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msaxiobi fokusSi: jankarlo janini<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI<br />

L’INNOCENTE<br />

udanaSaulo italia / <strong>safrangeTi</strong> 1976<br />

Director:<br />

Luchino Visconti<br />

Screenplay:<br />

Suso Cecchi D’Amico, Enrico Medioli,<br />

Luchino Visconti<br />

Cinematography:<br />

Pasqualino De Santis<br />

Costumes:<br />

Piero Tosi<br />

Editing:<br />

Ruggero Mastroianni<br />

Producer:<br />

Giovanni Bertolucci, Lucio Trentini<br />

Cast:<br />

Giancarlo Giannini, Laura Antonelli,<br />

Jennifer O’Neill<br />

THE INNOCENT ITALY / FRANCE 1976<br />

125 124 wT, feradi<br />

125 124 min, colour<br />

viskontis ukanaskneli filmi „udanaSaulo“ aristokratuli Sovinizmisa da ormagi<br />

stardartebis istoriaa. mdidari tulio ermili arafers akeTebs sazogadoebisa<br />

da megobrebis Tvalwin sayvarelTan arSiyobis garda. magram rodesac misi gariyuli<br />

meuRle sasiyvarulo urTierTobas gaabams axalgazrda mweralTan, es moarSiye<br />

aristokratisTvis autaneli gaxdeba.<br />

Filmography (selected)<br />

1976 The Innocent<br />

1971 Death in Venice<br />

1969 The Damned<br />

1967 The Stranger<br />

1965 Sandra<br />

1963 The Leopard<br />

1960 Rocco and his Brothers<br />

1957 Le notti bianche<br />

1954 Senso<br />

1951 Bellissima<br />

1948 La terra trema<br />

1943 Obsession<br />

reJisori:<br />

lukino viskonti<br />

scenari:<br />

suso Ceki damiko, enriko<br />

medioli, lukino viskonti<br />

operatori:<br />

paskualino de santisi<br />

kostiumebi:<br />

piero tosi<br />

montaJi:<br />

rujero mastroiani<br />

prodiuseri:<br />

jovani bertoluCi,<br />

luCo trentini<br />

monawileoben:<br />

jankarlo janini, laura<br />

antoneli, jenifer onili<br />

Production:<br />

Rizzoli Film, Les Films Jacques Leitienne,<br />

Imp.Ex.Ci.<br />

Visconti’s final film “Innocent” is a haunting account of aristocratic chauvinism and sexual double<br />

standards in turn of the century Italy. Wealthy Tullio Hermili thinks nothing of squiring his mistress<br />

in full view of his friends and the public. But when his cast-off wife begins an affair with a young<br />

novelist, it is too much for the philandering aristocrat.<br />

lukino viskonti<br />

LUCHINO VISCONTI<br />

(1906 –1976)<br />

italiuri Teatris, operisa da kinos reJisori. daibada<br />

modronis hercogis, CrdiloeTi italiis erT-erT umdidres<br />

ojaxSi. 1940-50-ian wlebSi sxva kinoreJisorebTan erTad Camoayaliba<br />

moZraoba „italiuri neorealizmi“. „cduneba“ (1943) misi<br />

pirveli neorealisturi filmi iyo, romelic araoficialurad<br />

dafuZnebuli iyo jeims keinis romanze „fostalioni yovelTvis<br />

orjer rekavs“, ris gamoc is amerikaSi akrZales. „udanaSaulo“<br />

viskontis ukanaskneli filmia. misi gardacvalebis Semdeg kun-<br />

Zul iskiaze lukino viskontis saxelobis muzeumi daarsda.<br />

Italian theatre, opera and cinema director. He was born into one of Northern<br />

Italy’s richest families as one of the Duke of Modrone’s seven children.<br />

Visconti developed the movement of “Italian neo-realism” together with<br />

other directors such as Vittorio De Sica or Roberto Rossellini in the 1940s<br />

and 1950s. OSSESSION (1943), the first neorealist movie was banned in the<br />

United States, an unofficial adaptation of the novel “The Postman Always<br />

Rings Twice”. THE INNOCENT is his last film.<br />

101

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