Art in its Time: Theories and Practices of Modern Aesthetics

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Adams, Abigail 48 Adorno, Theodor 5f, 87, 89 n. 6, 103 n. 61, 121, 127, 132 n. 51, 150, 152 aesthetics 24, 39ff, 46f, 119ff; American Society for 119, 132f Alloway, Lawrence 121, 137 American Abstract Artists 156 Antiquity 10, 12, 22, 25, 40, 97, 110 Ardenne, Paul 132, 151 n. 60 art: abstract 4, 123, 154ff; aspect of modernity 4, 11f, 24, 98, 108, 133; autonomy of 3, 21, 44f, 47, 54, 83, 94, 102, 106, 121f, 125, 132, 140, 161, 177, 181; contrast with everyday life 1f, 45, 110, 135, 137ff, 151, 169f, 172f; history 47, 100, 139f, 173; resists modernity 44, 117, 127, 149, 154; theory 125, 136, 150; see also fine art Ashton, Sir Leigh 163f aura 93ff, 97ff, 102f Baillie, John 62 Barrell, John 36 Barthélémy, Jean-Jacques 32ff Baudelaire, Charles 12f, 16, 18, 45, 75f, 101, 166ff Beaton, Cecil 152, 155, 165 n. 32, 168, 171f beauty 43, 48ff Becq, Annie 50 Bell, Clive 120, 169 Benjamin, Walter 23, 87ff, 141f Benton, Thomas Hart 120, 155f, 161 Bourdieu, Pierre 25, 122f, 128 n. 40, 129f, 165, 170, 174ff; concept of habitus 5, 175, 177 Buchloh, Benjamin 125f, 141 n. 20, 148ff Burke, Edmund 48ff, 61f, 64f INDEX 183 Cahn, Walter 97f Choate, Joseph C. 116 Clark, T. J. 9, 152ff, 165, 169ff Cleland, John 48 n. 6 commerce: contrast with agricultural economy 31, 33f; effect on patriotism 29f Conceptualism 125f, 127 n. 32, 128 Coplans, John 144ff Crone, Rainer 141ff Crow, Thomas 37 n. 48, 127 n. 32, 144ff, 171 Crown, Patricia 38 n. 54 culture 12, 75; popular 178 Dahlhaus, Carl 71 Danto, Arthur 25, 120, 130 n. 46, 134ff David, Jacques-Louis 62ff da Vinci, Leonardo 52f, 126 Davis, Natalie Zemon 60f Davis, Stuart 156 de Chassey, Eric 156 n. 6, 162 n. 23 decorativeness 159ff de Duve, Thierry 125 Degas, Edgar 168 Delacroix, Eugène 18, 68, 71 Derain, André 16f Dewey, John 120 Dickie, George 120f Diderot, Denis 27, 33f, 36 Diller, Burgoyne 160 n. 15 DiMaggio, Paul 109 n. 3, 111; and Michael Useem 114 n. 17 division of labor 30, 32, 43 Dorner, Alexander 95f, 102, 120 n. 3, 182 Duchamp, Marcel 120, 124f, 136, 157 Duncan, Carol 72; and Alan Wallach 96 n. 33
Eagleton, Terry 3 Eberlein, K. K. 95f effeminacy 32, 38, 63 n. 55 emulation 99, 164 fashion 164ff fine art: contrast with “agreeable” arts 41; with “mechanical” arts 36, 106; with “popular” art 39f, 111, 131 Foster, Hal 126f Fox, Daniel 109, 110 n. 7 freedom 4, 41ff, 75, 106f, 130, 179 Fried, Michael 123 Gautier, Théophile 75 genius 4, 47f, 53, 77, 98, 105, 106, 169 Gleizes, Albert: and Jean Metzinger 160 Goethe, J. W. von 70 Goodman, Nelson 7, 90f Graham, John 156 Greenberg, Clement 12, 24, 27 n. 12, 41 n. 63, 103 n. 61, 121f, 126, 131, 152ff, 159, 168ff Gursky, Andreas 92 Guys, Constantin 168 Haacke, Hans 126, 130 n. 44, 179 Halle, David 178 n. 6 Haskell, Francis 27, 99 n. 44, 100 n. 50; and Nicholas Penny 97 n. 37, 99 n. 45, n. 47 Hegel, G. W. F. 74, 78 Herbert, Robert L. 62 n. 55, 65 n. 57 Higginson, Henry Lee 108, 110 Hirschman, A. O. 42 n. 67 Hume, David 26, 29, 32 n. 32, 174 Huxley, Aldous 158 ideology 2ff, 25, 102; embodied in art works 4f Ingres. J.-A.-D. 15 interest and disinterest 42 Iverson, Margaret 128 Ivins, W. M. 98, 100 Kant, Immanuel 41ff, 48 n. 6, 54ff, 72, 74, 106, 126, 131, 174 Kelly, Joan 60 n. 48 Kelly, Mary 128 Kennedy, John F. 112, 147 kitsch 24, 103 n. 61, 121 n. 8, 131, 169 Klutsis, Gustav 81f INDEX 184 Kosuth, Joseph 124f Kozloff, Max 129 Krauss, Rosalind 90ff Kristeller, P. O. 24, 47 Kruger, Barbara 129 Kubler, George 74 Lambert, Susan 93, 97, 100 n. 52 Le Corbusier (Charles-Edouard Jeanneret) 76f, 78ff, 82, 160 Léger, Fernand 79 Lenin, V. I. 81, 85 n. 37 Lessing, Gotthold 53ff, 99, 122 Levine, Sherrie 92 Le Witt, Sol 126, 131 n. 49 Lichtenstein, Roy 138f Longinus 28 n. 18, 62 luxury 28ff; and the arts 32ff Manet, Edouard 16, 18f, 168 Margolin, Victor 84f Marx, Karl 13, 15, 180 Masheck, Joseph 121 n. 7 Mercier, Sébastien 32 Minimalism 123, 139 Mitchell, W. J. T. 59, 87 modernism 9ff, 71, 112f, 115, 117, 127, 143, 152ff, 181 Moholy-Nagy, Laszlo 121, 143 Mondrian, Piet 158, 160f, 163, 167, 181 Montesquieu, 29 Morris, Robert 123f Motherwell, Robert 119 Moulin, Raymonde 117 n. 25, 123, 131 n. 49, 132 n. 50 Mozart, W. A. 65, 107 multiculturalism 114 National Endowment for the Arts 111ff, 117f New Deal 112, 115, 179 Newman, Barnett 71f, 119, 161 n. 19 Oldenburg, Claes 136 Ozenfant, Amédée 76f, 79 painting: in Holland 35f, 38f, 57f; mural vs. easel 157ff, 161f; and poetry 52ff; in Venice 35 Pears, Ian 38 n. 55 Phillips, Christopher 87f Picasso, Pablo 13ff
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ART IN ITS TIME Art writing normall
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First published 2003 by Routledge 1
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CONTENTS List of illustrations ix P
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PREFACE In writing this book I have
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1 INTRODUCTION The ten chapters tha
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INTRODUCTION ideology, as I am atte
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INTRODUCTION process as practically
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INTRODUCTION articulation of nonver
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2 SOME MASKS OF MODERNISM The days
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SOME MASKS OF MODERNISM which it di
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SOME MASKS OF MODERNISM chaotic mov
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SOME MASKS OF MODERNISM the faces o
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SOME MASKS OF MODERNISM Figure 2.2
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SOME MASKS OF MODERNISM Figure 2.3
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SOME MASKS OF MODERNISM private str
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SOME MASKS OF MODERNISM the artist
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ART AND MONEY action taken to turn
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ART AND MONEY Diderot’s version o
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ART AND MONEY Luxury and corruption
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ART AND MONEY financed not only by
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ART AND MONEY of Plato with whom th
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ART AND MONEY When a handful of spe
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ART AND MONEY might confuse the hon
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ART AND MONEY complaint about the r
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ART AND MONEY comparison with Kant
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ART AND MONEY experience of the bea
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ART AND MONEY worthy inheritors of
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BEAUTIFUL AND SUBLIME It is, we mus
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BEAUTIFUL AND SUBLIME strength. Cri
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BEAUTIFUL AND SUBLIME In Rousseau
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BEAUTIFUL AND SUBLIME two centuries
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BEAUTIFUL AND SUBLIME exemplified b
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BEAUTIFUL AND SUBLIME Figure 4.1 Jo
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BEAUTIFUL AND SUBLIME “beautiful
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BEAUTIFUL AND SUBLIME and political
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BEAUTIFUL AND SUBLIME The paintings
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BEAUTIFUL AND SUBLIME In this pictu
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world will be long in freeing itsel
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69 Figure 4.2 Eugène Delacroix, De
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BEAUTIFUL AND SUBLIME always has a
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the sublime and the beautiful—cal
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THE RATIONALIZATION OF ART “Spiri
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THE RATIONALIZATION OF ART als, wit
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THE RATIONALIZATION OF ART The dist
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THE RATIONALIZATION OF ART members
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THE RATIONALIZATION OF ART image, e
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THE RATIONALIZATION OF ART which de
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6 MECHANICAL REPRODUCTION IN THE AG
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MECHANICAL REPRODUCTION Almost none
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MECHANICAL REPRODUCTION models were
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MECHANICAL REPRODUCTION But we are
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MECHANICAL REPRODUCTION They repres
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MECHANICAL REPRODUCTION have alread
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MECHANICAL REPRODUCTION And they pr
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MECHANICAL REPRODUCTION It is evide
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MECHANICAL REPRODUCTION order of be
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MECHANICAL REPRODUCTION triumph as
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PORK AND PORCELAIN extent not only
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PORK AND PORCELAIN support of the B
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PORK AND PORCELAIN for the distinct
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PORK AND PORCELAIN of the very rich
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PORK AND PORCELAIN ment censorship
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PORK AND PORCELAIN private foundati
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8 THE AESTHETICS OF ANTI-AESTHETICS
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THE AESTHETICS OF ANTI-AESTHETICS o
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THE AESTHETICS OF ANTI-AESTHETICS
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THE AESTHETICS OF ANTI-AESTHETICS p
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THE AESTHETICS OF ANTI-AESTHETICS p
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THE AESTHETICS OF ANTI-AESTHETICS O
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THE AESTHETICS OF ANTI-AESTHETICS r
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Page 148 and 149: THE PHILOSOPHY OF ANDY WARHOL Warho
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Page 152 and 153: THE PHILOSOPHY OF ANDY WARHOL print
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Page 156 and 157: THE PHILOSOPHY OF ANDY WARHOL 1989
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Page 162 and 163: Buchloh sees the political limitati
Page 164 and 165: THE PHILOSOPHY OF ANDY WARHOL conte
Page 166 and 167: THE AVANT-GARDE IN FASHION Figure 1
Page 168 and 169: THE AVANT-GARDE IN FASHION recast a
Page 172 and 173: Such a view is more plausible in re
Page 174 and 175: THE AVANT-GARDE IN FASHION “strip
Page 178 and 179: THE AVANT-GARDE IN FASHION the unif
Page 180 and 181: THE AVANT-GARDE IN FASHION long con
Page 182 and 183: THE AVANT-GARDE IN FASHION had its
Page 184 and 185: THE AVANT-GARDE IN FASHION wrong. A
Page 186 and 187: THE AVANT-GARDE IN FASHION One can
Page 188 and 189: CLASSLESS TASTE home or being aroun
Page 190 and 191: CLASSLESS TASTE Burning call “aca
Page 192 and 193: CLASSLESS TASTE It would be pervers
Page 194 and 195: CLASSLESS TASTE ing, as the boundar
Page 198: play 41ff Pocock, J. G. A. 28 n. 16
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Art in its Time: Theories and Practices of Modern Aesthetics

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