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The Deli NYC #55 - Half Waif, NYC MixCon 2018

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<strong>The</strong> <strong>Deli</strong> Magazine is a trademark of <strong>The</strong> <strong>Deli</strong> Magazine, LLC, Brooklyn & Mother West, <strong>NYC</strong>. All contents ©<strong>2018</strong> <strong>The</strong> <strong>Deli</strong> Magazine. All rights reserved.<br />

the deli<br />

nyc emerging bands and gear<br />

Issue <strong>#55</strong> Vol. #3 Summer <strong>2018</strong> thedelimag.com<br />

Editor In Chief / Publisher<br />

Paolo De Gregorio<br />

Founder<br />

Charles Newman<br />

art director<br />

Kaz Yabe ( www.kazyabe.com)<br />

executive Editor<br />

quang d. tran<br />

assistant editor<br />

Tucker Pennington<br />

Cover photography<br />

Tonje Thilesen<br />

hip-hop editor<br />

Jason Grimste (aka brokemc)<br />

Web Developer<br />

Binod Lamsal<br />

Extra Editing<br />

Christopher Scapelliti<br />

Contributing Writers<br />

Ethan Ames<br />

Ben Apatoff<br />

Mackenzie Cummings Brady<br />

Cameron Carr<br />

Dave Cromwell<br />

Geena Kloeppel<br />

Lilly Milman<br />

Amanda Ogea<br />

Meghan Rose<br />

William Sisskind<br />

Henry Solotaroff-Webber<br />

<strong>The</strong> Kitchen<br />

Christopher Scapelliti<br />

Brandon Stoner<br />

intern<br />

Lily Crandall<br />

Publishers<br />

<strong>The</strong> <strong>Deli</strong> Magazine, LLC<br />

Mother West, <strong>NYC</strong><br />

Advertising Inquiries:<br />

paolo.dg@thedelimag.com<br />

Press Inquiries:<br />

info@thedelimagazine.com<br />

Table of Contents<br />

p.6 Fresh Buzz<br />

p.8 Records of the Month<br />

p.10 Feature: <strong>NYC</strong> Record Industry<br />

p.18 <strong>Half</strong> <strong>Waif</strong><br />

p.20 Recording <strong>Half</strong> <strong>Waif</strong>’s Lavender<br />

p.22 Bands + Gear<br />

p.28 <strong>NYC</strong> <strong>MixCon</strong><br />

Since the turn of the millennium, both<br />

the record and recording industries have<br />

gone through a major upheaval.<br />

Because of the collapse of physical media<br />

sales (CDs) and the minimal margins<br />

on streaming, the record industry is a lot<br />

smaller than it used to be, but it seems to<br />

have now found its footing.<br />

In this issue we interviewed four Brooklyn<br />

label insiders about how they operate<br />

within this new scenario. <strong>The</strong> result is a<br />

feature many of our musician readers<br />

should find informative, and at times<br />

even surprising.<br />

Recording also went through a similar<br />

transition caused by the rise of home<br />

recording, which empowered the artist—<br />

while killing many professional studios.<br />

<strong>The</strong> advice we’ll be providing for musicians<br />

about recording is even better: six<br />

live classes about mixing with some of<br />

the best producers in the world, at the<br />

fourth edition of the <strong>NYC</strong> Mixcon, hosted<br />

at the Manhattan Center on July 21-22.<br />

Hope to see you there!<br />

Paolo De Gregorio<br />

Editor in Chief

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