we’ve had a lot of requests to return to Puccini.<br />
He’s extremely popular, extremely accessible,<br />
and a wonderful composer. He speaks to people.<br />
He can make you go through all the emotions.<br />
He takes you in, he winds you up, he lets you go.<br />
And quite a character… Yes, a women’s man,<br />
who liked cigars, and fast cars. He was nearly<br />
killed in a car crash, but it was the cigars that<br />
finished him off.<br />
And I understand he’s going to be on the<br />
stage… One element of the evening is that we’ve<br />
got the actor Richard Hawley playing Puccini<br />
and addressing the audience. It’s quite a departure<br />
for Richard… you’d be more likely to see him in<br />
Coronation Street.<br />
I guess you’ll do a lot of the popular stuff…<br />
We’re actually starting with an aria from Le Villi,<br />
his first work, which doesn’t get performed that<br />
often nowadays. But of course we’ll be performing<br />
pieces from ‘the big four’: La Bohème, Tosca,<br />
Madama Butterfly and Turandot. Turandot has to<br />
be my favourite. I was privileged enough to see<br />
it performed at the Met, conducted by James<br />
Levine. I can still see it like it was yesterday.<br />
It was jaw-dropping. Completely and utterly<br />
marvellous.<br />
Is Puccini difficult to stage? Well Madama<br />
Butterfly is set in Japan, and Turandot in China,<br />
but we’re going to be setting the scene with<br />
clever lighting, and a lot of different costumes.<br />
The singers will be doing a lot of quick changes<br />
behind the scenes.<br />
You’ve played in <strong>Brighton</strong> Dome before…<br />
Indeed, and it’s much improved as a venue since<br />
its refurbishment. At one point we’re going to<br />
have bells ringing from all four corners of the<br />
hall, it’s going to be stupendous. The most difficult<br />
thing about the Dome is its size… there are<br />
1,628 seats to fill. We’re working on that…<br />
And it’s all in a good cause… We<br />
raise a lot of money for charity,<br />
and this year it’s Cancer Research<br />
UK. There aren’t many people who<br />
haven’t been touched by the disease<br />
in their lives.<br />
What’s your personal favourite<br />
Puccini piece? He was all<br />
about heart-rending arias,<br />
rather than big choruses,<br />
and my favourite is<br />
Doretta’s Dream from La<br />
Rondine. Oh my God, it’s<br />
sublimely beautiful. If<br />
you haven’t heard it, get<br />
onto YouTube straight<br />
away. Alex Leith<br />
<strong>Brighton</strong> Dome, 6pm,<br />
15th <strong>July</strong><br />
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